Amy Carlson Movies

Oscar-winning director Curtis Hanson (8 Mile, L.A. Confidential) adapts author Andrew Ross Sorkin's penetrating expose of the 2008 Wall Street financial crisis in this made-for-HBO docudrama featuring an all-star cast. As the U.S. economy hits the skids, Treasury Secretary Henry Paulson (William Hurt) finds himself caught up in a critical battle of wills between the key players on Wall Street, and the powers that be in Washington, D.C. With just weeks to go before the country plunges into the most devastating financial crash since the Great Depression, the powerbrokers on both sides scramble to pull the failing economy back from the brink of disaster. Ed Asner, Billy Crudup, Paul Giamatti, Cynthia Nixon, James Woods, Tony Shalhoub, and Topher Grace co-star. ~ Jason Buchanan, Rovi

The jury is in! From creator Dick Wolf comes the most innovative Law & Order series yet: Law & Order: Trial by Jury - The Complete Series. Partner up with Jerry Orbach, Fred Dalton Thompson and Bebe Neuwirth to explore the judicial system like never before: not only from the point of view of police and prosecutors, but also the defense team, judges, jurors and the defendants themselves. This highly collectible three-disc DVD set contains all 13 original episodes of the entire series, including one never broadcast on network TV! Plus witness exciting deleted scenes, a landmark Law & Order: SVU cross-over episode starring Chris Meloni and Emmy winner Mariska Hargitay, the philosophy behind this unique show presented by the cast members, and powerful guest-star performances from Lorraine Bracco, Peter Coyote and Candice Bergen. You have the right to Law & Order: Trial by Jury!

From a script by first-time screenwriter Dan Harnden comes Winning Girls Through Psychic Mind Control, a quirky independent comedy directed by Barry Alexander Brown. The film stars Bronson Pinchot and Ruben Santiago-Hudson as Devon and Samuel, two lounge lizards trying to get their big breaks in Hollywood, while simultaneously rolling with the punches dealt to them by life. When Samuel discovers that he's suddenly developed psychic powers, hijinks ensue and the two pals surprisingly learn a thing or two about love. Also starring Amy Carlson and Christopher Murney, Winning Girls Through Psychic Mind Control premiered at the 2002 Seattle International Film Festival. ~ Matthew Tobey, Rovi

This three-part drama, produced for HBO, examines the changing tides of the lives of lesbians in America, both politically and personally, as we eavesdrop on three stories taking place in the same house over a span of five decades. In 1961, the house is home to Edith (Vanessa Redgrave) and Abby (Marian Seldes), an elderly lesbian couple whose lifestyle is not accepted or acknowledged by their families. When Abby suffers a serious stroke and is on the verge of death, her family rallies to her side, but not understanding the nature of her relationship with Edith, she is not included as her loved ones say their final good-byes. After Abby's death, her nephew (Paul Giamatti) and his wife (Elizabeth Perkins) arrive from out of state with plans to sell the house, without consulting Edith. In 1972, the house is now home to four college students, Michelle (Amy Carlson), Linda (Michelle Williams), Karen (Nia Long), and Jeanne (Natasha Lyonne), all of whom are actively involved in the women's movement and also happen to be lesbians. The four find themselves at odds with the campus women's group when they try to promote an all-women's dance, while the other members of the group feel that feminism, not lesbianism, should be the focus of the group. Similarly, Linda faces hostility from her friends when she becomes involved with Amy (Chloe Sevigny), a very butch townie; Linda's friends see Amy's masculine attire and attitude as a form of self-loathing against being a woman, and while Linda cares deeply for Amy, she's not always comfortable with her and isn't sure that she wants to be public with their relationship. In 2000, Fran (Sharon Stone) and Kal (Ellen DeGeneres), a happy and firmly committed couple, are sharing the house, and after much discussion, they decide that they want to take their relationship to the next level and have a baby. However, deciding that they want a child and dealing with the practicalities of getting pregnant are two different things; Fran and Kal first debate about going to a sperm bank as opposed to asking one of their male friends to help out, and later, either going to a doctor to perform the procedure or trying it at home. DeGeneres' significant other, Anne Heche, wrote and directed the final segment; the 1972 story was directed by Martha Coolidge, and the 1961 episode was directed by Jane Anderson. ~ Mark Deming, Rovi

The CSI unit investigates when the naked corpse of a teenaged male is found in the desert -- with no solid evidence pointing to cause of death. The body of a woman recently interred in a cemetery is unceremoniously "relocated" to a dumpster. And when the dean of a private school is murdered, the killer seems to have a logical reason -- if indeed she is the killer. ~ Hal Erickson, Rovi

Marc Forster directs this chilling psychological drama about a young mother trying to come to terms with the loss of her first born. Angie (Radha Mitchell) and her husband Russ (Justin Louis) live a quiet suburban life. At the film's opening, Angie, along with her best friends Judith (Catherine Lloyd Burns) and Barbie (Megan Mullally), who also happen to be pregnant, gleefully discuss morning sickness and baby showers. After her textbook delivery to a healthy boy, the doctor pulls Russ aside and whispers something in his ear. Angie's worst fears are confirmed when she learns that her child suddenly died, a victim of sudden infant death syndrome. In spite of loving support from her husband and friends, Angie quickly spirals into a deep depression and begins developing morbid obsessions, such as going to morgue to examine her baby, visiting the place where her child's toys are buried, and watching children at play in the park. Shot on digital video, the film features an intense emotionally immediacy. This film was screened at the 2000 Sundance Film Festival. ~ Jonathan Crow, Rovi