Didier Brice Movies

This gently observed saga from France - a family-friendly drama leavened with occasional humor - follows the plight of an 8-year-old boy and his 12-year-old sister, who must cope with their parents' divorce and the plight of being continually shuttled back-and-forth between homes. ~ Nathan Southern, All Movie Guide

A woman who has never had much trouble choosing between love or money tries to teach a man the tricks of the trade in this sly romantic comedy. Irène (Audrey Tautou) is an attractive thirtysomething woman who lives a comfortable life by taking up with older and very wealthy men. Irène is serving as arm candy for Jacques (Vernon Dobtcheff), who is twice her age and quite rich; Jacques takes Irène on a vacation to a resort in the French Riviera for her birthday, where she meets Jean (Gad Elmaleh), a handsome bartender at the hotel who works a variety of odd jobs to keep himself afloat. While Jacques spends Irène's birthday sound asleep, she ends up enjoying a romantic evening with Jean, until she discovers he's broke. A year later, Jacques and Irène return to the resort, and Jean discovers he still carries a torch for her. Irène is not so interested until Jacques decides he's had enough of her and breaks off their relationship; suddenly forced to fend for herself, Irène turns to Jean for help. Jean, meanwhile, has learned that Madeleine (Marie-Christine Adam), a handsome and very well-to-do widow in her sixties, has her eye on him and wishes to make Jean her kept man. Jean asks Irène to give him a crash course in the fine art of being a gigolo, while Irène tries to get back in the game by taking up with Gilles (Jacques Spiesser). Slowly but surely, Irène and Jean realize how much they care for one another, but can they get learn to live the good life without money? ~ Mark Deming, All Movie Guide

Patrice Chereau (Queen Margot) directed this French drama about a train trip to an artist's funeral. Friends of painter Jean-Baptiste Emmerich (Jean-Louis Trintignant, seen in flashbacks) gather at a Paris railroad station for a four-hour journey to Limoges, where Emmerich wanted to be buried. The dozen travelers include art historian Francois (Pascal Greggory) and his lover Louis (Bruno Todeschini), who develops an interest in teenage Bruno (Sylvain Jacques). Traveling parallel with the train is a station wagon with Jean-Baptiste's body, and this vehicle is driven by Thierry (Roschdy Zem), husband of Catherine (Dominique Blanc), who's on the train with their daughter. Francois plays a taped interview with Jean-Baptiste, revealing his sexual appeal to both men and women. Lucie (Marie Daems) is convinced that she was his main love. Also on board is his nephew, Jean-Marie (Charles Berling) and Jean-Marie's estranged wife, Claire (Valeria Bruni-Tedeschi), After the funeral in "Europe's largest cemetery," the storyline continues in the mansion of Jean-Baptiste's brother, Lucien (also played by Trintignant). With hand-held camerawork for almost two-thirds of the film, the production involved two extra cars connected to a real scheduled train, headed one way in the morning and returning in the afternoon, with cast and crew logging some 12,000 kilometers over two weeks. Source music runs the gamut from James Brown to Jim Morrison. The title refers to the dying words uttered by the painter -- which actually are the last words spoken by filmmaker Francois Reichenbach who died in 1993 (and appropriated here by his friend, co-scripter Daniele Thompson). One of Francois Reichenbach's best-known films (and subject of an entire book) is the documentary Medicine Ball Caravan (aka We Have Come for Your Daughters,1971), a curious effort to duplicate the success of Woodstock (1970) by simply inviting a large number of musicians, hippies, and counterculture types aboard a cross-country train and filming the result. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide