Francois Marquis Movies

Tilda Swinton stars in director Erick Zonca's drama about a 40-year-old alcoholic who, in a rare moment of sobriety, sees where her life is headed and makes one last-ditch attempt to steer herself away from the disastrous path that she has been locked on for as far back as she can remember. Julia may be manipulative, notoriously untrustworthy, and completely incapable of uttering any word that isn't an outright lie, but somehow -- perhaps due to sheer charisma -- this statuesque deceiver has always managed to get by. But Julia has been hardened by too many vodkas and too many one-night stands, and lately the lonely life of drifting from job to job in her 1979 Chrysler New Yorker has left her wanting something more. While her old boyfriend Mitch occasionally tries to break through Julia's haze, lately she has surrendered herself to the fact that she is simply one of life's losers. As her finances begin to run short and panic begins to set in, a desperate Julia turns to crime but is forced to go on the run with a young boy named Tom after her plan falls hopelessly apart. ~ Jason Buchanan, All Movie Guide

Recalling Last Tango in Paris, Virginie Wagon directs this passionate, sexy, romantic drama about a cool professional Parisian who finds herself undone by adulterous yearns that she does not understand. Marie (Anne Coesens), who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois (Michel Bompoil) for 12 years and has a two-year-old son. Though she is relatively content with her life, she feels something is wanting. Enter 50-year old African-American Bill (Tony Todd of Candyman fame). Initially she is annoyed by his insouciance, but she finds that she is irresistibly attracted to him. Soon the two are in the midst of sordid illicit affair. She knows little about her new lover, and he seems uninterested in learning about her, but the long sessions of lovemaking are something else entirely. Feeling out of control, Marie is increasingly repelled by her own actions. Psychologically, she struggles to reconcile her torrid encounters with Bill and mundane domestic chores such as bathing her son. Moreover, she finds herself incapable of hiding her adulterous behavior, rather she comes home with scratches and hickeys all over her body, to the devastation Francois. This film was co-written by Dreamlife of Angels director Erick Zonca. ~ Jonathan Crow, All Movie Guide

Elodie Bouchez and Natacha Regnier both won "Best Actress" honors at the 1998 Cannes Film Festival in this naturalistic drama about two women alienated from mainstream society. After a trio of short films, this is the feature directorial debut of 41-year-old French filmmaker Erick Zonca. With opening scenes reminiscent of Agnes Varda's Vagabond (1985), optimistic hobo Isa (Bouchez), with her life in her backpack, has a gritty existence on the road, going from one town to another through northern France, working factory jobs and selling cards. After she loses a garment-factory job, her withdrawn, near-catatonic co-worker Marie (Regnier) lets Isa share space in her Lille living quarters -- an apartment actually belonging to a hospitalized mother and daughter. Marie begins an affair with burly bouncer Charly (Patrick Mercado) before achieving an emotional breakthrough with sleazy, animalistic club-owner Chriss (Gregoire Colin). Meanwhile, Isa becomes fascinated with the girl who lived in the apartment but now lies in a coma at the hospital. The film combines handheld camerawork with a minimalist music score (Yann Thiersen) and documentary-like street sounds. ~ Bhob Stewart, All Movie Guide