Frank Ferguson Movies
Busy character actor Frank Ferguson was able to parlay his pinched facial features, his fussy little moustache, and his bellows-like voice for a vast array of characterizations. Ferguson was equally effective as a hen-pecked husband, stern military leader, irascible neighbor, merciless employer, crooked sheriff, and barbershop hanger-on. He made his inaugural film appearance in Father is a Prince (1940) and was last seen on the big screen in The Great Sioux Massacre (1965). Ferguson proved himself an above-average actor by successfully pulling off the treacly scene in The Babe Ruth Story (1948) in which Babe (William Bendix) says "Hi, kid" to Ferguson's crippled son--whereupon the boy suddenly stands up and walks! Among Franklin Ferguson's hundreds of TV appearances were regular stints on the children's series My Friend Flicka (1956) and the nighttime soap opera Peyton Place (1964-68). ~ Hal Erickson, All Movie Guide- 1940
Father is a Prince is a scaled-down remake of the 1934 comedy-drama Big Hearted Herbert, itself based on a play by Sophie Kerr Underwood. Grant Mitchell plays tyrannical paterfamilias Mr. Bower, who runs his home like he runs his carpet-sweeper factory: pinching pennies, turning off lights, and interfering in every aspect of his loved ones' private lives. What with trying to manage things at home and attempting to hoodwink the IRS at the factory, Bower is on the verge of a nervous breakdown. The limit comes when he humiliates his daughter Connie (Jan Clayton) at the home of his prospective in-laws with his obnoxious behavior. But Bowers' essential decency and humanity finally surfaces when his wife (Dora Bryant) is forced to undergo emergency surgery. The nominal leading man is future Superman star George Reeves, though perhaps the role should have gone to John Ridgely, who makes a meal of his bit part as a door-to-door vacuum cleaner salesman. ~ Hal Erickson, All Movie Guide
- Starring:
- Nana Bryant, Grant Mitchell, (more)
- 1940
This 55-minute remake of the 75-minute Warner Bros. crime drama Special Agent retains a surprising amount of the original's plotline. Wayne Morris plays crusading journalist Jim Carter, who hopes to get the goods on crime boss Greg Morella (Gilbert Roland), the owner of a posh gambling ship anchored just outside the 12-mile limit. Trouble is, every time a witness is lined up for the federal district attorney (John Litel), said witness is either bought off or killed off, thanks to a stool pigeon in the DA's office. Eventually, Carter must rely upon the eyewitness testimony of Laurie Ogden (Jane Wyman), Morella's bookkeeper. To prevent this, Morella has Laurie kidnapped and hidden away on his ship, but Carter comes to the rescue. The film's central gimmick, a roulette wheel with a concealed camera, evidently caught the fancy of director George Amy, since this particular prop is given more close-ups than the two stars. ~ Hal Erickson, All Movie Guide
- Starring:
- Wayne Morris, Jane Wyman, (more)
- 1941
Possibly inspired by Universal's The Invisible Woman, Warner Bros.' The Body Disappears is an agreeably daffy comedy with science-fiction undertones. Passing out from overindulgence during his engagement party, young millionaire Peter De Haven is placed on a slab in a college dissecting room by his prankish friends. Before Peter can awaken, he is inadvertently kidnapped by eccentric Professor Shotsbury (Edward Everett Horton), who needs a "dead body" upon which to test his new life-restoring serum. Shotsbury's miracle drug succeeds only in making Peter invisible, leading to all manner of looney complications. Before the film's 72 minutes are over, Peter has discovered that his "loving" fiancee Christine Lunceford (Margerite Chapman) is merely a gold-digger, Prof. Shotsbury has been locked up in the nuthouse, and Shotsbury's perky daughter Joan (Jane Wyman) has become invisible himself, implictly cavorting about naked with no one any the wiser. Still fresh and funny after nearly six decades, The Body Disappears is sometimes shown on TV minus the "scared-rabbit" comedy routines of black actor Willie Best. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeffrey Lynn, Jane Wyman, (more)
- 1941
Number ten in MGM's heart-warming (and immensely profitable) "Andy Hardy" series was the 1941 entry Life Begins for Andy Hardy. Upon his graduation from high school, Andy (Mickey Rooney) decides to seek his fortune in New York City without benefit of a college education, much to the consternation of his father Judge Hardy (Lewis Stone). Moving to the Big Apple, Andy lands a job in a stockbroker's office, where he falls in love (at least he thinks it's love) with fickle telephone operator Jennitt Hicks (Patricia Dane). Alas, Andy is unable to cope with life in the fast lane, but it takes the combined efforts of his father and his hometown sweetie Betsy Booth (Judy Garland) to convince him of this fact. For reasons that defy logic, each of Judy Garland's four songs in Life Begins for Andy Hardy were cut from the final release print. ~ Hal Erickson, All Movie Guide
