Frank Ferguson Movies

Fish-market worker Johnny O'Hara (James Arness) is named as a suspect when his boss -- with whom he had a dispute the previous day -- is shot to death in an apparent robbery. When he's arrested, his family appeals to their old friend James Curtayne (Spencer Tracy), who was once a renowned criminal attorney but is now in civil practice. He resists their entreaties until he realizes that no decent attorney will handle the case properly; his daughter (Diana Lynn) watches with alarm, however, for we soon learn that Curtayne is an alcoholic, and that the major factor in his life that pushed him over the edge was the stress of having someone's life in his hands. He discovers soon enough just how much Johnny's life is in his hands when his client refuses to level with him about his real whereabouts on the night of the murder. He also realizes as the trial starts precisely how rusty he is in the courtroom, and the old stresses return -- and with them, his drinking. Curtayne not only manages to lose the case but destroys his career when he tries to buy off a larcenous prosecution witness. His client facing a death sentence and his own life and career in ruins, he's seemingly hit bottom, but then new evidence surfaces, of a nature that not even the ambitious prosecutor (John Hodiak) can ignore. Recognizing that his client was actually innocent and also acting in his silence -- however stupidly -- from the noblest of motives, Curtayne is willing to redeem himself by putting his own life on the line, confronting a killer who has taken more than one life without any compunction whatsoever, and who has no reason to spill anything.

The People Against O'Hara was a well-made, largely location-shot crime drama set in New York City, but it wouldn't have been nearly so prestigious a movie were it not for the presence of Spencer Tracy in the role of Curtayne. Ironically enough, he only agreed to do the film on the condition that his friend Pat O'Brien, who hadn't been in a major studio release in a couple of years, be given a large role, which he got as the lead detective on the case, and O'Brien and Tracy get a couple of really good scenes together. The film also includes an unbilled appearance by Charles Bronson, who was still working as Charles Buchinski in 1951, and is highlighted by a superb prominent supporting performance by William Campbell, who seems to quietly relish every nuance of his portrayal of a totally slimy character. ~ Bruce Eder, All Movie Guide

Robert Ryan plays Jim Wilson, a tough police detective embittered by years of dealing with low-life urban scum, in Nicholas Ray's moving film noir. After severely beating several suspects, Jim is assigned to a case far from the city to find the killer of a young girl. Joining the manhunt, in snow-covered terrain, Wilson finds himself paired with the victim's father, Walter Brent (Ward Bond), who plans to shoot the killer himself. When the two men come upon a cabin occupied by Mary Malden (Ida Lupino), a blind woman who is also the killer's sister, Wilson's life is changed forever. Mary, a generous and loving person who has cared for her mentally ill brother Danny (Sumner Williams) since the death of their parents, convinces Wilson to protect Danny from Brent. Wilson also promises to get help for Danny if he surrenders to him. Inspired by Mary's courage and recognizing Brent's rage as the mirror image of his own, Wilson gains the insight to free himself from his own blindness. The film includes a memorable score by Alfred Hitchcock favorite Bernard Herrmann. ~ Steve Press, All Movie Guide

To call The Barefoot Mailman episodic would be understating the issue: the film's story stops and starts so often that it appears to be three half-hour TV episodes strung together. No matter, since the premise is workable and the characters appealing. Though Robert Cummings is top-billed as erudite 19th-century con artist Sylvanus Hartley, the title character, Steven Pierton, is played by Jerome Courtland. The film is set in turn-of-the-century Florida, which was then little more than an elongated swamp. It is the responsibility of Steve Pierton to deliver the mail by foot, covering the distance from Palm Beach to Miami. Attempting to elude the northern authorities, Sylvanus Hartley joins Pierton on his treacherous journey. Their travelling companion is Adie Titus (Terry Moore), a hoydenish young lady who disguises herself as a child to avoid unwanted advances. After saving Adie from the clutches of swamp outlaw Theron (John Russell) and his gang, Hartley goes off on a new tangent, bamboozling the local settlers in a highly suspect land-speculation scheme. When Theron and his fellow crooks lay siege upon Miami, Hartley and Pierton, despite their rivalry over the affections of Adie, team up to save the day. Nothing if not unusual, The Barefoot Mailman is based on a novel by Theodore Pratt. ~ Hal Erickson, All Movie Guide

