Greg Finley Movies

Diary of a Mad Black Woman mastermind Tyler Perry turns the familiar Cinderella tale on its head with this story concerning a successful female attorney who falls in love with a financially strapped mechanic. Monty (Idris Elba) is struggling mechanic and single father of three from a poor neighborhood. Upon learning that custody of his beloved daughters has been awarded to his morally bankrupt, drug-dealing ex-wife Jennifer (Tasha Smith), desperate Monty enlists the aid of beautiful Ivy league-educated lawyer Julia (Gabrielle Union) -- whom he recently met during his brief stint as a chauffeur -- in ensuring that his daughters remain with him in a stable and loving environment. Despite the vast social and economical differences that divide them, Monty and Julia soon begin to find themselves unexpectedly falling in love with one another as they work together to save Monty's daughters from a life of crime and corruption. Now, in order to reconcile their blossoming romance and overcome the forces that threaten to destroy the only thing that Monty holds dear, the concerned father and powerful lawyer will have to bridge the gap that divides them by coming together to prove that true love really does have the power to prevail. ~ Jason Buchanan, All Movie Guide

A middle-aged man finds a callow twentysomething usurping his professional life and worming his way into his family in this alternately funny and poignant comedy drama. Dan Foreman (Dennis Quaid) is a middle-aged man who has spent 20 years as the head of advertising sales for Sports America, a leading athletics magazine. Dan is happily married to Ann (Marg Helgenberger) and has a college-age daughter, Alex (Scarlett Johansson), whom he dotes on, but Dan's comfortable life is given a major shake-up when a large multimedia firm buys the magazine. Seen as a bit long in the tooth to be truly competitive, Dan is demoted to second in command of advertising, and his position is handed over to Carter Duryea (Topher Grace), a 26-year-old who talks a good game about sales but has no practical experience in the field. Dan's wounded ego makes working with the arrogant Carter an uphill battle, but when he learns that Ann is expecting another baby, Dan is in no position to quit. Before long, Dan becomes aware of Carter's intense insecurities about his new job as the younger man reaches out to him for guidance, but this doesn't make Dan any less angry when Carter begins a romance with Alex after his marriage to Kimberley (Selma Blair) crashes and burns. In Good Company marked the solo directorial debut of Paul Weitz; he previously worked in collaboration with his brother Chris Weitz, who serves as producer on this film. ~ Mark Deming, All Movie Guide

The first mainstream animated feature film directly aimed at African American audiences, Hyperion Productions' Bebe's Kids is based on a comedy routine by the late Robin Harris. Voiced by Faison Love, Harris endures a "date from hell" when he goes out with the lovely Jamika. His romantic rendezvous is ruined when he is stuck with Jamika's son-as well as Bebe's kids, three little horrors spawned from three different fathers. The worst of the batch is unhousebroken baby Peewee. The film manages within its 74 minute timeframe to skewer such topics as Hip-Hop music, urban riots and whitebread theme parks. Further proof that this is not a Disney flick was provided by the folks from the Motion Picture Production Code office, who bestowed a PG-13 rating upon the film. Bebe's Kids was released theatrically in tandem with the cartoon short Itsy Bitsy Spider, which was later spun off into a TV series. ~ Hal Erickson, All Movie Guide

Screenwriters Ted Tally and Alvin Sargent adapted the novel by Glenn Savan into this intelligent comedy-drama about a May-December romance where the woman is the senior partner. James Spader is Max Baron, a 27-year-old St. Louis advertising executive who has completely shut himself off from the world in the two years since the auto accident death of his wife. When he meets free-spirited, 43-year-old burger joint waitress Nora Baker (Susan Sarandon), his attraction to the earthy, outspoken woman is immediate and overpowering. The difference in age isn't their only obstacle happiness: Nora's into Marilyn Monroe, drinking beer, and lives in Dogtown, the city's low-rent district, while Max is cultured, sophisticated, and wealthy. Despite their differences, Max and Nora are alike in their suffering and in their deep need for connection, but their charged relationship is put to the emotional test when it becomes clear that Max is hiding his affair with Nora from his upper middle-class, Jewish social circle. White Palace co-stars Renée Taylor, Eileen Brennan, Kathy Bates, Jason Alexander, and Corey Parker. ~ Karl Williams, All Movie Guide

Six years ago, Hunter (Fred Dryer) was one of four police officers involved in a drug bust in which most of the dealers were killed and $6 million was recovered. At the time, the surviving dealer insisted that there was actually $10 million involved--and that one of the four cops absconded with the rest of the money. Though Hunter managed to avoid suspicion, the lives of the other three officers were ruined, and one died before his time. Now, Hunter's former partner has been murdered--and in a last desperate effort to clear the dead man's name, Hunter must track down the elusive "fourth man." Featured in the cast is a pre-Fresh Prince of Bel-Air Janet Hubert-Whitten. ~ Hal Erickson, All Movie Guide

