Deborah Findlay Movies

William Makepeace Thackeray's witty assessment of the British class system, as seen through the experiences of one young woman, is brought to the screen with some serious star power in this period comedy drama. Becky Sharp (Reese Witherspoon) is a bright and ambitious girl born to a poor British family. Becky is determined to make something of herself however she can, and after accepting a job as a nanny for the children of the powerful and aristocratic Sir Pitt Crawley (Bob Hoskins), she wastes no time ingratiating herself with the family. Pretty Becky catches the eye of Crawley's handsome and eligible son Rawdon (James Purefoy), and becomes chummy with sharp-tongued Aunt Matilda (Eileen Atkins). Between the two of them, Becky is introduced to London's most exclusive social circle, where she becomes re-acquainted with Amelia Sedley (Romola Garai), a former school chum who is amused by Becky's efforts to scale the ladder of social influence. Becky weds Rawdon, but following initial happiness, the social and economic stability she dreamed of begins to collapse when he begins drowning his troubles in gambling and drink, and soon she turns to the powerful Marquess of Steyne (Gabriel Byrne) for support. Meanwhile, Amelia's fortunes fall even harder following the death of her husband. Vanity Fair was directed by Mira Nair, who enjoyed a surprise international success with 2002's Monsoon Wedding. ~ Mark Deming, Rovi

The joys and horrors of female friendship are explored in writer/director Sandra Goldbacher's Me Without You. Bold, brash, and fashionable Marina (played by Anna Popplewell as a child, and Anna Friel as a teen and adult) comes from a broken home. Her mother, Linda (Trudie Styler, who executive produced Guy Ritchie's first two films, and is also Sting's wife) is a hip young divorcée who apologizes every time she yells at her children. Holly (Ella Jones as a child, Michelle Williams of Dawson's Creek and Dick as a teen and adult) is a timid bookworm, mildly ashamed of her Jewishness, and easily goaded into more outrageous behavior by Marina. Holly's mother (Deborah Findlay) tells her early on not to expect too much from men. She helps lower her daughter's expectations by telling her, "Some people are pretty people, and some are clever people, which is more important than looks." As girls in the early '70s, Marina and Holly form a pact to become "Harina," inseparable best friends. Next-door neighbors, they are never apart for long. But Holly harbors a secret crush on Marina's older brother, Nat (Oliver Milburn), and when the girls are teens, and Marina finds out about Holly's feelings, she does her best to keep the two apart. In college, when Holly bonds with a lit-crit professor, Daniel (Kyle Maclachlan), over Andrei Tarkovsky and Ingmar Bergman, Holly feels compelled to sabotage their budding relationship, by seducing Daniel first. Eventually, Nat, despite his lingering fondness for Holly, gets seriously involved with a French actress, Isabel (Marianne Denicourt). As the girls get older, their differences become more apparent to Holly, and she begins to question their friendship. The film covers three decades, with songs and costumes appropriate to each era. ~ Josh Ralske, Rovi

Based on the novel by Graham Greene, this romantic drama stars Ralph Fiennes as Maurice Bendrix, a novelist who, during World War II, had an affair with Sarah Miles (Julianne Moore), the wife of his best friend Henry (Stephen Rea). Sarah abruptly broke off the romance in 1944, but two years later, after Maurice runs into Henry, he becomes obsessed with the affair and hires a man to investigate Sarah. He reads her diary of their forbidden romance in the midst of the London Blitz and discovers that, overwhelmed with fear and guilt, she pledged to God that she would end the affair if Maurice's life were spared. Maurice is determined to reintroduce himself into Sarah's life, but she fears that being near him would be too great a temptation. The End of the Affair was previously brought to the screen in 1955 by Edward Dmytryk; this version was written for the screen and directed by Academy Award-winner Neil Jordan. ~ Mark Deming, Rovi