David Ferry Movies

American actor Rod Steiger adopts a British accent to keep apace with his co-stars in Three into Two Won't Go. Steiger plays a prosperous salesman, married to Claire Bloom (Steiger's real-life wife at the time). While on a business trip, the salesman falls for a sexy 19-year-old hitchhiker (Judy Geeson). He thinks he's in control of his philanderous situation -- until the teenager insists upon moving in with him and his wife. Dame Peggy Ashcroft also stars as Claire Bloom's mother, whose neurotic interference only makes things messier. Three into Two Won't Go was based on a novel by Andrea Newman. ~ Hal Erickson, All Movie Guide

Peter Fonda and Jerry Reed star as truckers pitted against a rival big-rig boss who wants them off the highway. ~ Jason Ankeny, All Movie Guide

More the story of the man who established it than the College of Notre Dame in Saskatchewan, this is the depiction of Father Athol Murray, a hard-drinking, chain-smoking man who believed that education and athletics were the way to success for young men in college. He was opinionated, but he managed to take a dump and make it into a well-respected college. Uninspiring rendition of a tale told better in other movies. ~ Tana Hobart, All Movie Guide

In this Gold Rush adventure, two men race their sleds and dogs across the frozen North in hopes of being the first to reach a parcel of land filled with gold. The tale is based on a Jack London story. ~ Sandra Brennan, All Movie Guide

Kiefer Sutherland won the Canadian equivalent of the Academy Award for his performance in Bay Boy. In 1937 Nova Scotia, Donald Campbell (Sutherland) lives with his dirt-poor parents (Liv Ullmann and Peter Donat). His folks hope that Donald will enter the priesthood, but he isn't keen on this. For one thing, he harbors "unnatural" feelings towards a nun; for another, one of the local priests has made sexual advances towards him. Donald prefers to spend his time with pretty sisters Saxon and Dianna (Leah Pinsent and Jane McKinnon) -- but even this becomes untenable when the boy witnesses a homicidal hate crime committed by the girls' father, police constable Tom Coldwell (Alan Scarfe). It is in this intolerable atmosphere that Donald finally comes of age, which is the point to which the film is leading. Weighed down with an unnecessarily complex script, Kiefer Sutherland comes off quite well in Bay Boy; the other performers -- even the estimable Liv Ullmann -- tend to be one-note stereotypes. ~ Hal Erickson, All Movie Guide

Three Men and a Baby is an Americanized remake of the 1985 French comedy hit Three Men and a Cradle. Tom Selleck, Ted Danson and Steve Guttenberg play three upwardly mobile New York bachelors who share an apartment. Their even-keel lifestyle is thrown out of whack when a young woman leaves a baby on their doorstep, suspecting that film director Danson is the father. The balance of the film is devoted to milking as much humor as possible out of the situation of three urbane young men trying to play nursemaid with nary a clue of what they're doing (at one point, a desperate Selleck offers Guttenberg a thousand dollars if Guttenberg will change a diaper). A subplot involving drug dealers is thrown in to sustain audience interest after our trio of heroes become accustomed to a baby around the apartment. "Urban legend" aficionados please note: That cardboard cutout of Ted Danson briefly glimpsed in one scene of Three Men and a Baby is not the ghost of a little boy who died in the bachelors' apartment before filming started. ~ Hal Erickson, All Movie Guide

Sadie (Debbie Reynolds) is a salty, streetwise New York cop, forced into early retirement. Her son (Brian McNamara) is a rookie police officer. Carl Kleinschmidt's script contrives to have Sadie and Son become partners: she performs a heroic deed while in "civvies," and is restored to the force. The rest of the film concerns itself with the younger cop's paranoia over living up to his mom's reputation, with time left over for a couple of romantic subplots. Filmed in Toronto and first telecast October 21, 1987, Sadie and Son represented Debbie Reynolds' first foray into the TV-movie field. ~ Hal Erickson, All Movie Guide

This WW II-set drama follows the creation of the first atomic bomb. ~ Sandra Brennan, All Movie Guide