When uptight FBI agent Joe Jennings (Beau Bridges) is forced to team up with reluctant local officer Benny Avalon (Bubba Smith), the two must learn to overcome their differences and work together to break up a drug smuggling operation. ~ Iotis Erlewine, All Movie Guide

Predating the 1990s cycle of vampire-stripper films (From Dusk Till Dawn, Bordello of Blood, etc.) this cynical entry from director Richard Wenk concerns frat boys looking for a go-go girl to perform at their upcoming party. Wandering to the wrong side of town, the randy youths enter a seedy strip joint populated by vampires. Grace Jones is the nasty ringleader, Katrina, who acknowledges the film's debt to Hammer's Vampire Circus by performing an erotic dance painted in zebra-stripes. Among the heroes, co-star Robert Rusler is far more interesting than the bland lead (Chris Makepeace), while Gedde Watanabe manages to be both unfunny and offensive by turning in the most ridiculously stereotyped Asian performance since John Wayne assayed Genghis Khan in The Conqueror. This is the least of the comedic vampire films that came out in the mid-'80s, and although Billy Drago is menacing as the evil Snow and Greg Cannom's special effects are striking, Vamp remains unfunny and not frightening in the least. Famed female bodybuilder Lisa Lyon appears as a stripper named Cinnamon, and Dedee Pfeiffer, Hy Pyke, and Simmy Bow are among the recognizable supporting cast. ~ Robert Firsching, All Movie Guide

This action drama is set in an affluent, conservative neighborhood seeking protection for its high school students. A company known as "The Sentinels" is hired to guarantee security at the school. However, the men in this company are more Nazi than Himmler, and they are soon bullying and abusing the students they were supposed to protect. After the editor of the school paper gets involved in resolving this bad situation, he enlists the help of the former girlfriend of Sentinels leader. The two eventually begin to figure out what needs to be done. ~ Eleanor Mannikka, All Movie Guide

The acronymic B.R.A.T. Patrol originally aired as a 2-hour entry on The Disney Sunday Movie. The appropriately named title characters are the children of a group of Marine non-coms. Running roughshod around a UMC base, the "patrol's" reputation is so bad that no one believes the kids' story about overhearing a plot to steal valuable government equipment. In true Disney fashion, the kids take on the baddies themselves. Sean Astin is cast as the head BRAT, while Brian Keith (the ostensible "star," though he's billed fifth) does his usually over-loud overacting as the General. The B.R.A.T. Patrol first assembled for inspection on October 26, 1986. ~ Hal Erickson, All Movie Guide

Luke Duke (Tom Wopat) unknowingly drinks pond water that has been contaminated by a genetic-drug spill. As a result, Luke undergoes a total change in personality: He's unbelievably nasty to friends and family alike--and even worse, he becomes a "rat" with women. But the limit is reached when Bad Luke cooks up a scheme to rob the bank owned by Boss Hogg (Sorrell Booke) and pin the blame on his own kinfolk. The final fistfight between Luke and Bo is worth the price of admission alone. ~ Hal Erickson, All Movie Guide

This is an unusual entry in the knights-in-armor genre. Set in medieval England, the film follows the exploits of a young swordsman, Talon (Lee Horsley). Working as a mercenary knight, Talon possesses a unique three-bladed sword which fires its two extra blades when he touches a button. By chance, Talon learns that he is a prince who has forgotten his royal heritage. Using his sword and his wiles, he attempts to regain control of his kingdom, which has been taken over by a sadistic tyrannical knight and an evil sorcerer. In doing so, he can save a princess who has been taken hostage by the usurpers. Comedy is interspersed with gory and licentious drama throughout the film, which was directed and written by Albert Pyun. ~ Michael Betzold, All Movie Guide

In the conclusion of The Dukes of Hazzard's two-part Season Three opener (originally telecast as a single two-hour "special"), Duke cousins Bo (John Schneider) and Luke (Tom Wopat) have had a falling out over Diane Benson, the gorgeous owner of the Carnival of Thrills. What's more, Bo intends to defy the wishes of Luke, Daisy (Catherine Bach) and Uncle Jesse (Denver Pyle) and drive the "General Lee" in a treacherous jump over 32 cars. Enter insurance inspector Zimbra (Vernon Weddle) with the disturbing news that four men have tried the same jump in the past three months, with catastrophic results--and it looks as though someone is deliberately sabotaging the stunt, with Bo neatly set up as the next victim! This episode was originally filmed for the series' second season. ~ Hal Erickson, All Movie Guide