Lynn H. Guthrie Movies

Michael Lehmann directed this post-modernist hash of To Catch a Thief and The Naked Gun starring Bruce Willis as Hudson Hawk, a cat burglar who wants to go straight, but the circumstances won't allow it. The story begins in a pre-credit sequence that takes place in the renaissance. Leonardo Da Vinci (Stefano Molinari) is rushing through his Mona Lisa painting to work on his latest invention -- a machine to turn lead into bronze. But Da Vinci makes a mistake and, instead of bronze, the machine turns the lead into gold. Realizing the danger of his invention if the contraption gets into the wrong hands, he hides three parts of the apparatus inside three of his other works. Four hundred years later, Hudson Hawk, the world's greatest cat burglar, is being released from jail after pulling a ten-year stretch. He wants to retire from the profession of cat burglary and drink some cappuccino, but two screwball billionaires -- Darwin and Minerva Mayflower (Richard E. Grant and Sandra Bernhard) -- won't let him. Their nefarious plot is to steal the three Da Vinci works, restore Da Vinci's gold-making machine, and destroy the world's monetary system. They blackmail Hawks into working with them to steal the Da Vincis by threatening the life of Hawks's pal Tommy Five-Tone (Danny Aiello). Along with the power-mad billionaires, Hawks has to deal with the CIA, in the person of George Kaplan (James Coburn), breathing down his neck. He also has Vatican art restorer Anna Baragli (Andie MacDowell) falling for his smirk. ~ Paul Brenner, All Movie Guide

An explosion in a nuclear warhead silo located near a tiny Texas town causes all kinds of terror in this taut suspensor. ~ Sandra Brennan, All Movie Guide

This drama features a progressive medical group whose founding female members encourage the use of unique practices for the best results. ~ All Movie Guide

The mythical, big-footed Pacific Northwest Sasquatch lives, and an irascible anthropologist and two feisty kids can prove it. This Disney adventure chronicles their interactions with the gentle giants and their attempts to save them from capture. ~ Sandra Brennan, All Movie Guide

A notorious, internationally known sex symbol (Phoebe Cates) attempts to track down her birth mother in this glitzy, deliciously trashy melodrama. The mother could be one of three women, all of whom have vowed to never reveal the secret truth behind the child's illegitimate birth. Based on the novel by Shirley Conran. ~ Judd Blaise, All Movie Guide

As if in some way Billy Wilder sensed that Buddy Buddy would ultimately turn out to be his final feature film, Wilder lets loose scatter-shot stingers at a wide range of pop-culture targets -- from sex clinics, to 60 Minutes, to movie references, to disco, to Betamax video recorders. Based on Francis Veber and Edouard Molinaro's L'emmerdeur (known in the United States as A Pain in the A. . .), Buddy Buddy concerns the unlikely pairing of a gruff hitman and a suicidal klutz. Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola (Fil Formicola), set to testify against the mob. As Trabucco heads off to a hotel across the street from the courthouse where he plans to set his hit, he runs into the depressed Victor Clooney (Jack Lemmon), who laments the fact that his wife has left him for the head of a weird Californian sex clinic. Trabucco keeps walking and sets up his rifle in a hotel room. He is disturbed by Victor trying to hang himself in the adjoining hotel room and tries to prevent him from killing himself by restraining him, but Victor breaks loose and climbs onto the ledge of the hotel window. To get Victor to come back in, he agrees to drive him to the clinic to see his wife. The two go to the clinic where Victor's wife Celia (Paula Prentiss) informs Victor that she is in love in the head of the clinic, quack Dr. Zuckerbrot (Klaus Kinski). When Victor finds out that Celia is filing for divorce, he heads back to the hotel to kill himself, with Celia and Dr. Zuckerbrot in pursuit. Arriving at the hotel, they plan to inject Victor with a sedative but stick Trabucco with the needle instead. Trabucco reveals to Victor his assignment to kill Rudy, and Victor tries to help him with the killing. ~ Paul Brenner, All Movie Guide

Lee Marvin plays a CIA agent who lures a Soviet biological warfare expert aboard a European train in the hopes of murdering the expert, thus eliminating a world threat. Things go awry when the train is caught in an avalanche. ~ All Movie Guide

Loosely based on former policeman Joseph Wambaugh's humorous novel, The Choirboys determinedly explores the stunted interior lives of a large crew of callous, bigoted L.A. policemen. These men get together to lend one another emotional support. However, the means they choose for this do not enhance their sensitivity or their judgement. When one of them has a really bad day, he asks his buddies to come to "choir practice," and they get together for alcoholic benders of fairly epic proportions. When one of them accidentally shoots a homosexual teen cruising a city park, everyone (including higher-ups) gets called on to help with the cover-up. The Choirboys, which was a critical and box-office failure, had an impressive cast list, including such well-known performers as Blair Brown, James Woods, Randy Quaid, Lou Gossett Jr., Perry King and Charles Durning. ~ Clarke Fountain, All Movie Guide

