Dennis Fimple Movies

Taking his cue from such 1970s horror classics as The Texas Chainsaw Massacre (1974) and The Hills Have Eyes (1977), animated rocker Rob Zombie goes celluloid with the throwback shocker House of 1000 Corpses. Running low on gas as they travel the highways of America in search of the ultimate roadside attraction, a group of teens pull into Captain Spaulding's (Sid Haig) museum of oddities (which also offers fried chicken and gasoline) only to become obsessed with uncovering the mystery of a legendary local maniac known only as Dr. Satan. When an attractive and mysterious hitchhiker subsequently offers to give the thrill seekers a personal tour of Dr. Satan's old stabbing grounds, a breakdown forces them to take refuge with a group of menacing oddballs as a fearsome storm rages outside. As the evening progresses and the backwoods hosts' Halloween festivities become ever more threatening, the teens soon realize that the legend of Dr. Satan may hold a bit more contemporary weight than any of them had previously thought. ~ Jason Buchanan, Rovi

Fresh from the recently closed South Side hospital, new ER chief of staff Anspaugh (John Aylward) imperiously asserts his authority by imposing patient quotas on each doctor. Though they resent Anspaugh, the staff is more politely inclined to the other South Side expatriates, doctors Abby Keaton (Glenne Headly) and Maggie Doyle (Jorja Fox). Elsewhere, Jeanie (Gloria Reuben) has trouble keeping her HIV-positive status a secret from Weaver (Laura Innes), while Benton (Eriq La Salle) is uncertain that Jeanie should even continue working; and Greene (Anthony Edwards) is taken aback when Lewis (Sherry Stringfield) suggests that they both take a vacation to Hawaii. ~ Hal Erickson, Rovi

A gunslinging con man develops a tricky scheme to make a killing at a major poker tournament in this comic Western inspired by the popular television show. Mel Gibson assumes the role of Bret Maverick, the handsome rogue who hopes to cheat his way to success. In need of a large stake to enter a major card competition on a Louisiana steamboat, Maverick decides to take advantage of a few small-town poker players. These include the seemingly sweet Annabelle Bransford (Jodie Foster) and the intimidating Angel (Alfred Molina), neither of whom is too happy about their loss. Things become even more complicated for Maverick when the law gets involved, with Marshal Zane Cooper (James Garner, who played the role of Maverick in the original television series) giving chase. A series of stagecoach chases, complicated cons, and gun battles ensues, with Annabelle and Maverick finding time for plenty of flirtation along the way. ~ Judd Blaise, Rovi

Based on a true story, the two-part TV movie I Know My First Name Is Steven tells the tragic story of Steven Stayner. At age seven, Steven was kidnapped by two men who held him captive in a tiny shed for seven years. One of the men, a habitual child abuser named Kenneth Parnell, sexually assaulted Steven on an almost daily basis during the boy's ordeal. At age 14, Steven finally was able to escape and return to his family. But we are shown that Steven's safe return was far from the happy ending it appeared to be. He's forced to adjust to a family he'd never really known, to convince himself that his parents had never forgotten him, and to put his seven-year hell behind him. While I Know My First Name Is Steven ends on an upbeat note, the real Stayner died in a motorcycle accident only a few months after this film was first telecast in May 1989. ~ Hal Erickson, Rovi

Harry Similac (Dirk Benedict) is a music promoter who must scramble to stay out of debt in this slapstick comedy. He hits upon the idea of becoming a wrestling promoter and steals Rick Roberts (Roddy Piper) from his former manager Captain Lou Milano (Lou Albano). He books his rock band Kick at the match and creates a new phenomena that combines wrestling with rock n' roll. Charles Nelson Reilly, Billy Barty, and John Astin provide memorable comedy relief. Cameo appearances by wrestlers Ric Flair, Afa & Sika, Sheik Adnan Al Kaissy, Freddie Blassie, and Bruno Sammartino add further realism to this feature that recalls the rock-and-wrestling spectaculars of the early 1980s. ~ Dan Pavlides, Rovi

