Peggy Feury Movies

Adapted by Horton Foote from his own play, 1918 focuses on a small Texas town beset by a major flue epidemic during World War I. In this slow-paced, melancholy story of internecine family strife, Horace Robedaux (William Converse-Roberts) comes from the poor side of the town's citizenry, but he married into the landed gentry when he wed Elizabeth (Hallie Foote), a change that bothers him constantly. His father-in-law is a rigid though well-intentioned patriarch, and his mother-in-law is often at odds with Elizabeth -- the seeds of that friction undoubtedly lie in the family's opposition to Elizabeth marrying Horace. Besides, these wealthy parents treat Elizabeth and Horace as though they were still children -- and they are now the proud parents of a baby boy. Changes occur when Horace makes a sudden decision to go off to war, after assurances from his father-in-law that he will care for Elizabeth in the meantime -- and the flu epidemic strikes much closer to the family than anyone would have imagined. The film was later telecast as part of a Horton Foote trilogy on PBS' American Playhouse. ~ Eleanor Mannikka, All Movie Guide

On her deathbed, mean-spirited millionairess Lily Tomlin has her will amended so that her soul will pass into the body of young, healthy Victoria Tennant. Thanks to a mix-up in transmutation, Tomlin winds up instead trapped in the body of upright (and uptight) attorney Steve Martin. The plot involves the fragility of male-female relationships, the importance of making commitments, and the antics of goofy guru Richard Libertini. As ridiculous as it sounds, All of Me is completely credible, thanks to Steve Martin's remarkable "body language" when conveying the notion that he's two different people with two different sets of emotions and gestures. Though the circumstances of the plot won't allow Martin to connect with the lovely Tennant, in real life things were different: the two costars were married shortly after filming wrapped. Phil Alden Robinson and Henry Olek adapted the script from Ed Davis' novel Me Too. ~ Hal Erickson, All Movie Guide

Margot Kidder and Annie Potts star in this distaff buddy picture concerning two friends undergoing a series of misadventures in their love lives. Potts plays Bonnie Howard, the wife of Stanley (Robert Carradine), an immature child/man who irresponsibly spends most of his time racing cars and getting drunk. Bonnie also happens to be pregnant, but the father of her unborn child does not happen to be Stanley. Rather than hit Stanley in the face with that fact, she decides to leave him. As she heads for town to obtain an abortion, she runs into the foul-mouthed man-hunter Rita Harris (Margot Kidder in a blonde wig and tight pants). The two characters get involved in a number of vignettes, with the humor arising from the contrast between the streetwise Rita and the relatively innocent Bonnie. ~ Paul Brenner, All Movie Guide

Audiences loved him as a Berber sheik in the historical saga The Wind and the Lion, so who better to play a Saudi Arabian minister of state who wants to make peace with Israel during the Arab oil embargo of 1976 than Sean Connery? Connery plays Khalil Abdull-Muhsen, a peace-mongering diplomat who wants to sign a mutual assistance pact with Israel and sell Saudi oil to needy nations at cost. The object of his pipe-dream plan is to free those needy nations from the East-West conflict. Unfortunately, the world is not ready for such starry-eyed idealism, and before you can say "Tiger in your tank," Khalil finds himself the victim of choice for a network of Arab terrorist groups. The terrorists clearly have the pick of the litter at the casting office, for Khalil finds himself pursued by the frisky and beautiful Bryn Mawr graduate and cool-as-a-cucumber terrorist Nicole Scott (Cornelia Sharpe). ~ Paul Brenner, All Movie Guide

Two interesting figures in offbeat cinema -- director Matt Cimber (who was married to Jayne Mansfield and directed her final film before going on to a handful of expressive blaxploitation efforts) and screenwriter Robert Thom (who wrote Wild in the Streets and Bloody Mama) -- teamed up for this unusual portrait of one woman's descent into madness. Molly (Millie Perkins) is a woman who is haunted by vivid memories of abuse and molestation at the hands of her father, who was a ship's captain; now middle-aged, Molly is obsessed by the ocean and images associated with pirates and sailing lore, which fill her with both fascination and loathing. Molly dotes on her young nephews (Jean Pierre Camps and Mark Livingston) and often spins tall tales for them in which her father is a noble hero, but her sister, Cathy (Vanessa Brown), is not comfortable with her presence, and soon the boys are old enough to spend their time elsewhere. Single and lonely, Molly longs for a man, and is openly attracted to strong, burly types, but at the same time she bears a deep hatred for them, and sometimes murders and dismembers the men she lures into her home. However, given Molly's penchant for fantasy, how much of her story is real, and how much is the product of her twisted imagination? Shot in 1971 but not released until 1976, The Witch Who Came From the Sea was one of the first feature films for cinematographer Dean Cundey, who later went on to work with Steven Spielberg and Ron Howard. ~ Mark Deming, All Movie Guide

Three armed criminals invade a bank, take everyone inside hostage, and nervously await the arrival of a payroll truck. Among the hostages is Chief Ironside (Raymond Burr), who hopes to take advantage of the robbers' internal squabbling in order to play one against the other--but the thieves may be a bit too smart to fall for that trick. Reportedly based on a true story, this episode features a young actress named Kathleen Gackle, better known in later years as Kathleen Lloyd. ~ Hal Erickson, All Movie Guide