Carmen Filpi Movies

Come celebrate the joy and togetherness of the Hanukkah season with Adam Sandler -- yeah, that Adam Sandler -- in this raucous animated comedy written and produced in collaboration with the noted funnyman. Davey Stone (voice of Adam Sandler) is a twentysomething man with a short temper and a reputation for causing trouble who lives in the small New England town of Dukesberry. Davey has a particularly bad attitude about the holiday season, and on the first night of Hanukkah, he goes on a tear that lands him in front of a judge (voice of Norm Crosby). The judge, who has dealt with Davey before, is prepared to send him to prison, but Whitey (also voiced by Sandler), an eccentric but kindly old man, persuades the judge to give him a chance to turn Davey into a more responsible citizen. Davey doesn't think much of Whitey's charitable nature, but when his trailer home burns down, he's forced to move in with Whitey and his perpetually nervous sister, Eleanore (also voiced by Sandler...spotting a trend here?). Between Whitey and Eleanore's nonstop kvetching and the reappearance of his old girlfriend Jennifer (voice of Jackie Titone), Davey is being driven to distraction by the Hanukkah season, but in time Whitey learns the truth about why Davey has such a problem with the Festival of Lights. Adam Sandler's Eight Crazy Nights also includes eight new songs co-written by Sandler; he duets with bluegrass star Alison Krauss on "Long Ago." ~ Mark Deming, All Movie Guide

Hollywood visionary Tim Burton pays homage to another Hollywood visionary, albeit a less successful one, in this unusual fictionalized biography. The film follows Wood (Johnny Depp) in his quest for film greatness as he writes and directs turkey after turkey, cross-dresses, and surrounds himself with a motley crew of Hollywood misfits, outcasts, has-beens, and never-weres. The real story, however, is his friendship with aging, morphine-addicted Bela Lugosi (Martin Landau), whom he tries to help stage a comeback. Landau's unforgettable Oscar-winning performance must be seen to be believed, as must Rick Baker's Oscar-winning makeup. While it would have been easy to make a film simply ridiculing the bumbling director, Burton instead focuses on his driving passion for filmmaking and his unwavering persistence in the face of ridicule and failure. Possibly the most surprising aspect of the film is the genuine sentiment with which Burton treats the relationship between Wood and Lugosi; his devotion to Lugosi is touching, as is Lugosi's final soliloquy -- an inane bit of dialogue from the hilariously bad Bride of the Monster that grows into a poignant metaphor for the actor's life and ultimate triumph of his spirit. Even the look of the film is right; it manages to preserve the air of one of Wood's own films while retaining a sense of artistry in much of the composition on screen (note the scene at the drug rehab where Lugosi endures a horrifying night of detox). In all, Ed Wood is a unique film -- at times side-splittingly funny; at others, tragic or even frightening -- and a heartfelt tribute to the love of movies, good and bad alike. ~ Jeremy Beday, All Movie Guide

Petition in hand, Will (Will Smith) marches over to a local TV station, hoping to prevent an old playground from being bulldozed. Going along for the ride is Hilary (Karyn Parsons)--who, much to everyone's surprise, is hired on the spot as the station's new weather girl! Elsewhere, Will plays rap music for Aunt Viv (Janet Hubert-Whitten)...or rather, for Viv's unborn baby. Brian Stokes Mitchell makes his first series appearance as Hilary's newest heartthrob Trevor. ~ Hal Erickson, All Movie Guide

A playful female guest puts Larry (Garry Shandling) in hot water with his wife, Jeannie (Megan Gallagher), in the sixth episode of HBO's popular behind-the-scenes late-night talk show satire The Larry Sanders Show. Comely actress Mimi Rogers may have only intended her innocent on-air flirtation with Larry as innocuous fun, but Jeannie begins to suspect that there is more to Mimi and Larry's relationship than a few harmless winks. In addition to Rogers, comic actor Michael Richards also appears as a guest star in this episode. ~ Jason Buchanan, All Movie Guide

If a comedy is to be made from the plight of the homeless, who have to scrape through their days returning deposit bottles and cleaning car windshields to get their daily bread as the rich get richer and more heartless, it may as well be Mel Brooks' Life Stinks. The trademark Brooks humor dominates this fable about a ruthless billionaire, Goddard Bolt (Mel Brooks), who wants to obliterate a poor section of Los Angeles and build a high-tech commercial center in its place. His only problem is that he owns only half the land needed for the construction, the other half belonging to equally ruthless billionaire Vance Craswell (Jeffrey Tambor), who has his own ideas for the land. The two try to buy each other out until, finally, a deal is struck: Craswell bets that Bolt cannot survive a month on the streets as a homeless man. If Bolt makes it, he gets the property. If he doesn't, Craswell gets it. Bolt agrees and, as a poor man, he begins to feel the pain of being uprooted and alone, even meeting a friendly homeless woman, Molly (Lesley Ann Warren) with whom he forms an attachment. ~ Paul Brenner, All Movie Guide

Not so much a sequel to the John Sayles-scripted Alligator as a shoddy remake, this sophomoric low-budget effort plays like a bad TV movie about a swamp-dwelling alligator mutated to monstrous size by toxic waste, munching on the screaming residents of a lakefront community. The naughty polluter who caused this mutation is the property developer himself (Steve Railsback, playing such a cookie-cutter villain that he might as well have a "BAD GUY" sign around his neck). An embarrassed Joseph Bologna plays the cop investigating the mutilation murders; an equally-ashamed Dee Wallace Stone plays the scientist assisting him, who is conveniently married to him as well. In an attempt to remedy the situation, a big-game hunter (Richard Lynch) is called in to bag the beast. When his efforts fail, it's left to Bologna to pick up the pieces -- literally -- and take charge of the situation when the big reptile decides to take in the grand opening of the local amusement park. From a nonsensical script to cheesy special effects that make the beast look like a pool toy, this film shows none of the cynical charm and sly wit that made Alligator so enjoyable. ~ Cavett Binion, All Movie Guide