As indicated by the title, this made-for-TV movie charts the rise and fall of Olympic figure skater Tai Babilonia. Partnered since childhood with Randy Gardner, Tai skated her way to the 1979 World Championship. Her hopes for Olympics success in 1980 are scuttled when her partner Gardner suffers a groin injury and is unable to compete. Tai responds to this disappointment by descending into drug abuse, culminating in an attempted suicide. The plucky skater recovers from all this, and the film ends on a hopeful note. On This Ice: The Tai Babilonia Story stars Rachel Crawford as Tai and Charlie Stratton as Randy, but that's the real Babilonia and Gardner recreating their classic routines in the long shots. ~ Hal Erickson, All Movie Guide

In this off-beat, suspenseful Canadian fable, an introverted, repressed young writer becomes obsessed with peeping into the apartment of a beautiful rock singer. She becomes his whole world until he finds himself witnessing her murder. Shocked back to reality, he attempts to stop peeping. He attends the singer's funeral and there meets an intriguing woman. They become lovers, but as time passes, he begins suspecting that she and the late singer are somehow inextricably linked. Meanwhile, his involvement with the new woman, does little to strengthen his resolve to quit spying on others. ~ Sandra Brennan, All Movie Guide

Darkman is up to his old tricks. He's robbing from the criminals and keeping for himself so he can further perfect his synthetic skin which dissolves after 99 minutes in the light. His old arch-nemesis, Robert Durrant (Larry Drake) returns, having survived the helicopter crash in the first film. Durant attempts to rebuild his crumbling empire by devising a new particle gun to sell on the market. After Durant kills a young scientist for his warehouse, Darkman goes on a rampage, vowing to destroy Durant once and for all. Darkman concocts masks of his enemies and infiltrates Durant's gang, turning everyone on themselves. This sequel is above the typical direct-to-video quality and director May has captured Raimi's comic-book style, but the energy that propelled the original is sorely missing here. Welcome back is Drake who once again astonishes with a gleefully maniacal performance, rightfully stealing the show. Replacing the title character is Arnold Vosloo, who coolly plays Darkman without the enraged melodramatics Liam Neeson brought to his portrayal of the tormented hero. This sequel was actually filmed after Darkman III: Die, Darkman, Die but was released on video first despite the fact that Universal thought it looked good enough to release into theaters. ~ Sean D. MacLaggan, All Movie Guide

Hoping to put her life back together after an abusive first marriage, mild-mannered Laura Jameson (Mel Harris) weds again, thereby incurring the wrath and resentment of her rebellious teenage daughter Kelly (Nicholle Tom). Still holding Laura responsible for the suicide of her father, Kelly goes completely off the deep end, beginning with an overnight stay in juvenile custody and culminating in an eight months of legal hell in a dizzying progression of courtrooms. Clearly over her head when trying to cope with Kelly (all she can say upon her daughter's release is "Was it awful in jail, honey?"), Laura will ultimately be forced to draw upon reserves of inner strength that she never knew or believed she had. Made for the NBC TV network, What Kind of Mother Are You? was first telecast on November 18, 1996. ~ Hal Erickson, All Movie Guide

A priest has been murdered in the neighborhood of Inspector Paul Fein's youth, and it's up to the seasoned cop to crack the case in director David Greene's entry into the tense Family of Cops series. It's not going to be easy going back to the streets of his childhood, but despite the demons that linger in the shadows of every corner, this is one case he's not willing to let slip through the cracks. With all evidence pointing to the Russian Mafia as being responsible for the crime, Inspector Fein searches desperately for a witness who's willing to talk. As fear tightens its grip on the scared Russian community of Milwaukee, bodies continue to pile up and an unspoken code of silence threatens to stonewall the investigation. Now, with both his life and the lives of his family hanging in the balance, Inspector Fein must make the decision to pull back, or press forward and pray that the killer won't get to him before he gets to them. ~ Jason Buchanan, All Movie Guide