Cliff Ferre Movies

Young at Heart is a soft-pedaled, musicalized remake of 1938's Four Daughters. Robert Keith takes over the Claude Rains role as paterfamilias to a family of musical prodigies, all girls: Doris Day, Dorothy Malone, Elizabeth Fraser (the fourth daughter was written out of proceedings, no great loss). Keith's new boarder Gig Young, a musical-comedy composer, becomes the three daughters' heart balm, whether he wants to our not. When he gets stuck creatively, Young invites his tempestuous pal Frank Sinatra to help him finish his score. Sinatra essays the old John Garfield role, retaining a generous supply of Garfield's chip-on-shoulder edginess. But whereas Garfield's character dies in Four Daughters, Sinatra survives for a happily-ever-after clinch with Doris Day. Most of the songs heard in Young at Heart were already standards in 1954--with the notable exception of the Johnny Richards-Carolyn Leigh title number, which of course became a part of Frank Sinatra's standard repertoire. ~ Hal Erickson, All Movie Guide

A little girl is found wandering in the desert, in a state of complete shock. When she finally revives, she can scream out only one word: "Them!" Any aficionado of 1950s horror films can readily tell you that "Them" are giant ants, a byproduct of the radiation attending the atomic bomb tests of the era. Extremely well organized, these deadly eight-to-twenty-foot mutations converge on the storm drains of Los Angeles in the finale. Forming a united front against the oncoming ant battalions are New Mexico police sergeant James Whitmore, FBI representative James Arness, and father-and-daughter entomologists Edmund Gwenn and Joan Weldon. Since the details of Them are fairly common knowledge today, the mystery-thriller structure of the film's first half tends to drag a bit. Things liven up considerably during the search-and-destroy final reels, as the audience is barraged with convincing special effects and miniature work-not to mention that eerie ant-induced sound effect, so often imitated by subsequent lesser films. Fess Parker appears in a starmaking cameo as a pilot driven to the booby hatch after witnessing the ants in action, while an uncredited Leonard Nimoy is seen pulling info out of IBM machine. Definitely the high point in the careers of director Gordon Douglas and scenarists Ted Sherdeman and George Worthing Yates, Them is also one of the handful of vintage science-fiction thrillers that holds up as well today as it did when first released. (Sidebar: Though filmed in black-and-white, Them is alleged to have been released with a Technicolor opening title, the word THEM! hurtling towards the audience in a vibrant red). ~ Hal Erickson, All Movie Guide

Virginia Mayo stars in this unofficial follow-up to her 1952 musical hit She's Working Her Way Through College. Mayo plays movie star Catherine Terris, who after three box-office flops in a row, returns to the Broadway stage whence she came. Her co-star in this endeavor is Rich Sommers (Steve Cochran), who still harbors a grudge against Catherine because of her walkout during her last Broadway appearance. Predictably, Rich and Catherine bury the hatchet by midfilm, and when fadeout time rolls around they're in each other's arms. ~ Hal Erickson, All Movie Guide