Returning Home attempts to do in 72 minutes what the Oscar-winning 1946 film The Best Years of Our Lives did in 172. This TV movie is a potted remake of that classic film, tracing the lives of three returning World War II servicemen. Dabney Coleman plays the Fredric March role as a married banker with two grown children. Tom Selleck fills Dana Andrews' shoes as a decorated ex-pilot who is grounded in peacetime by a dead end job and an unhappy marriage. And James Miller is a sailor who has lost both arms in the war, a fact that his family and fiancee struggle to come to grips with. Just as in the case of Best Years of Our Lives' Harold Russell, James Miller is a genuine amputee who'd been wounded in Vietnam. Why did Returning Home try to pack so much plot and so many characters into so short a running time? Because it was the pilot for an unsold TV series...titled The Best Years of Our Lives. ~ Hal Erickson, All Movie Guide

This comedy is notable as the final onscreen appearance (non-speaking) of Edward Everett Horton, a staple comic supporting actor from the early '30s onward. Dick Van Dyke plays an ambitious small-town minister who rallies the whole town to meet a challenge bet by a tobacco corporation. Cooked up by the tobacco company's public relations head (Bob Newhart), the bet is an offer to pay twenty five million dollars ($25,000,000.00) to any town that can quit smoking for the required period of time. Barnard Hughes is Dr. Proctor, a heart surgeon who has to be physically restrained to prevent him from smoking. Jean Stapleton is the mayor's wife, who swells visibly as her eating replaces cigarettes. Edward Everett Horton is eloquent as the mysterious tobacco tycoon who comes to observe the chaos first-hand. There is lots of frantic action as the townsfolk try to win the prize, and the tobacco company (which has no intention of paying off the bet) works to sabotage their efforts. ~ Clarke Fountain, All Movie Guide

A Man Called Horse stars Richard Harris as Lord John Morgan, an English peer cast somewhat adrift in the American West. Captured by Sioux Indians, Lord Morgan is at first targeted for quick extinction, but the tribesmen sense that he is worthy of survival. The Englishman passes many of the necessary tests that will permit him to become a member of the tribe, the most grueling of which (and the one used most extensively in the film's advertising) is the Sun Vow Initiation. That's where his lordship is hung from the roof of a huge teepee with hooks through his pectoral muscles. Much of the dialogue is spoken in the Sioux language, though the film's much-vaunted "historical accuracy" is not altogether consistent, as witness the casting of British stage luminary Judith Anderson as Sioux woman Buffalo Cow Head. A Man Called Horse spawned warrant two sequels. Originally rated "GP" in 1970, it has since been re-rated R by the MPAA. ~ Hal Erickson, All Movie Guide

Frank Sinatra stars in this bawdy western satire as Dingus Magee, a would-be outlaw who robs Hoke Birdsill (George Kennedy) while Hoke is en route to Yerkey's Hole, New Mexico. Hoke reports the theft to Belle Knops (Anne Jackson), the mayor of Yerkey's Hole and proprietor of the town's biggest business, a brothel favored by the enlisted men at the nearby Army fort. Belle appoints Hoke as the new deputy, and he tracks down Magee as he's enjoying a roll in the bushes with Anna (Michele Carey), a very friendly Indian maid. Hoke brings in Magee, but Anna then helps him escape; Belle uses Magee's unscheduled release to convince the commanding officers at the Army base that an Indian uprising is imminent, and that their planned relocation to Little Big Horn (where they hope to arrive before Gen. Custer and his troops) might be a bit premature (not to mention bad for her business). Soon Hoke is after Magee for robbing a stage and stealing the strongbox (which, of course, he can't open), the Indians are after Magee for running off with Anna, a sexually repressed schoolmarm named Prudence (Lois Nettleton) is after Magee after he awakens the woman within her, and John Wesley Hardin (Jack Elam) is after Magee, well, just because. "Catch-22" author Joseph Heller co-wrote the screenplay. ~ Mark Deming, All Movie Guide

John Frankenheimer directed this low-key drama about three men who stage a sky-diving thrill show and what happens when they roll into a small town in Kansas. Mike Rettig (Burt Lancaster) is the oldest of the group and more than a bit jaded; Joe Browdy (Gene Hackman) is the fast-talking MC who knows how to work the crowd; and Malcolm Webson (Scott Wilson) is the rookie of the group. When they get a job performing in Bridgeport, Kansas, Malcolm arranges for them to stay at the home of his Uncle John (William Windom) and Aunt Elizabeth (Deborah Kerr). John and Elizabeth's marriage has seen better days; they've grown apart from each other, and when Elizabeth meets Mike, a spark of passion catches fire between them which neither can fully control. The two fall into an affair, making love one night in the living room, not caring that John is watching them. However, this relationship does not bring Mike out of his depression and leads to a shocking incident at the group's next show. The Gypsy Moths marked the first time Burt Lancaster and Deborah Kerr had worked together since their memorable pairing in From Here to Eternity (1953). ~ Mark Deming, All Movie Guide