Maria Fiore Movies
When their parents die, Bruno's fourteen-year old sister Irene is in danger of being sent to a state orphanage, despite the fact that Bruno is twenty-four years old and legally able to act as her guardian. Perhaps the fact that he has no visible means of support is a major factor. Rather than hand her over to the tender mercies of the state, the two of them run off together and support themselves through a life of petty thievery. Bruno is a diabetic who has been growing progressively sicker, and though various odd types come into and out of their lives, in the end it is Irene who takes care of her brother rather than the other way round. ~ Clarke Fountain, All Movie Guide
Carefully side-stepping a full condemnation of Italy's notorious, 1980's cult leader Ebe Giorgini, this docudrama tells the story of her rise to religious power from the point of view of a distraught father of one of Ebe's cult members. The father was never around to develop much of a relationship with his daughter, and for that reason she has taken up as a novitiate with "Mamma Ebe," whose dubious lifestyle includes two husbands, at least one probable lover, and champagne cruises on her yacht. Worse than these private details of her life are the examples of sadistic physical abuse that millionaire "Mamma Ebe" meted out to her charges when she was displeased by their actions, or the fact that she makes her novitiates work 18-hour days. After this docudrama wrapped, Ebe Giorgini was sentenced to serve time for her activities, a sentence later commuted to house arrest. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Berta Dominguez, Stefania Sandrelli, (more)
Cult filmmaker Umberto Lenzi directed this bloody, gangster-oriented thriller starring Tomas Milian in a rare sympathetic role as Rambo, a principled biker who runs afoul of a blind crimelord (Joseph Cotten). The plot is standard Italian crime fare, but Milian's performance alone makes this gritty effort worth seeing for genre devotees. Shirley Corrigan, Ida Galli (as Evelyn Stewart), and Femi Benussi co-star, and Vincenzo Mannino wrote the hard-edged script. ~ Robert Firsching, All Movie Guide
- Starring:
- Tomas Milian, Joseph Cotten, (more)
Vittorio Gassman stars as different characters in each of the nine episodes of this unusual Italian comedy. Playing everything from a practical joker to a prisoner, he comments upon romance, love and women in general, as referred to by the title. Prior to this feature, Gassman had worked with both screenwriter Ruggero Maccari and Ettore Scola (who also co-wrote rather than directed) in the 1962 feature Il Sorpasso from director Dino Risi. It was Risi and Maccari's teamwork which helped Gassman win a "Best Actor" award at Cannes Film Festival in 1974 for Profumo di Donna/Scent of a Woman. Gassman would later work with Maccari and Ettore again in episodic fashion with Signore e Signori Buonanotte/Goodnight, Ladies and Gentlemen (1976) and yet again in the drama Famiglia (1987). ~ Kristie Hassen, All Movie Guide
In this fantasy/actioner, beefy Thor takes on Amazon women and their wicked Queen Nera. ~ Kristie Hassen, All Movie Guide
Unlike many multistoried films of the 1950s, Gran Varieta is the handiwork of a single solitary director--though five writers collaborated on the screenplay. The film is divided into five separate playlets, all unified by a "backstage" theme. In the first, Maria Fiore plays an aspiring singer who gets more than she bargains for upon attaining stardom. The second tale involves quick-change artist Alberto Sordi, who is successful in love only when he decides to be "himself". Carlo Croccolo stars in the third segment as a variety performer whose "soldier act" results in his early demise. The fourth (and best) story features Vittorio DeSica as a once-famous actor, now on the skids. Gran Varieta concludes with a satirical story about a fascist-government censor, played by Renato Rascal, who has his work cut out for him when he tries to clean up a girlie show. ~ Hal Erickson, All Movie Guide
- Starring:
- Maria Fiore, Alberto Sordi, (more)
Carosello Napoletano was the first major Italian musical of the postwar era. The title, which translates to Neopolitan Carousel, refers to a family of street singers. The story covers a century or so in the lives of this family, with ample screen time given over to romance and heartbreak. Basically an "inventory musical", the film spotlights several well-known Neopolitan tunes, given sprightly performances by the cast. The uncredited voice of famed tenor Beniamino Gigli is heard from time to time for the benefit of his legions of fans. At 125 minutes, Carosello Napoletano tends to wear on the viewer at times, though lovers of popular Neopolitan music and dance will get their fill. ~ Hal Erickson, All Movie Guide
- Starring:
- Paolo Stoppa, Clelia Matania, (more)
Melody of Love was designed as a showcase for the splendid singing of Roman radio star Giacomo Rondinella. The star plays an impecunious young man whose romance with Maria Fiore is jeopardized by Maria's wealthy father Giovanni Grasso. Papa has selected handsome, apparently respectable Mirko Ellis as a potential son-in-law, but Maria is steadfast in her love for Rondinella. When it turns out that Ellis is actually a notorious drug smuggler, Grasso has an instantaneous change of heart. There's also a "funny" subplot involving an obscure Italian comedy team, of which the less said the better. ~ Hal Erickson, All Movie Guide
- Starring:
- Maria Fiore, Giovanni Grasso, Jr., (more)
This Italian anthology is comprised of five separate episodes. In the first tale, two impoverished parents must leave their baby because they cannot afford to feed it. The second concerns two aristocrats who have fallen into poverty and end up reunited when they both are cast as extras in a movie. The third tale centers upon a priest as he attempts to counsel a suicidal woman. The next tale looks at a happy cabby. Finally, a beautiful woman tries to evade an obsessed stalker with a video camera. ~ Sandra Brennan, All Movie Guide
Due Soldi di Speranza is better known by its English-language titles Two Pennies of Hope and Two Cents Worth of Hope. The film was the third in director Renato Castellani's "young love" trilogy (the first two being Sotto il sole di Roma and E Primavera). Filmed on location near Naples, the story concerns the romance between Carmela (Maria Fiore) and Antonio (Vincenzo Musolino). The ardor is one-sided at first, but Carmela is a determined young woman, willing to scale and conquer any obstacle in pursuing her heart's desire. Once he's "hooked," Antonio scurries from job to job to prove his financial viability. Faced with the hostility of their parents, Carmela and Antonio symbolically shed themselves of all responsibilities to others in a climactic act of stark-naked bravado. Due Soldi di Speranza won the 1952 Best Film award at the Cannes Festival. ~ Hal Erickson, All Movie Guide
- Starring:
- Maria Fiore










