Mark Nutter Movies

NBC wasted precious little time in offering up a TV-movie adaptation of one of the first truly uplifting stories of the Iraq War. Saving Jessica Lynch stars Laura Regan as the title character, a 19-year-old army private with the 507th Ordinance Maintence Company. On March 23, 2003, Jessica is captured by Iraqi insurgents after the rest of her platoon is wiped out in a roadside bombing not far from Al Nasiryah. Curiously, Jessica doesn't get all that much screen time: The primary focus is on the rescue efforts mounted by a group of Army Rangers and Navy SEALS, with special emphasis bestowed upon Mohammed Al-Raheif (Nicholas Guilak), the courageous Iraqi man who shielded the captured woman from harm while she lay wounded in an enemy hospital (it should surprise no one that the script is based on Al-Raheif's own book, Because Each Life Is Precious. An inordinate amount of poetic license is taken with the events surrounding Jessica's rescue, with a plethora of ridiculous coincidences and serial-like thrills and chills thrown in to pep up the story. To her credit, the real Jessica Lynch herself neither authorized nor promoted the film, which first aired November 9, 2003. ~ Hal Erickson, All Movie Guide

Christopher Guest (Waiting for Guffman) directed this comedy about two hapless explorers -- hard-drinking trapper Bartholomew Hunt (the late Chris Farley in his last major role) and foppish Leslie Edwards (Matthew Perry) -- who lead an ill-fated 1804 expedition through the Pacific Northwest in a hopeless, doomed effort to reach the Pacific Ocean before Lewis and Clark. Others joining their trek are French linguist Guy Fontenot (Eugene Levy), who is unable to decipher dialects of any Native American tribes; Spanish conquistador Hidalgo (Kevin Dunn), who seeks the Fountain of Youth; Fontenot's Indian mistress Shaquinna (Lisa Barbuscia); Bidwell (David Packer), who keeps losing parts of his body; oddball Pratt (Hamilton Camp); and Edwards' manservant Jonah (Bokeem Woodbine). Filmed on location in Northern California and the Big Bear region. ~ Bhob Stewart, All Movie Guide

There are angels among us, and they like lots of sugar in their coffee, in writer-director Nora Ephron's comic fantasy Michael. Vartan Malt (Bob Hoskins) is the editor of a tabloid called the National Mirror that specializes in unlikely stories about celebrities and frankly unbelievable tales about ordinary folks. When Malt gets word that a woman is supposedly harboring an angel in a small town in Iowa, he figures that this might be right up the Mirror's alley, so he sends out three people to get the story -- Frank Quinlan (William Hurt), a reporter whose career has hit the skids; Huey Discoll (Robert Pastorelli), a photographer on the verge of losing his job (even though he owns the Mirror's mascot, Sparky The Wonder Dog); and Dorothy Winters (Andie MacDowell), a self-styled "angel expert." They arrive at the rooming house of Patsy Millband (Jean Stapleton), who informs them that she does indeed have an angel for a tenant, and introduces them to Michael (John Travolta). Michael has wings like an angel, but the resemblance ends there; Michael loves cigarettes, has an uncontrollable sweet tooth (and a pot belly to match), tends to use a large number of non-angelic phrases, is not much on personal hygiene, and likes to hang out with the ladies. Michael informs his visitors that in Heaven, an angel is allowed a certain number of "vacations" on Earth, and he's in the midst of one now; trouble is, this is the last one he's entitled to, and he wants to make the most of it. Frank and Huey then stumble on a great story idea -- if Michael wants to have some fun, why not take him to Chicago, where he can really kick up his heels? Michael was written in part by Jim Quinlan, himself a one-time reporter, though with a much more respectable tabloid than the Mirror -- he wrote for the Chicago Sun-Times. ~ Mark Deming, All Movie Guide