Director Jonathan Demme made one of his more conventional movies with Swing Shift, an examination of life on the American home front during WWII. Goldie Hawn, who also served as the film's producer, stars as Kay, a woman who takes a job on the line at a plant producing war planes after her husband goes off to fight in Europe. One of her coworkers is her best friend Hazel, played by Christine Lahti, whose performance earned an Oscar nomination and a New York Film Critics award. Kay falls in love with another coworker, Lucky (Kurt Russell), who couldn't enlist because of a weak heart. Kay's husband Jack (Ed Harris) comes home on leave and finds out that his wife has betrayed him. Lucky then decides to pursue Hazel, driving a wedge between the two best friends. ~ Michael Betzold, Rovi

Fed up by the interference of her overprotective cousins Bo (John Schneider) and Duke (Tom Wopat), Daisy (Catherine Bach) moves out of the Duke farmhouse. Our heroine's new independence lasts only long enough for her to be kidnapped by Milo Beaudry (played by future Night Court regular Richard Moll), the son of a Tennessee moonshiner in league with Boss Hogg (Sorrell Booke). Unless her cousins can engineer a rescue, Daisy will soon be Mrs. Milo Beaudry--and there's a brace of shotguns backing up the boy's proposal! This is the final episode of The Dukes of Hazzard's fifth season. ~ Hal Erickson, Rovi

When a woman is falsely accused of killing her father, private eye Matt Houston is called onto the scene. ~ Rovi

Clearly inspired by the theatrical feature Norma Rae, The $5.20 an Hour Dream stars Linda Lavin as a recently divorced woman supporting herself and her 12-year-old daughter. The highest-paying job at the Oregon engine factory where she works is on the assembly line--which has traditionally been an all-male operation. Bucking the system (and several stereotyped "chauvinist pigs"), Lavin eventually wins a place on the line, as do several of her female friends. As always, Linda Lavin (for whom this film was a pet project) looks far too self-reliant to ever be considered a "victim," so the climax of $5.20 an Hour Dream is a foregone conclusion. This made for TV movie received an award from the National Commission of Working Women. ~ Hal Erickson, Rovi

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, Rovi

In an outer-space replay of a familiar western plotline, the Gallactica must gather enough seed to replant its devastated agroships, lest the crew and passengers starve. In order to gain the necessary seed from a group of alien farmers, Adama (Lorne Greene) is obliged to romance a former girlfriend who wields great power over the populace. Meanwhile, Starbuck (Dirk Benedict) loses a rigged card game and is pressed into service as the local sheriff, whereupon he must rally an army of warriors against the planet's principal persecutors, the piglike Borays. "The Magnificent Warriors" was later combined with the Battlestar Galactica episode "Fire in Space" and reissued as the two-hour "TV movie" Curse of the Cylons. ~ Hal Erickson, Rovi

Sentenced to hang in a backwater western town, horse thief Henry Moon (Jack Nicholson) is saved when frontierswoman Julia Tate (Mary Steenburgen) agrees to marry him. Taking advantage of the town law that prohibits the execution of married men, Moon follows Tate back to her ranch, planning all the while to escape at the first possible opportunity. But Tate insists that he honor his end of the bargain at work on the ranch. She has no intention of consummating the union, a fact that drives the hot-to-trot Moon up a wall. She puts him to work on the gold mine that she has on her property, while his old gang prepares to relieve the couple of their gold once it's on the surface. Jack Nicholson personally selected movie newcomer Mary Steenburgen for Goin' South. The film also features John Belushi in the role of a dyspeptic deputy. ~ Hal Erickson, Rovi

While searching for an embezzler who disappeared after posting bail, Jim (James Garner) asks one question too many at an elite health club. As a result, he is knocked out, heavily sedated, and bundled off to a mental institution. Unable to convince anyone of his real identity and surrounded by delusional patients who imagine themselves to be everyone from "James Bond" to "Doc Holliday", Jim nonetheless manages to find the man he's looking for and to figure out who is responsible for his current predicament--and why. Now all he has to do is escape the institution and inform the authorities. ~ Hal Erickson, Rovi