Kerry Armstrong Movies

The curious world of children's dance competitions is raked over the satiric coals in this comic mockumentary. Mr. Jonathan (Ben Miller) is a dance teacher and choreographer who is preparing a group of his current students to take part in the Sanosafe Troupe Spectacular, a major regional competition for pre-teen dancers. Mr. Jonathan has been frustrated in his effort to bring home a first-place trophy, in part due to his ambitious themes, as his young charges are forced to take part in his interpretive pieces on war, economic injustice, environmental issues and the like. Mr. Jonathan's strongest adversary is Miss Elizabeth (Jane Hall), who has a constant smile and a will of iron as she weeds the "fat, lazy and untalented" from her ranks. However, this year Mr. Jonathan is determined to defeat her, and Justine (Kerry Armstrong), an overeager stage mother who claims she almost passed the audition to become a Spice Girl, is more than willing to help, as long as her daughter Tenille (Shayni Notelovitz) is featured prominently in Jonathan's latest extravaganza. Mr. Jonathan suffers through Justine's "assistance" until Tenille loses her star billing to Grace (Clancy Ryan), a plucky youngster with more talent. Razzle Dazzle: A Journey Into Dance received its American premiere at the 2007 Los Angeles Film Festival. ~ Mark Deming, Rovi

A young man has a hard time getting crime to pay better than honest work in this comedy-drama from Australia. When Jack Flange (Alex O'Lachlan) gets word that his sister Nikki (Claudia Harrison) has been in a serious auto accident, he leaves his home in Sydney and travels to the small seaside community where she lives. Money is tight for Nikki, so Jack looks for a job to help out; however, the best he can do is working for Brownie (David Field), who runs an oyster farm with his father Mumbles (Jim Norton). Jack soon learns that oyster farming is tough, physically punishing work, and while Brownie would be a difficult boss on the best of days, the fact that his ex-wife Trish (Kerry Armstrong) has opened a competing business has made matters significantly worse. Wanting more money and less labor, Jack steals a cache of money from an armored car, and to help cover his tracks mails the cash to himself. However, when the money never arrives in the mailbox, Jack wonders if someone has made off with his ill-gotten gains -- and if the law might be after him. ~ Mark Deming, Rovi

Nadia Tass directed this Australian comedy-drama about deaf-mute Amy (nine-year-old singer-recording artist Alana De Roma), traumatized by seeing her rock-star father Will (Nick Barker) killed in an electrical accident at an outdoor concert during a rainstorm. His widow Tanya (Rachel Griffiths) retreats with Amy to an outback farm, but child welfare officers force a return to Melbourne for Amy's education. They move into a shabby house in a working-class neighborhood of losers where they meet musician Robert (Ben Mendelsohn), battered neighbor Sarah Armstrong (Kerry Armstrong) and her son Zac (Jeremy Trigatti), Zac's alcoholic father Bill Trendle (William Zappa), two slow-witted brothers (Torquil Neilson, Sullivan Stapleton), grouchy Mrs. Mullins (Mary Ward), and Robert's sister (Susie Porter). Amy was shown at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

The second of two network-TV adaptations of Jules Verne's speculative 1868 novel 20,000 Leagues Under the Sea, this two-part ABC version originally aired on May 11 and 12, 1997, some two months after CBS's shorter -- and infinitely more faithful -- version. The year is 1886, and an unknown "creature" is terrorizing the high seas, causing merchant vessels to vanish without a trace. Enlisted by the U.S. government to find out what's really going on, oceanographer Pierre Arronax (Patrick Dempsey) and rough-hewn whaler Ned Land (Bryan Brown) set sail for uncharted waters. Ultimately, they are captured by the insane but honorably motivated Captain Nemo (Michael Caine), the inventor of the high-teach submarine Nautilus. This much can be found in the original novel. The rest of the film has less to do with Jules Verne than its does with the popularity of such theatrical features as Star Wars and Titanic, not to mention the then-prevalent specter of political correctness. Because he wants nothing more out of life than to slaughter whales, Verne's nominal hero Ned Land is transformed into the main villain -- while Pierre Arronax comes off none too sympathetically himself, depicted in an early scene as a wanton womanizer who sleeps with his own father's mistress. Also, a bit of gratuitous romance is thrown into the proceedings, with Captain Nemo suddenly acquiring a daughter, and another woman joining the storyline when the Nautilus makes a side trip to the lost city of Atlantis. Finally, what with Verne's good guys turning bad and Captain Nemo clearly certifiable, a new "hero" is introduced in the form of African-American crewman Cabe Attucks (Adewale Akinnouye-Agbaje). Oh, and did we mention that Nemo is actually a half-cyborg and a former Indian prince? This "new and improved" 20,000 Leagues Under the Sea is only slightly less ridiculous than the 1916 silent film version, which also managed to add a love interest and a spectacular "flashback" sequence straight out of 1001 Arabian Nights. ~ Hal Erickson, Rovi

This two-part TV movie, produced in Australia, was based on the tragically true story of an Australian teenager (John Polson) condemned to death for dealing in drugs in Malaysia. Part One set up the circumstances which landed Polson and his friend Hugo Weaving on Malaysia's death row. In Part Two, Polson's mother, played by Julie Christie, races desperately against time to save her son from the gallows. She enlists the support of the Queen of England, the Pope, and a large international organization of concerned citizens--but the Malaysian government remains unmoved. Evocatively filmed in Macao, Dadah Is Death had the bad luck to premiere on American TV opposite the highly rated miniseries Favorite Son. ~ Hal Erickson, Rovi

Angela Lansbury is reunited with her onetime The Picture of Dorian Gray costar Hurd Hatfield in this episode, in which Jessica Fletcher (Lansbury) attends a special performance by a Soviet ballet troupe. Just as two of the dancers decide to defect, the KGB official assigned to the troupe is killed. When one of the defecting dancers also turns up murdered and a terrified ballerina is accused of the crime, Jessica reluctantly joins forces with a gruff government official to solve the crimes. ~ Hal Erickson, Rovi

The suffocating repressiveness of the Victorian era is superbly realized by director Bruce Beresford in The Getting of Wisdom. Thirteen-year-old Laura (Susannah Fowle), an incorrigible free spirit from the Australian outback, is enrolled in a prestigious girl's boarding school. The indoctrination process is a rough one, and Laura very nearly loses her individuality and sense of self-worth. When she does mature, however, it is on her terms, and not the school's. Intriguingly, The Getting of Wisdom is based on the reminiscences of a 19th-century female writer who used the pen name of Henry Handel Richardson. Despite its somber dramatic overtones, the film contains moments of uninhibited humor, a trademark of director Beresford. ~ Hal Erickson, Rovi