Although pressured by both Jason (Alan Thicke) and Maggie (Joanna Kerns), Carol (Tracey Gold) is reluctant to attend her parents' alma mater, Boston College. To avoid this, she plans to deliberately mess up her interview with the college's rescruiter (Rod McCrary). Joining in on the scheme, Mike (Kirk Cameron) dredges up a homeless man named Fred (Carmen Filpi) to pose as Jason during the interview! ~ Hal Erickson, All Movie Guide

And still they come? This fourth entry in the Halloween franchise focuses on Jamie Lloyd (Danielle Harris), the niece of ubiquitous masked-killer Michael Myers (George P. Wilbur). Jamie tries to lead a normal life, but she can't escape the vengeance of her "funny uncle," who once more escapes from the looney bin. The only echo of the original Halloween -- and a faint one at that -- is the casting of Donald Pleasence as Dr. Loomis, who manages to get through his "We must stop him!" scenes as if mouthing the words for the first time. Though as predictable as they come, Halloween 4 etc. is at least well acted, directed and photographed. For the record, the German version of the film had to be shorn of practically all its gore before the censors would permit a general release. ~ Hal Erickson, All Movie Guide

A year after appearing in the box-office sleeper Shanghai Surprise, pop superstar Madonna starred in the screwball comedy Who's That Girl? She plays Nikki Finn, who is being released from prison after serving a four-year sentence for a murder she didn't commit. Meanwhile, wealthy lawyer Loudon (Griffin Dunne) is about to get married that afternoon to the snobby Wendy (Haviland Morris), the daughter of Simon Worthington (John McMartin). Worthington does not approve of the wedding and he wants Nikki out of town as soon as possible, so he sends Loudon to collect Nikki and take her to the bus station. Instead, the flamboyant Nikki seeks her revenge while trying to find out what happened to her friend Johnny, which causes Loudon a lot of trouble. Naturally, wild action ensues -- some of it involving an escaped Cougar belonging to Loudon's boss, the millionaire animal collector Montgomery Bell (John Mills) -- and Loudon having to choose between the prim Wendy and the unpredictable Nikki. ~ Andrea LeVasseur, All Movie Guide

In a well-wrought sex comedy with one foot in the feminist camp and another on a banana peel, Casey Meadows (Deborah Foreman in an excellent performance) defies social custom when she gets a job as a limo driver. The manager of the Brentwood Limousine Company, McBride (Howard Hesseman), and her co-workers give her both a hard time and some of the worst fares possible. She is eventually assigned to chauffeur an overworked executive (Sam Jones) who just broke up with his girlfriend. After drowning his sorrows in the back seat of the limo, the ingrate wakes up in Casey's bed the morning after, refusing to believe he had anything to do with her. Their antagonistic relationship is stressed all the more when she has to drive him on a vacation and the car breaks down. What Casey does not know is that she has not been given the complete scoop on her passenger. ~ Eleanor Mannikka, All Movie Guide

Russian director Andrei Konchalovsky's second American film may well be the only existential adventure flick in Hollywood history. Two prisoners, Manny (Jon Voight) and Buck (Eric Roberts), escape from a desolate Alaskan maximum-security facility. They hop aboard a speeding train, making a clean escape. But the engineer has suffered a heart attack, and the train goes out of control. To prevent a disastrous head-on collision, the railroad heads decide to derail the runaway train, killing its occupants to save the lives of hundreds of others. Once Manny catches on to what's happening, he tries to jump off the train, only to be talked out of such a foolhardy act by railroad employee Sara (Rebecca DeMornay). As doom approaches, Manny apparently goes mad, viciously preventing any attempts to stop the train or rescue its passengers: if he's to die, and if the others are to be saved, it will be on his terms, or no terms. Runaway Train was slated as a project for Akira Kurosawa in 1970, but for various creative and scheduling reasons, it remained on the back burner for 15 years. ~ Hal Erickson, All Movie Guide

The "boys next door" are Roy Alston (Maxwell Caulfield) and Bo Richards (Charlie Sheen), typical California teens freshly graduated from high school. Daunted by the prospect of the real world, the boys decide to go on one last fling in L.A. But it's not all clean, wholesome fun; in fact, Caulfield and Sheen launch their weekend bash by beating up a gas-station attendant, throwing a glass bottle at an old woman, and murdering gay-bar patron Chris (Paul C. Dancer). Somewhere along the line, Bo becomes repelled by their violence spree, but Roy seems to be sexually aroused by all the misery he's causing. And so it goes, without real rhyme or reason, until the bloody denouement. Director Penelope Spheeris later helmed Wayne's World, The Little Rascals, and The Beverly Hillbillies. ~ Hal Erickson, All Movie Guide

In this undistinguished parody of the sci fi genre, Robert Urich is Jason who leads a band of pirates in redistributing the wealth of the few to the coffers of the needy. He also joins up with Princess Karina Mary Crosby in searching for her father and a possible source of water in the next galaxy. Meant to be a campy romp through the sci fi genre, the film stops short of achieving a goal that should have been effortless. ~ Eleanor Mannikka, All Movie Guide