Hugh Armstrong Movies

This low-budget entry into the sword-and-sorcery cycle of the early '80s wasn't successful during its initial release, but has steadily built a strong cult following over the years. The Beastmaster tells the story of Dar (Marc Singer), the son of a king who was stolen from his mother's womb by a witch under the command of vicious sorcerer Maax (Rip Torn). A poor villager saves Dar from being sacrificed and raises him as his own son, teaching Dar how to fight and witnessing the boy's ability to telepathically communicate with animals. Their happiness is destroyed when their village is attacked by the evil Jun horde, a race of beast-like warriors controlled by Maax. Dar vows revenge and journeys to his father's former kingdom to destroy Maax. Along the way, he falls in love with gorgeous slave girl Kiri (Tanya Roberts) and teams up with former royal guard Seth (John Amos). Dar also uses his powers to enlist the aid of an eagle, a panther and two adorable ferrets named Kodo and Podo. Together, Dar and his unlikely but brave team square off with Maax in an impressive two-part finale that involves a swordfight on the side of a pyramid and a showdown with the Jun horde near a flaming moat. The resulting film was full of action and eccentric surprises, but failed to make an impression at a box office already glutted with fantasy films. However, The Beastmaster eventually became a serious cult favorite thanks to home video and extensive exposure on cable (it is the second most aired movie on TBS after Gone With the Wind). This enduring popularity led to two sequels and a syndicated television series chronicling the further adventures of Dar. ~ Donald Guarisco, Rovi

Television veteran Fielder Cook brings a TV-like intimacy to his direction of Eagle in a Cage. This underrated film stars Kenneth Haigh as Napoleon Bonaparte, in his years of exile on St. Helena. The story is told from the point of view of the island's governor (John Gielgud), a former schoolteacher who finds greatness thrust upon him upon becoming Napoleon's jailer. By necessity, the emphasis is on conversation rather than action, but it holds the ear throughout. Eagle in a Cage is one of a handful of theatrical films released by the American broadcasting firm of Group W. ~ Hal Erickson, Rovi

Subtitled A Film About London, this drama is a quintessential experimental counter-culture film of the late 1960s that centers on the questions raised by the Vietnam war. Renowned Shakespearean theater director Peter Brook serves as producer and director. It includes many members of the Royal Shakespeare Company, such as London actors Mark Jones, Robert Lloyd, and Pauline Munro, who essentially play themselves. They become obsessed with a photograph of a wounded Vietnamese child and begin discussing the war with their friends and fellow actors. They attend a series of lectures and teach-ins, discussing the issues of the day with a number of activists, including the American Black Panther leader Stokely Carmichael. The discussions are combined with newsreel footage in a bizarre collage of images. Moved to do something, the group of actors puts on a series of skits about the war. ~ Michael Betzold, Rovi