Marjorie Fielding Movies

The rousing adventure novel by Sir Walter Scott was adapted for this swashbuckler. Richard Todd stars as Robert Roy MacGregor, a clan leader in 18th century Scotland attempting to lead his fellow countrymen in a rebellion against the heavy-handed rule of England's King George I. When the king replaces a sympathetic politician with a lackey working against Rob Roy, it's up to the hardy Scotsman to defeat his enemies without the support of a powerful ally, while also romancing and marrying his true love (Glynis Johns). Rob Roy, the Highland Rogue (1953) was the last of 21 British films produced jointly by Disney and RKO. ~ Karl Williams, All Movie Guide

Released in Britain as Crash of Silence, Mandy is a straightforward story about a handicapped child's efforts to adapt to a normal world. Born deaf, Mandy is mute for most of her childhood. Her desperate parents enroll her in special education classes. It's a slow, uphill climb, but by film's end Mandy is talking and playing happily with non-impaired children. A well-intentioned effort, Mandy unfortunately falls prey to corniness, save for the thoroughly convincing performance by child actress Mandy Miller (who was not deaf). ~ Hal Erickson, All Movie Guide

The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, All Movie Guide

Circle of Danger stars Ray Milland as an American at large in London, Wales and Scotland. During World War 2, Milland's brother had died in a commando raid. The details of his death were somewhat murky, and Milland would like to know the truth. The truth is murder in every sense of the word, though rather disappointingly, Milland himself is never in any peril. While Circle of Danger was produced by longtime Hitchcock associate Joan Harrison, the Master's touch is noticeably absent. ~ Hal Erickson, All Movie Guide

Portrait of Clare is largely offered in flashback. The title character, played by Margaret Johnston, spends 10 years in seclusion with her son (Jeremy Spenser) after the death of her young husband (Ronald Howard). For her son's sake, Clare enters into a loveless marriage with lawyer Dudley Wilburn (Robin Bailey). But she doesn't find true happiness until turning to her cousin, Robert Hart (Richard Todd). Produced by British Pathe, Portrait of Clare was released in the U.S. by Pathe's sister-firm Monogram (aka Allied Artists). ~ Hal Erickson, All Movie Guide

Trio was the 1950 follow-up to the successful Somerset Maugham "omnibus" feature Quartet. Maugham himself introduces the three short playlets in this captivating collection. "The Verger" stars James Hayter as a church verger who loses his position when it is discovered that he can neither read nor write. With the help of sympathetic Kathleen Harrison, Hayter becomes a successful tobacconist, a turn of events leading inexorably to the story's beautifully ironic punchline. In "Mister Know-All," Nigel Patrick plays an obnoxious, garrulous passenger on a luxury cruise, who becomes a hero simply by knowing when to shut up. The final story, "Sanitorium," details the touching romance between tuberculosis victims Michael Rennie and Jean Simmons. Like Quartet, this was popular and successful enough to inspire a sequel, 1951's Encore. ~ Hal Erickson, All Movie Guide

Elizabeth Taylor played her first grown-up romantic lead in the Anglo-American melodrama Conspirator. Taylor portrays Melinda Greyton, the new bride of highly respected Major Michael Curraugh (Robert Taylor). It comes as quite a jolt when Melinda learns that her husband is actually a spy for the communists (ironically, Robert Taylor had been one of the friendliest of friendly witnesses during the HUAC hearings.) Much of the film takes place in a picturesque Welsh village, an unusual setting for a tense espionage yarn. Reversing the usual MGM "tailor the story to the stars" formula, the storyline in Conspirator is sometimes more compelling than its leading players. Still, Liz Taylor acquitted herself nicely, proving that she'd have little difficulty tackling meaty dramatic roles in future films. ~ Hal Erickson, All Movie Guide

Easy Money is a satire of that most venerated of all middle-class British traditions, the football pool. The film is divided into four separate episodes, illustrating the effects of the football pool on the "average chap." Among those who participate in the pool in hopes of winning the 50,000-pound jackpot are the Stafford family: husband Phillip (Jack Warner), wife Ruth (Marjorie Fielding), son Dennis (Jack Watling), and daughter Jackie (Petula Clark). Other interested parties are the Atkins clan -- Herbert ($Mervyn Johns) and Agnes ($Joan Young) -- and lovers Pat (Greta Gynt) and Joe (Dennis Price). Among the huge cast of supporting players, Edward Rigby stands out as the hapless Teddy Ball. Critics of the time noted that Easy Money was faintly reminiscent of the all-star 1932 Hollywood film If I Had a Million. ~ Hal Erickson, All Movie Guide

The week-end in question is anything but quiet for the protagonists in this witty British comedy. Derek Farr stars as Denys Royd, who joins a group of relatives for a weekend hunting party. Upon arriving at their cottage, Royd and company discover that the shelter has literally none of the necessary comforts: doorways are too low to be entered without causing damage to the forehead, the plumbing is virtually nonexistent, etc. Even worse, the Jacobean hunting restrictions in the region forces the family to resort to poaching. And as if this isn't enough, the recently married Royd can't seem to shake irksome distant cousin Miranda Rute (Barbara White), who harbors a crush on him. Quiet Week-End was based on a play by Esther McCracken, who'd penned the earlier Derek Farr vehicle A Quiet Wedding. ~ Hal Erickson, All Movie Guide

Demi-Paradise stars Laurence Olivier as a Russian inventor (accent and all). In Europe to promote his new propeller device, Olivier is put off by English customs and manners-or, rather, the lack of the latter. No one in 1939 England trusts a foreigner, least of all one of those shifty "Reds", but when Russia and England become allies against the Nazis, the previously persona non grata Olivier is welcomed with open arms. Penelope Dudley Ward co-stars as Olivier's previously suspicious landlady, who ends up falling in love with him. Demi-Paradise was made before the comic quaintness that afflicted Olivier's later performances set in, thus his Russian portrayal is straightforward and most convincing. The film was released in the US as Adventure for Two. ~ Hal Erickson, All Movie Guide

Barbara Mullen stars as Jeannie, a spirited Scots girl who comes into an inheritance. She heads for her family castle after encountering numerous adventures on a Continental holiday. Jeannie also finds romance in the form of handsome washing machine salesman Stewart Granger, who wins out over the romantic overtures of gigolo Albert Lieven. Based on a play by Aimee Stewart, Jeannie overcame its attenuated budget with a plethora of good cheer, enabling the film to garner good reviews on both sides of the Atlantic (in America, the film was retitled Girl in Distress). The story was musicalized for its 1957 remake, Let's Be Happy, in which the heroine (Vera-Ellen) was changed into an American girl who comes to Scotland, rather than using the Highlands as a starting point. ~ Hal Erickson, All Movie Guide