The creative team of producer Harry Joe Brown and star Randolph Scott turned out some of the best westerns of the 1950s, and Santa Fe is no exception. Set in the years following the Civil War, the film casts Scott as Britt Canfield, one of four ex-Confederate brothers who head West to carve out a new life. While his three siblings (Jerome Courtland, Peter Thompson and John Archer) cast their lot on the wrong side of the law, Britt accepts a job with the Santa Fe Railroad. Inevitably, Britt is obliged to bring his wayward brothers to justice, though he knows full well that the person responsible for their downfall is "untouchable" gambling boss Cole Sanders (Roy Roberts). In a well-staged climax, Britt squares accounts with the evil Sanders and his hulking henchman Crake (Jock O'Mahoney). Curiously, many TV prints of Santa Fe were processed with the soundtrack slightly out of sync with the action. ~ Hal Erickson, All Movie Guide

He's a Cockeyed Wonder stars Mickey Rooney as the title character. Try as he might, Freddy Frisby (Rooney) can't succeed at anything. Things take an upward turn when Freddy inherits the estate of his uncle, a famed magician. Armed with all sorts of legerdemain, Freddy begins giving shows at local businesses, assisted by his girl friend Judy Sears (Terry Moore). While performing at a factory, Freddy and Judy are framed for a payroll robbery by a gang of thieves. By using his bag of tricks to the utmost, Our Hero clears himself and Judy then prepares to round up the bad guys. Nobody seems willing to play straight in He's a Cockeyed Wonder--certainly not William Demarest as the heroine's father and Douglas Fowley and Mike Mazurki as the head crooks. ~ Hal Erickson, All Movie Guide

The Lawless was director Joseph Losey's second feature-length film. The story concerns a group of Mexican-American migrant workers who are subjected to all sorts of abuse and intolerance by their California bosses. A violent clash between whites and Latinos at a dance results in a torrent of bigotry. Seemingly the only Californian willing to champion the workers' cause is crusading newspaperman Larry Wilder, and soon he too is the victim of senseless mob violence. The story boils to a manhunt for a fugitive fruit-picker who has been accused of fomenting the aforementioned riot. Director Losey, producers William Pine and William Thomas and screenwriter Geoffrey Homes (aka Daniel Mainwaring) are to be commended for tackling a controversial issue in an honest, no-nonsense fashion; even so, the film ends in standard Hollywood-liberal fashion with a white man coming to the rescue. ~ Hal Erickson, All Movie Guide

James Cagney delivers a vibrant performance as a down-on-his-luck Broadway musical director in The West Point Story, featuring songs by Sammy Cahn and Jule Styne. Cagney plays out-of-work director Elwin "Bix" Bixby, who reluctantly accepts a job from producer Harry Eberhart (Roland Winters) to stage a show at West Point written by Harry's nephew Tom Fletcher (Gordon MacRae). Harry thinks Tom's show could be a Broadway success if he would only quit West Point. Bix travels to West Point, with his girlfriend, Eve (Virginia Mayo), in tow, to whip the show into shape. But Bix is frustrated by the academy's rules, which interrupt his rehearsal schedule. In frustration, Bix hits a cadet. In order to continue to work on the show, Bix must become a cadet himself, and deal with the attendant hazing that entails. When the one of the show's stars, Jan Wilson (Doris Day), is brought out to work on the production, Tom falls in love with her and goes AWOL to return with her to Hollywood. Bix, in order to save Tom's military career, has to go to Hollywood and bring Tom back to West Point. ~ Paul Brenner, All Movie Guide

