Andrew Stearn Movies

The gimmick of the ABC procedural drama The Evidence was established at the beginning of each hour-long episode. It was explained via a videotaped police log that a murder had been committed, and that several clues were left behind by the unknown killer. As the camera froze on each clue, the viewer was treated to a flashback, placing that clue in context of the crime. Thus, the characters onscreen virtually competed against the viewers at home as to who would solve the mystery first. Orlando Jones and Rob Estes headed the cast as San Francisco police detectives Cayman Bishop and Sean Cole, who punctuated each investigation with kidding-on-the-square insults and clever quips, à la Robert Culp and Bill Cosby on the old spy series I Spy. Other regulars included Martin Landau as medical examiner Dr. Sol Goldman and Anita Briem as investigator Emily Stevens. The "backstories" of each character were revealed on a "need to know" basis in the course of each episode, showing how their personal experiences colored the direction of the investigation (much air time was devoted to the death of the wife of Sean Cole). Created by Sam Baum and Dustin Thomason, The Evidence made its network bow on March 22, 2006, only to be placed on hiatus after three episodes. ~ Hal Erickson, All Movie Guide

The hectic early days of live television are spoofed in this irreverent made-for-cable movie. The story is told from the viewpoint of Audrey Drummond (Christina Hendricks), a naïve young script girl hired by the newly formed Empire Television Network in 1948. Among Audrey's colleagues are the network's owner, eccentric scientist Doc Powers (Christopher Lloyd); Doc's blonde, pneumatic young "trophy wife" Marion (Molly Ringwald); the Colonel (Dylan Baker), Empire's visionary programming chief; and Walt Kaplan (Michael B. Silver), a studio floor manager who aspires to be a director. The story revolves around Empire's efforts to stage the first live TV production of Thornton Wilder's Our Town, while trying desperately to adhere to Doc Powers' cast-in-stone broadcast edicts: "No profanity, no suicide, no cleavage." Amidst a flurry of missed cues, fainting actors, collapsing scenery, and malfunctioning equipment, the network also manages to outrage its sponsors by allowing a black musician (Sharif Atkins) to actually (gasp! egad!) speak directly into the camera. Co-executive produced by The West Wing's John Wells and ER's Carol Flint (who also wrote the script), The Big Time debuted October 21, 2002 on the TNT network. ~ Hal Erickson, All Movie Guide