Enzo Fiermonte Movies

A routine Italian costume drama released via Universal Studios, this story is set in Egypt during the usual ancient period. The clichéd tale stars Linda Cristal as Akis, a seductive woman whose attractions are more than enough to qualify her as a source of romantic rivalry. She is sought after by two princes, Sbaku (John Drew Barrymore) and Ramsis (Armando Francioli) who are sworn enemies, not boding well for a long and healthy life span. A remote contender in the romance sweepstakes is Amosi (Pierre Brice), a physician at the court who seems to be the long-shot, but then appearances can be deceiving. ~ Eleanor Mannikka, All Movie Guide

Luchino Visconti's operatic masterpiece tells the story of the Parondis, a poor family from a village in southern Italy who come to Milan seeking a better life. Following the death of her husband, proud Rosaria (Katina Paxinou) picks up stakes and moves to the city with four of her sons: Simone (Renato Salvatori), Rocco (Alain Delon), Ciro (Max Cartier), and Luca (Rocco Vidolazzi). Awaiting them in Milan is her oldest son, Vincenzo (Spiros Focas), who himself is preoccupied with his impending nuptials to the beautiful Ginetta (Claudia Cardinale). Divided into chapters focused loosely on each brother, the movie chronicles the Parondis' struggle to get by, as the brothers take odd jobs and the family endures life in a cramped tenement. Much of the movie's second half deals largely with Simone and Rocco. The loutish Simone eventually finds success as a boxer, and the family soon moves to a better neighborhood. Meanwhile, Rocco gets drafted by the military, and becomes a successful boxer himself upon his return. Complications arise when Nadia (Annie Girardot), a prostitute, enters their lives. Simone falls in love with Nadia first; however, Rocco eventually becomes the object of her affection. Simone's obsession with Nadia and his rapidly deteriorating behavior ultimately threaten to bring the family to ruin, even as the saintly Rocco tries to save his brother. At the peak of Rocco's success, Simone commits a crime that cruelly dashes Rocco's hopes of keeping the family together. ~ Elbert Ventura, All Movie Guide

This 1959 version of Lew Wallace's best-selling novel, which had already seen screen versions in 1907 and 1926, went on to win 11 Academy Awards. Adapted by Karl Tunberg and a raft of uncredited writers including Gore Vidal and Maxwell Anderson, the film once more recounts the tale of Jewish prince Judah Ben-Hur (Charlton Heston), who lives in Judea with his family during the time that Jesus Christ was becoming known for his "radical" teachings. Ben-Hur's childhood friend Messala (Stephen Boyd) is now an ambitious Roman tribune; when Ben-Hur refuses to help Messala round up local dissidents on behalf of the emperor, Messala pounces on the first opportunity to exact revenge on his onetime friend. Tried on a trumped-up charge of attempting to kill the provincial governor (whose head was accidentally hit by a falling tile), Ben-Hur is condemned to the Roman galleys, while his mother (Martha Scott) and sister (Cathy O'Donnell) are imprisoned. But during a sea battle, Ben-Hur saves the life of commander Quintus Arrius (Jack Hawkins), who, in gratitude, adopts Ben-Hur as his son and gives him full control over his stable of racing horses. Ben-Hur never gives up trying to find his family or exact revenge on Messala. At crucial junctures in his life, he also crosses the path of Jesus, and each time he benefits from it. The highlight of the film's 212 minutes is its now-legendary chariot race, staged largely by stunt expert Yakima Canutt. Ben-Hur's Oscar haul included Best Picture, Best Director for the legendary William Wyler, Best Actor for Heston, and Best Supporting Actor for Welsh actor Hugh Griffith as an Arab sheik. ~ Hal Erickson, All Movie Guide

British sex symbol Belinda Lee stars in the overheated Italian costume melodrama La Venere di Cheronea (The Venus of Cheronea). Lee is cast as Afrodite, the girl who allegedly inspired the greatest works of famed Greek sculptor Praxiletes (Massimo Girotti). According to the screenplay, Afrodite was also the romantic bone of contention between Praxiletes and fugitive warrior Claudio (Jacques Sernas). Naturally, the plotline requires the curvaceous Lee to disrobe at the slightest provocation, and just as naturally, the censors had a hissy-fit every time she bared her knee or shoulder. The principal attribute of La Venere di Cheronea is the excellent color cinematography of Arturo Galles. ~ Hal Erickson, All Movie Guide

Generally forgotten today, Romeo and Juliet is a satisfactory, if perfunctory, adaptation of Shakespeare's immortal tragedy. Cast as the "star cross'd lovers" this time out are Laurence Harvey, who's quite good, and Susan Shentall, who isn't. Whether or not Shentall would have improved with experience is a moot point, since she retired from the screen to get married soon afterward. Director Renato Castellani was showered with praise for his decision to lens the story on location in Italy. Less popular was his decision to delete several of Shakespeare's more famous passages, arguing that they held up the progress of the story (sometimes whole scenes, including the one with the apothecary, were chopped out). The supporting cast includes Dame Flora Robson as Nurse, Mervyn Johns as Friar Laurence, Bill Travers as Benvolio, Norman Wooland as Paris, John Gielgud as the (unseen) Chorus, and Sebastian Cabot as Capulet; the rest of the major roles were filled by Italian actors. Though overshadowed by later film versions, this Romeo and Juliet was impressive enough in 1954 to win the Grand Prix at the Venice Film Festival. ~ Hal Erickson, All Movie Guide

The Italian Merchant of Slaves spends an inordinate amount of time concentrating on underclad young beauties who've been sold into slavery in the Middle East. For those in the audience not interested in this sort of the thing, the script dwells upon a captured slave trader who falls in love with a downtrodden unwed mother. The film shows signs of being radically re-edited for American consumption: after 68 minutes, it comes to an unexpected halt, after tying up only one of its many loose plot strands. Enzo Fiermonte plays the reformed trader, while Annette Bach is his lady love. Director Duilio Coletti does his best with slipshod material. ~ Hal Erickson, All Movie Guide