Though the title role of Frenchie goes to Shelley Winters, top billing in this period actioner is bestowed upon Joel McCrea as sheriff Tom Banning. Hoping to find her father's murderers, New Orleans gambling-house proprietress Frenchie Fontaine (Shelley Winters) sets up shop in the Wild West. With the help of sheriff Banning, Frenchie is able to locate one of the two killers. But after tracking down the second culprit, Banning finds himself facing a murder charge. Though it isn't readily obvious, Frenchie is actually a reworking of 1939's Destry Rides Again, with Joel McCrea and Shelley Winters playing variations of the characters originally essayed by James Stewart and Marlene Dietrich. ~ Hal Erickson, All Movie Guide

Under Mexicali Stars spotlights Republic's newest singing cowboy, Rex Allen. Our hero plays a U.S. treasury agent, hot on the trail of gold smugglers. It's a plot as old as the movies itself, but Allen was a fresh new personality in 1950, thus the film takes on some of his freshness. Besides, the methods utilized by the smugglers are intriguing, especially to the coin collectors in the audiences. Republic's all-purpose leading lady Dorothy Patrick co-stars. Under Mexicali Stars manages to evenly balance its action highlights and musical numbers, to everyone's satisfaction. ~ Hal Erickson, All Movie Guide

Director Douglas Sirk's love of cinematic esoterica was kept in check in the musical comedy Slightly French. Dorothy Lamour stars as Mary O'Leary, a carnival entertainer who's discovered by enterprising director John Gayle (Don Ameche). The plot dictates that Gayle must pass off Mary as an elegant Parisian actress/singer. This slender plotline enables the film to toss off a number of satirical quips about show biz, and to display Lamour in a variety of exotic costumes. The best musical numbers occur during an extended film-within-a-film sequence. Slightly French is buoyed by its expert supporting cast, including Janis Carter, Willard Parker and Adele Jergens. ~ Hal Erickson, All Movie Guide

This musical comedy stars William Powell as Emery Slade, who was once a major film star but lately isn't getting much work. Arrogantly determined to climb back to the top, Slade convinces studio chief Melville Crossman (Adolphe Menjou) to give him the male lead in the film version of a Broadway musical. However, Crossman's offer comes with a catch: Emery has to persuade the show's female lead to appear in the movie. Slade heads to New York to seal the deal, but instead he discovers a gifted young unknown named Julie Clark (Betsy Drake) and decides she's perfect for the role. Crossman is not too enthusiastic about this news, and neither is publicist Bill Davis (Mark Stevens), who is given his pink slip along with Slade. However, Slade is determined to make a career for Julie in Hollywood, though it's not until later that he realizes why he feels so strongly about her. Movie buffs will get a kick out of Menjou's performance, closely modeled on 20th Century Fox boss Darryl F. Zanuck. ~ Mark Deming, All Movie Guide

It doesn't take a nuclear scientist to figure out that Smith Ohrig, the character played by Robert Ryan in Caught, is a thinly disguised takeoff of Howard Hughes. But whereas Howard Hughes was merely paranoid and eccentric, Smith Ohrig is an all-out psycho. Impulsively marrying ambitious model Leonora Eames (Barbara Bel Geddes), Ohrig keeps the poor girl a virtual prisoner in his palatial mansion, tormenting her with twisted mind games while he continues his premarital playboy activities. Coming to the realization that wealth and creature comforts are no substitute for stability, Leonora takes a "normal" job in the offices of society doctor Larry Quinada (James Mason). Falling in love with her boss, Leonora nonetheless returns to Ohrig when he turns on his patented charm. Only an act of God (accelerated by Ohrig's hedonistic lifestyle) rescues Leonora from a life of lavish bondage. Billed as Max Opuls on the credits of Caught, director Max Ophuls manages to implant his own distinctive style upon what is essentially a slick Hollywood studio product. ~ Hal Erickson, All Movie Guide