Robert Filmer Movies

Treasure of the Golden Condor is a Technicolor remake of 1942's Son of Fury; both films were based on the same novel by Edison Marshall. Cornel Wilde stars in the old Tyrone Power role as Jean-Paul, a Frenchman cheated of his birthright by his duplicitous uncle (George Macready). Retreating to South America with lovable reprobate MacDougal (Finlay Currie), Jean-Paul searches for buried treasure in the jungles of Guatemala. He also romances MacDougal's comely daughter Clara (Constance Smith). Eventually, Jean-Paul must bid Clara goodbye and return to France, there to settle accounts with his uncle. Clara prays for the day that Jean-Paul will come back for her and as the closing music swells . . . . ~ Hal Erickson, All Movie Guide

The Desert Hawk deserves to be seen on the basis of its cast alone. No more believable than any of Universal's other sword-and-sand epics, this one stars Yvonne de Carlo as Princess Shaharazade (sic) and Richard Greene as Omar, aka the Desert Hawk. By day a humble blacksmith, the Desert Hawk spends his evenings battling against the oppresive regime of Prince Murad (George Macready). One of the Hawk's tactics is to trick Shaharazade into marriage, so that he can enlist the aid of the army commanded by the Princess' father. Murad retaliates by kidnapping Shararazade, leading to an exciting climactic rescue. Never mind all that: the real fun in Desert Hawk is spotting the celebrities-to-be in the supporting cast. Playing the villainous Captain Ras is none other than Rock Hudson, while the Desert Hawk's loyal companions Aladdin and Sinbad are played, respectively, by Jackie Gleason and Joe Besser--and surprise, Joe is heavier than Jackie! ~ Hal Erickson, All Movie Guide

Though not acknowledged by contemporary reviewers, Colorado Territory is a westernized remake of the 1941 crime drama High Sierra. Raoul Walsh, director of the earlier film, returns to helm the remake, doing a grand job on both occasions. Joel McCrea stars in the Humphrey Bogart role, playing a veteran outlaw who hopes to pull off one last, spectacular heist. Virginia Mayo portrays the Ida Lupino counterpart, a "bad" dance-hall girl who proves to be the only person who genuinely cares about McCrea's well-being. As in the earlier film, the climax finds McCrea making a futile bid for escape in the mountains, with tragic consequences. High Sierra was good for at least one more remake, the 1955 Jack Palance-Shelley Winters starrer I Died a Thousand Times. ~ Hal Erickson, All Movie Guide

Someone is stirring things up between the ranchers and the homesteaders in Phantom Valley and Marshal Steve Collins (Charles Starrett) is assigned to look into matters. The situation becomes even more critical when one of the nesters, Jim Durant (Sam Flint), is abducted after having withdrawn the group's money from the local bank. But who is behind the crimes? Is it elderly attorney Sam Littlejohn (Joel Friedkin), whose cane has a highly unusual double purpose? Or is the secret menace Bob Reynolds (Robert Filmer), the head of the ranchers' association? Despite the unwanted assistance by correspondence-course detective Smiley Burnette), Steve, alias The Durango Kid, manages to get goods on the mystery villain. In between muddling up the investigation and feuding with young apple-munching Chips (Teddy Infuhr), Smiley Burnette performs "I'll Be Glad to See You" while Ozie Waters and His Colorado Rangers take care of "Streets of Laredo (The Cowboy's Lament" and "The Big Corral. ~ Hans J. Wollstein, All Movie Guide

In this Western, an outlaw tries to escape from a gang of robbers after they refuse to assist a gang member wounded during a stagecoach caper. He and the wounded outlaw leave and try to steal a stagecoach as their ex-gang robs it. The sheriff's daughter observes the incident. Believing that the two outlaws were trying to save the stage, she takes them into town where the "heroes" are given jobs working for the stage. The wounded crook really does want to go straight, but his partner is only interested in waiting for the perfect caper so he can retire in style. As he is guarding an office, his old gang busts in. Soon the truth about his past is revealed. For revenge he shows the posse the location of the robbers' hideout. He then captures the leader, which results in a pardon for he and his partner. The protagonist then marries the sheriff's daughter. ~ Sandra Brennan, All Movie Guide

This sequel to 1943's My Friend Flicka stars Roddy McDowell, recreating his role in the earlier film. The son of a horse rancher (Preston S. Foster), McDowell takes it upon himself to train Thunderhead, a white colt with the same rebellious streak that distinguished its mother (Flicka). Thunderhead helps McDowell round up several horses that had been stolen from his father, and also attracts the attention of a racing aficionado (Ralph Sanford). Once fully grown, Thunderhead indicates that he'd be happier running wild, so McDowell tearfully but proudly gives the horse his freedom. Like My Friend Flicka, Thunderhead, Son of Flicka was based on a novel by Mary o'Hara. The original film would engender one more sequel, Green Grass of Wyoming (48), and later would inspire a brief TV series. ~ Hal Erickson, All Movie Guide

Laurel & Hardy's last American film is a marked improvement over their previous 20th Century-Fox features, though still not in the same league as their 1930s classics. Stan and Ollie play a couple of detectives from Peoria, Illinois, who fly to Mexico City to arrest the notorious Larceny Nell (Carol Andrews). Their South-of-the-Border visit coincides with the much-anticipated arrival of famed Spanish bullfighter Don Sebastian-who happens to be the exact double of Stan Laurel! When Don Sebastian's Mexican debut is delayed by passport problems, press agent Hotshot Coleman (Richard Lane) persuades Stan to take the toreador's place in the bullring. Stan is understandably reluctant until Hotshot threatens to turn the boys over to his business partner, sports promoter Richard K. Muldoon (Ralph Sanford). It seems that several years earlier, Stan and Ollie wrongly sent Muldoon to prison; upon his release, he vowed to someday catch up with the boys and literally skin them alive ("First the little one, then the big one!") With this threat hanging over their heads, Laurel & Hardy are forced to acquiesce to Hotshot's scheme-leading to a chaotic nightclub incident, a hectic misadventure at a bull farm, and a climactic riot at the bull arena when the real Don Sebastian finally shows up. Though it falls apart in the final reel thanks to an overabundance of mismatched stock footage gleaned from Blood and Sand (1941), The Bullfighters is for the most part a fond throwback to Laurel & Hardy's glory days: the highlight is an egg-breaking routine revived from 1934's Hollywood Party. Curiously, none of the reviewers in 1945 mentioned the film's grotesquely hilarious closing gag, which must be seen to be believed. Rory Calhoun (billed as Frank McCown) shows up in a bit as a rival bullfighter. ~ Hal Erickson, All Movie Guide