Galt Niederhoffer

With prom right around the corner, a young man not only has to worry about finding a date, but is forced to wrestle with the crumbling marriage of his parents (William H. Macy and Cheryl Hines) in this Plum Pictures comedy from writer/director Brian Hecker (Family Attraction). ~ Jeremy Wheeler, All Movie Guide

Director Craig Lucas teams with screenwriter Elyse Friedman for this sociologically-slanted comedy drama concerning three eccentric siblings who were forced to grow up in an environment with no actual grown ups. In a typical family, the pattern usually goes something like this: Parents have children, children grow up, children move out, and family comes together for visits on holidays and special occasions. Unfortunately for Morrie Tanager, any concept of normalcy was thrown out the window when his parents died, and he was left to raise his two siblings Ida and Jay in the family home. These days Morrie shares the home with his wife Betty, Ida is a promiscuous artist who's always traveling despite the fact that she's perpetually broke, and Jay is a reclusive weirdo who frequently conducts antisocial experiments. All that the perpetually constipated Morrie wants out of life is to please his wife Betty. While it's been quite a while since siblings Morrie, Ida, and Jay have all been together under one roof, those familiar childhood dynamics quickly return when Ida comes knocking at the exact moment Jay goes supernova. As neurosis and instability suddenly cascades through the home like a dysfunctional Niagara Falls, Morrie and Betty suddenly find their delicate attempts to secure Morrie's tenure washed down the river right towards the big drop. ~ Jason Buchanan, All Movie Guide

A successful New York architect (Patrick Wilson) with a beautiful wife (Amy Smart) and an adoring young son is forced to reevaluate his outwardly idyllic life after a chance meeting with an urban designer (Lynn Collins) reveals the cracks in the foundation of his paradise in an existential drama from first-time feature filmmaker Tracey Hecht. ~ Jason Buchanan, All Movie Guide

The contemplative, understated tearjerker Grace Is Gone dramatizes the quiet crisis that befalls Stanley (John Cusack), a young Midwestern husband of a female marine stationed in Iraq, and a father of two girls. Suddenly and unexpectedly widowed when his wife, Grace, is killed on the battlefield, Stanley cannot bring himself to share the devastating news with his two young daughters. In lieu of speaking to them immediately about their mother's death, Stanley internalizes his devastation and takes the girls on a road trip while he attempts to sort through a myriad of conflicted and tumultuous internal feelings about the war itself and contemplates how to break the shattering news. Inevitably, the road trip will end with Grace's funeral. This film represents the brainchild of producer/star Cusack and writer/director James C. Strouse. It began with Cusack's fury about the Bush administration's policy banning footage of caskets returning from the Iraq and Afghani wars, and his desire to see those events played out onscreen, in the lives of American citizens. ~ Nathan Southern, All Movie Guide

A man with a "doormat" personality tries standing up for himself for a change in this comedy. Mild mannered tax accountant Elliot Sherman (Michael Showalter) is what he calls a "Baxter": the kind of calm, unexciting fellow who "wears sock garters" and "enjoys raking leaves." Loved by bosses and parents, Elliot is a perfectly nice guy. And that's his problem -- he's safe and pleasant, but not very interesting, so as a consequence he hasn't had much luck with long-term relationships, and more than one woman has abandoned him for someone more exciting. Elliot believes his luck has finally changed for the better when he becomes engaged to Caroline Swann (Elizabeth Banks), a smart and attractive editor at a successful magazine. However, a few weeks before the wedding, who should come back into Caroline's life but Bradley Lake (Justin Theroux), her high school sweetheart and, according to many, the great love of her life. Bradley quickly makes it clear that he wants to win Caroline back, and generally in such circumstances Elliot would politely step aside, but just this once Elliot decides to fight for the woman he loves. Elliot gains an unexpected champion in Cecil Mills (Michelle Williams), a frumpy but adorable temp employee at his office who encourages Elliot to develop a take-charge attitude, though the results aren't quite what he expects. The Baxter was written and directed by Michael Showalter, who also plays Elliot; Showalter was a member of the sketch comedy troupe the State, and also works with the comedy performance trio Stella, whose other members, Michael Ian Black and David Wain, also appear in the movie. ~ Mark Deming, All Movie Guide

Michael Lange directs this wacky comedy about Jocelyn (Dominique Swain), a young underpaid intern at an ultra-hip fashion mag, Skirt, who miraculously rises from the mailroom to the boardroom. ~ Jonathan Crow, All Movie Guide

A teenager finds himself torn between his loyalty to his friends and possibly destroying his own future in this drama. Danny (Peter Facinelli) is a high school senior who has been offered a chance to play football for a college scholarship; while the offer is tempting, at the same time he doesn't want to leave his girlfriend behind. However, all the bets in his life are off when one of his best friends shoots his father, who had a history of violence. Danny and his friends know their buddy would not survive in prison, so they steal the body and try to hide all the evidence before the police get wise. Their plan proves to be neither as simple or as effective as they hoped. End of Innocence features a strong supporting cast, including Amy Irving, Chris Isaak, and Tom Arnold. ~ Mark Deming, All Movie Guide

Eric Bross directed this drama of romantic roadblocks and racial issues between a group of waitresses and bartenders waiting for their "big breaks." Former alcoholic Chris (Adrien Brody) is a playwright who works as a bartender at the popular Hoboken, New Jersey, restaurant J.T. McClure's, a gathering spot for a variety of creative wannabes. At a local theater, rehearsals are underway for Chris' play, an autobiographical drama echoing his past relationship with Leslie (Lauryn Hill); for the fictional Leslie character, Chris has cast the vulnerable vocalist Jeanine (Elise Neal), and finds himself falling for her. Meanwhile, the actor playing the role of "Chris" has been sleeping with the real-life Leslie, adding to the real-life Chris' confusion. Providing philosophical guidance is the wise-guy best friend Reggae (Michael Stoyanov), a fellow "Newark boy" whose main creative energy goes into scoring drugs. Restaurant was one of the much-discussed stand-outs at the 1998 L.A. Independent Film Festival. ~ Bhob Stewart, All Movie Guide

A teenager tries to do the right thing with heavy odds stacked against him in this hard-hitting independent drama. Marcus (Brendan Sexton III) is a 14-year-old growing up in a tough section of New York City. Marcus' father is dead, and his mother is in prison; while she told him that it was for helping to smuggle illegal immigrants into the United States, he later discovers that she was actually convicted of the murder of his dad. Living with his grandmother, who works as a bartender, Marcus doesn't get much in the way of guidance, and he soon falls in with a group of kids who ride bikes, hang out, and engage in small-time theft for fun and profit. Marcus and his new friends shoplift CDs and sneakers and then sell them in the schoolyard; however, before long, some of the other kids bring up the idea of pulling bigger thefts for bigger profits, and while Marcus is resistant to the idea at first, the decision isn't entirely his to make. One of Marcus' few friends who wants to see him straighten up is Melena (Isidra Vega), who is growing up with a strong set of principles despite being raised in an abusive home. Hurricane (also released under the title Hurricane Streets) won both the Audience Award and the Director's Award at the 1997 Sundance Film Festival; it was the first feature for director Morgan J. Freeman (not to be confused with actor Morgan Freeman). ~ Mark Deming, All Movie Guide