John Findlater Movies

This drama concerns a Vietnam vet who suffers at the hands of the people around him when he returns from the war. Frank Morgan (John Savage) is villified by the townsfolk because he exposed an American massacre of a Vietnamese village. When an offer comes up to pilot a plane carrying weapons to a Latin American nation in the throes of a civil war, Frank takes on the job. Coming with him is the woman who hired him, Beatriz (Maria Socas). After landing the plane, Frank and Beatriz are arrested by one of the fighting factions, and their further involvement in the civil war is guaranteed from then on. ~ Eleanor Mannikka, Rovi

The Soviets and Americans combine forces to save the world from a meteor in this science fiction disaster adventure. Bradley (Sean Connery) is an American scientist who teams up with Dubov (Brian Keith), and his translator-assistant Tatiana (Natalie Wood) later falls in love with Bradley. Hong Kong and New York are hit hard by tidal waves as the scientists race against time to prevent global disaster. Although a fine cast is assembled, nobody stands out, and the real star of the film is the special effects. This 18-million-dollar feature faced real economic disaster at the box office, although four engineers received an Oscar nomination for "Best Sound" for this forgettable film. ~ Dan Pavlides, Rovi

Airport had enough plot and enough star power in its cast for three feature films, and it only encompassed about half of the complexity or characters found in Arthur Hailey's best-selling potboiler. Essentially built around 12 harrowing hours at a major Midwestern airport, the film had everything an audience of the period could have wanted -- suspense, romance, drama, and comedy -- all spread across a vast canvas. Mel Bakersfeld (Burt Lancaster) is the manager of Lincoln Airport, facing a night beset by the worst blizzard in a decade, a wife (Dana Wynter) who announces she wants a divorce, a primary runway blocked by an airliner stuck in a snowdrift, and a governing board ready to fire him. Bakersfeld's cynical, smooth-talking brother-in-law, Vernon Demerest (Dean Martin), won't let up on his criticism of the management at Lincoln, but he has his own problems as well, mostly in the form of a young stewardess, Gwen Meighen (Jacqueline Bisset), who is pregnant by him and whom he finds he genuinely loves. Add to that the presence of an old lady stowaway (Helen Hayes) and a mentally disturbed passenger (Van Heflin) carrying a bomb, and there's more than enough plot to keep viewers engrossed for two hours plus. Airport became one of the top-grossing movies of its era, racking up seven-digit box-office numbers and spawning an entire film genre -- the disaster movie. With Jean Seberg, George Kennedy, Lloyd Nolan, Barry Nelson, and Maureen Stapleton filling out the rest of the leading roles, there was something for almost everyone in this film. The movie still has a lot to offer if only as a prime example of Hollywood at its most successfully glitzy, but, if possible, viewers should try and see the letterboxed version of Airport on DVD (released May 2001). ~ Bruce Eder, Rovi

Having scored big in 1966 with The Trouble With Angels, Columbia Pictures went back for a second bite of the apple with Where Angels Go, Trouble Follows. But it's two years later, and the world of Catholic education depicted in the first movie is confronting a raft of changes on all sides, from within and without. And Mother Simplicia (Rosalind Russell) not only has a new generation of students headed for graduation, but a young, progressive nun, Sister George (Stella Stevens), with whom to lock horns. And if top hell-raisers Marvel Ann (Barbara Hunter) and Rosabelle (Susan Saint James) can't cause her enough headaches to keep her busy, then Sister George will come up with something to get under her skin. The girls' adventures take them cross-country to a Catholic-themed peace rally, on the way to which they encounter mechanical problems with their bus, leading to an overnight stay at a Catholic boys' school and an encounter with some surly bikers; an interlude at a ranch owned by a millionaire (Robert Taylor), and a gradual loosening of the attitudes by the tradition-bound Mother Simplicia. ~ Bruce Eder, Rovi