Diego Serrano Movies

A Turkish special agent vows revenge against the evil American CIA agent who masterminded the humiliating raid on an undercover Turkish unit aiding the War on Terror in director Serdar Akar's controversial action film. It was July 4, 2003, when U.S. forces surrounded the headquarters of a clandestine Turkish unit operating in the northern Iraqi city of Sulaymaniyah and humiliated their partners in the War on Terror by marching out the agents with hoods over their heads before inexplicably deporting their mortified allies. Soon after detailing the harrowing event in a letter to his friend Polat (Necati Sasmaz), disgraced Turkish officer Suleyman Aslan (Tayfun Eraslan) shamefully ends his own life with one fatal shot to the head. Now determined to make the man responsible for the raid pay for his overzealous transgression, Polat rounds up loyal pals Memati (Gurkan Uygun) and Abdulhey (Kenan Coban) for a revenge mission that will take them across the border of Kurdistan and directly into the dark heart of the War on Terror. Upon arriving in Iraq to target secret CIA unit head Sam William Marshall (Billy Zane), Polat and friends watch horrified as the Christian fanatic raids a local wedding party where both the groom and a young boy are carelessly gunned down on little more than a hunch that terrorists may be seeking anonymity within the crowd. Though she is warned by her adoptive father (Ghassan Massoud), a tolerant Muslim leader, that to seek revenge against Agent Marshall would be to go against the teachings of Islam, widowed bride Leila (Berguzar Korel) is subsequently consumed by her own hunger for vengeance. In the days that follow, Polat, Memati, and Adbulhey enter into a deadly game of cat and mouse with the psychotic CIA operative that culminates with a violent confrontation in a nearby village. ~ Jason Buchanan, Rovi

This Hallmark Channel TV movie is one of a series starring John Larroquette as McBride (no first name), a hard-nosed cop turned compassionate defense lawyer, specializing in "lost causes." A brutal murder has been committed, and the victim is prominent Beverly Hills madam Heather Bradley. The most likely suspect (who of course is McBride's client) is virginal Omaha girl Marilyn Fletcher (Claire Coffee), a failed actress who out of desperation became a call girl, and who may have been seeking vengeance against Heather after her first "John", who was supposed to have been gentle and respectable, turned out to be anything but. Poring through the dead woman's cryptic e-mails, McBride finds out that she was not only a procurer, but also a big-time blackmailer--and thus the suspect list grows by leaps and bounds! McBride: It's Murder, Madam debuted March 4, 2005. ~ Hal Erickson, Rovi

There's a showdown at the hospital. Navi (Nestor Serrano) is holding Behrooz (Jonathan Ahdout) hostage. He's afraid to kill him because he thinks Dina (Shohreh Aghdashloo) will tell the authorities everything if he does. Meanwhile, Dina warns Jack (Kiefer Sutherland) that if he doesn't save Behrooz, she'll do nothing to help him find the override. Eventually it all ends with Behrooz in custody, at which point Dina admits that she doesn't actually know where the override is. She gives them an address where the family got their assignments, and Jack and Tony (Carlos Bernard) go to investigate. They find an underground bunker with some plans involving the kidnapping and the override. Sarah (Lana Parrilla), having worked out a deal for Driscoll (Alberta Watson) to compensate her for being wrongfully accused and tortured, notices that the CFO of the company that owns the building is none other than Paul Raines (James Frain), Audrey's (Kim Raver) husband. Jack asks Audrey to call Paul and find out where he is, so that Jack can pick him up for questioning. When Audrey learns that Paul is about to leave town, she agrees to meet with him to discuss getting back together. Meanwhile, Marianne (Aisha Tyler) tells Curtis (Roger R. Cross) that she can access a file in Powell's office with information that might lead them to the override. Curtis suspects that a trap awaits, but he agrees to take her there. Tony heads back CTU, where Driscoll agrees to temporarily reinstate him. ~ Josh Ralske, Rovi

Writer/director Nancy Savoca, who wrote and directed Household Saints and True Love, handles the same duties in this tale of Grace Santos (Rosie Perez). The producer of a New York City local morning show targeted at women, Grace has an active professional life under the watch of her executive producer, Joan Marshall (Patti LuPone), that already intersects her personal life as she is married to co-host Eddie Diaz (Diego Serrano). When the other co-host, Margo (Karen Duffy), reveals Grace's pregnancy on- air, Joan seizes the opportunity to monitor Grace's development on the show. The ratings grow along with Grace, as the show pursues such topics as "The ABC's of C-Sections" and "You & Your Epidural." While Grace takes comfort in her marriage and her new assistant Madeline (Marianne Jean-Baptiste), who has just returned from six years of raising her young children, Grace worries about the needs of her unborn child versus her much-loved career and Eddie's beckoning film career. Her fears realized through her daughter's first year, Grace must determine what it means to be a "24-Hour Woman." ~ Chris Gore, Rovi

Bermuda-born Alison Swan, a NY documentary filmmaker, made her dramatic feature directorial debut with this comedy-drama, a low-budget look at racial identities. With divorced parents (white attorney father and black mother), Nia (Karyn Parsons) grew up in Westchester Country. Employed as an upwardly mobile advertising copywriter, she hangs out with both black and white friends. Irritated by an ad campaign to spur ghetto blacks to consume alcohol, she quits her job with plans to write a book. Stirring the racial mix, she sets out to find her own identity. Shown at the 1998 New York Women's Film Festival. ~ Bhob Stewart, Rovi