Shirley Ann Field Movies

This episode is set in Ireland, where Jessica (Angela Lansbury) has arrived to research a new book in the company of her college colleague, retired Irish detective Sean Culhane (George Hearn). Invited to stay at the home of wealthy developer Neal Gillen (Dakin Matthews), Jessica and Sean are among those present when Gillen suddenly dies, presumably of natural causes. It turns out, however, that Gillen's death may have been premeditated--and may also have been tied in with a local legend concerning the spirit of a "crying woman." ~ Hal Erickson, All Movie Guide

A wealthy man attempts to keep his fortune from falling into the hands of his avaricious relatives upon his death, and a temperate man has had it with a gossip columnist in these two shorts adapted from stories by Frederick Forsyth. ~ Kristie Hassen, All Movie Guide

This drama centers upon a female thief and her robber band as they try to hide out from the cops on a deserted island. Their only shelter is an abandoned mansion. ~ Sandra Brennan, All Movie Guide

Michael Caine's first starring role was a foray into dramatic irony, scripted by Bill Naughton from his novel and play. Alfie (Caine) is a charming, rogueish Cockney who cannot get his fill of women. He uses them without shame or malice, jumping from one promiscuous female's bed to another without much thought or feeling. Of course, Alfie's not as carefree as he would have the audience -- to whom he often speaks directly -- think: he treats his pregnant, common-law wife, Gilda (Julia Foster), quite shabbily, and has an affair with a married woman (Vivien Merchant) that leaves her pregnant, for which Alfie arranges an abortion. In the end, Alfie never finds lasting meaning or pleasure but remains an unrepentant, if low-class, Don Juan. Caine was Oscar-nominated for his performance. ~ Don Kaye, All Movie Guide

Joseph Losey directed this unusual science fiction effort, which has won a small but fervent cult following. Simon Wells (MacDonald Carey) is an American visiting England, where he meets a woman named Joan (Shirley Ann Field). Simon is immediately attracted to Joan, but there's a considerable obstacle in their budding romance: Joan's brother King (Oliver Reed), the leader of a violent pack of motorcycle rockers. King has a barely concealed incestuous attachment to his sister, and he sometimes uses her to lure victims into his gang's clutches. King and his cronies attack Simon, take his money, and leave him stranded, where he's eventually found by a pair of military security men. Simon is brought to the home of Bernard (Alexander Knox), a scientist working on a secret project for the government, and his girlfriend Freya (Viveca Lindfors), a sculptor. Joan eventually tracks Simon down in hopes of winning his forgiveness, but another run-in with King causes Simon and Joan to discover a cave that holds a terrible secret: a group of strange, cold-blooded children who were the products of one of Bernard's experiments gone wrong. The children were genetically engineered to survive a nuclear war, and, as a result, they are radioactive enough to kill anyone who comes in close contact with them. Controversial in its day, The Damned was produced in England in 1961 but was not released until 1963, when Hammer Films booked it as the second-half of a double bill with Maniac. It did not reach American screens until 1965, when it was shown under the title These Are the Damned. ~ Mark Deming, All Movie Guide

"All I want is a good time. The rest is propaganda." That's the philosophy of archetypal British "angry young man" Arthur Seaton (Albert Finney). A middle-class working stiff in a dead-end job, Arthur's principal goal in life is to survive the work week, then spend the weekend raising as much hell and drinking as much beer and other liquor as possible. Since pleasure is all that Arthur lives for, he thinks nothing of starting up an affair with the wife (Rachel Roberts) of one of his co-workers (Bryan Pringle). His efforts to secure her an abortion when he gets her pregnant stem not out of concern for her but out of his own selfishness: why should he be tied down with a squalling brat? Despite his carousing and his ongoing desire to escape the dull routine of his weekday existence, Arthur is doomed to perpetuate that routine via his marriage to a complacent "nice" girl (Shirley Ann Field) from his own neighborhood. ~ Hal Erickson, All Movie Guide

A humorous, sometimes absurd and sometimes just light-hearted comedy, this story sets up the premise of a couple's search for a housemaid, with a series of impossible women providing the hilarity. When Richard and Kate (Michael Craig and Anne Heywood) return from their honeymoon, they discover that Kate's father has given them a maid as a wedding gift. The trouble is that the maid has a good portion of the U.S. Navy in the house when they arrive, in a more-or-less wild orgy. Exit maid. The couple then hire Rosemary (Joan Hickson) who tipples to excess, making her service at a dinner party an insurmountable challenge. Exit Rosemary. Enter Blodwen (Joan Sims) a homesick woman from Wales who cannot live outside her native environment. Exit Blodwen. And so it goes, even through a gorgeous French maid (Mylene Demongeot) who causes more than a mild uproar among the couple's friends. It seems the help is either too bad or too good. ~ Eleanor Mannikka, All Movie Guide

An A.P. Dearsley stage play was the basis for the seven-reel British comedy And the Same to You. Brian Rix stars as the pugnacious nephew of clergyman Sydney Mullett. Stuck with the name "Dickie Dreadnought," Rix feels he has no choice but to pursue a career as a boxer. To mollify his uncle, Rix pretends to be the soul of religiosity, while his tough-talking manager William Hartnell poses as a Man of the Cloth. The script for And the Same to You was penned by melodrama specialist John Paddy Carstairs and veteran comic actor John Junkin (the too-tall road manager in A Hard Day's Night). ~ Hal Erickson, All Movie Guide

Laurence Olivier recreates his stage role of Archie Rice in this in-your-face film adaptation of John Osborne's play. The son of a legendary music hall comedian (Roger Livesey), Archie is strictly a third-rater, headlining a tacky music hall revue in a seedy seaside resort town. Archie can't admit that he's a failure, and his grim insouciance destroys everyone around him. Archie finagles his dying father into financing one last revue; he cheats shamelessly on his alcoholic wife (Brenda De Banzie); and he all but forces one of his sons (Albert Finney) to run off to join the army, only to die in the Suez. Through all his personal crises, Archie jigs and jabbers before his ever-diminishing audience, but by the end of the film he isn't even entertaining himself. Joan Plowright, who married Olivier shortly after completing The Entertainer, plays the film's one sympathetic character: Archie's daughter, whose love for her father blinds her to his flaws. The Entertainer was remade for television in 1976, with Jack Lemmon as Archie Rice and original songs by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

The power of hypnotism provides the basis of this film that was released in "Hypnovision" (yet another promotional gimmick) A budding and frustrated mystery writer takes extreme steps to insure that his latest thriller contains accurate descriptions of horrible murders in this gory horror thriller. He decides that the best way to do this is to set up and witness similar murders first- hand, so, not wanting to bloody his own hands, he hypnotizes his assistant, turns him into a deformed monster and has him do the dirty work using a few devilishly clever gadgets that include binoculars equipped with spring-loaded spikes, a secret guillotine poised above a young woman's bed, and deadly ice tongs. Afterward, the writer drops the bodies in a vat of acid. Several people die before the assistant rebels and gets bloody revenge. ~ Sandra Brennan, All Movie Guide

1957's The Good Companions was the second film version of the well-known J. B. Priestly play. The story revolves around the Dinky Doos, a provincial musical troupe living from hand to mouth. Eric Portman, Celia Johnson and John Fraser are three Britons from various classes and walks of life who become involved in the fortunes of the Dinky Doos. Pooling their resources, the diverse "good companions" save the troupe from disbanding. Good-natured and high-spirited, Good Companions might have even been better had the director adopted a more intimate and less showbizzy approach. ~ Hal Erickson, All Movie Guide