Karim Belkhadra Movies

A tragic accident brings a rebellious son closer to understanding the plight of his single mother in this family drama from French filmmaker Laurent Jaoui. It's been years since Tom and his young mother, Valerie, were abandoned by Tom's father, and contrary to the age-old adage that time heals all wounds, Tom has only grown increasingly bitter with each passing year. Convinced that it was his mother who drove his father from their family, Tom has taken to shouting and disobeying his mother as a means to express his constant resentment and frustration with their current situation. When Tom and his mother are involved in a horrible car accident during an especially heated argument, Tom walks away from the crash, but his mother is left in a deep coma. Soon placed in a group home by the juvenile court, Tom attempts to deal with his pangs of guilt while simultaneously forming a bond with Malik -- the stern head of the group home, who instills Tom with a much needed sense of discipline. When Tom's mother awakens from her coma with no memory of the events leading up to the crash, Tom must make the difficult decision of facing up to the past or protecting his mother from the painful memories of their relationship even as he struggles to come to terms with his newfound respect for her plight. ~ Jason Buchanan, Rovi

One man's pursuit of life, liberty, and a green card sets the stage for this comedy-drama. Ali (Said Taghmaoui) was born in Egypt but has come to England in hopes of finding his fortune. Nothing if not industrious, Ali juggles several low-paying jobs: He works in a Middle Eastern restaurant, writes screenplays, helps redub Arabic-language movies into English, and gives belly dancing lessons. In the grand tradition of dance instructors, Ali is also having an affair with one of his students, Vivienne (Clementine Celarie), a middle-aged art dealer who refuses to take no for an answer. Ali is kicked out of his rooming house after several of his neighbor's sexual peccadilloes pop up in one of his scripts, and to add insult to injury, Ali is informed that his visa is about to run out and may not be extended. Needing a place to stay, Ali accepts an offer from Mark (Rupert Graves), a photographer who will give him a room and some cash in exchange for posing for photos to be used in a gay-themed magazine. Wanting to stay in England, Ali's less than scrupulous friend Ahmed (Karim Belkhadra) says he can arrange a marriage with a British citizen that would help him gain citizenship, but the price is 5,000 pounds, more than Ali can afford. Ali soon meets Linda (Juliette Lewis), an American expatriate who does a nightclub act as Marilyn Monroe; Linda likes Ali, and is willing to marry him for a mere 3,000 pounds, though Ali still has no idea how to come up with the money. Room to Rent was the first feature from writer/director Khaled Al Haggar, who is himself an Egyptian immigrant living and working in London. ~ Mark Deming, Rovi

While to most outsiders Paris seems the very picture of beauty and civility, France has had a long and unfortunate history of intolerance toward outsiders, and this powerful drama from filmmaker Mathieu Kassovitz takes an unblinking look at a racially diverse group of young people trapped in the Parisian economic and social underclass. Vinz (Vincent Cassel), who is Jewish, Hubert (Hubert Kounde), who is Black, and Said (Said Taghmaoui), who is Arabic, are young men from the lower rungs of the French economic ladder; they have no jobs, few prospects, and no productive way to spend their time. They hang out and wander the streets as a way of filling their days and are sometimes caught up in frequent skirmishes between the police and other disaffected youth. One day, a street riot breaks out after police seriously injure an Arab student; the three friends are arrested and questioned, and it is learned that a policeman lost a gun in the chaos. However, what they don't know is that Vinz picked it up and has it in his possession, and when Vinz, Hubert, and Said get into a scuffle with a group of racist skinheads, the circumstances seem poised for tragedy. Actress Jodie Foster was so impressed with La Haine when she saw it at the 1995 Cannes Film Festival that she helped to arrange American distribution for the film through her production company, Egg Pictures. ~ Mark Deming, Rovi