- Starring:
- Lewis Stone, Mickey Rooney, (more)
You'll Never Get Rich was the first of two films made by Fred Astaire at Columbia, and also the first in which he was paired with his favorite female dancing partner--not Ginger Rogers or Cyd Charisse, but Rita Hayworth. Fred and Rita play a team of Broadway dancers whose partnership is abruptly rent asunder when Fred is drafted into the Army. Unable to adapt to military routine, Astaire frequently ends up in the guardhouse; during one of these visits, he and the Delta Rhythm Boys collaborate on the lively song-and-dance number "The A-starable Rag." Back to the plot: Rita shows up on the army base as the girl friend of captain John Hubbard. This leads to more fancy footwork, and, of course, a happy ending for our stars. Though the Cole Porter score yielded no hits, one of the songs, "Since I Kissed My Baby Goodbye", was nominated for an Academy Award. Robert Benchley provides comic relief, as he would in the subsequent Astaire vehicle The Sky's the Limit. You'll Never Get Rich was followed by the even better Astaire-Hayworth pairing You Were Never Lovelier. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Rita Hayworth, (more)
Though history is distorted almost beyond recognition in Warner Bros.' They Died With Their Boots On, audiences in 1941 ate it up like cotton candy. In the gospel according to Warners, General George Armstrong Custer (Errol Flynn) is neither an arrogant fool nor a rabid Indian hater. Instead, he is a flamboyant but brilliant cavalry officer, who during the Civil War defies his superiors' orders and becomes a hero as a result. After a period of forced retirement in the postwar years, Custer is put in charge of the 7th Cavalry in the Dakota Territory. Here he whips this ragtag group into spit-and-polish shape, and also does his best to extend a neighborly hand to the local Indian tribes. Custer even goes so far as to promise Chief Crazy Horse (Anthony Quinn) that the white man will never set foot in the sacred Black Hills. Alas, Custer is betrayed by greedy gold prospectors, whipped into a frenzy by scheming (and fictional) land speculator Ned Sharp (Arthur Kennedy). Forced by circumstances to do battle against Crazy Horse to prevent tribal retaliation, Custer and his command ride towards a rendezvous with destiny at the Little Big Horn on June 25, 1876. Though some of the historical inaccuracies in the film are real howlers, blame cannot be laid solely at the feet of Warner Bros.; the Custer legend had previously been perpetrated by the general's loyal widow Elizabeth Bacon (played herein by Olivia de Havilland), then eagerly elaborated upon by Eastern news journalists and dime novels. This film represented the final screen pairing of Errol Flynn and Olivia de Havilland, a fact that lends poignancy to their classic parting scene. Though an extremely long film, They Died With Their Boots On is never dull, especially during the spectacular Custer's Last Stand finale. ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Olivia de Havilland, (more)
- 1942
In this musical, which manages to look back with nostalgia upon prohibition and the depression (no small accomplishment), George Raft plays George, a hoofer looking back on his glory days. His memories are triggered when The Paradise Club, a nightspot where he used to work, is about to be turned into a bowling alley. In the Roaring '20s, George and his partner Billie (Janet Blair) were a star attraction at The Paradise, run by Nick (S.Z. Sakall). George wants his relationship with Billie to be as graceful off-stage as on, but he has several rivals vying for her affections, including gangster Steve (Broderick Crawford) and policeman Dan (Pat O'Brien). Marjorie Rambeau plays Lil, modeled after brassy nightclub owner Texas Guinan. Raft actually worked for Guinan in his early days as a dancer, and he gets a chance to show off his fancy footwork accompanied by a number of classic tunes, including "Alabamy Bound", "Yes Sir, That's My Baby", "Sweet Georgia Brown", and "I'm Just Wild About Harry". Broadway was a loose remake of the 1929 Merna Kennedy vehicle of the same name. ~ Mark Deming, All Movie Guide
- Starring:
- George Raft, Pat O'Brien, (more)
Though billed fourth in This Gun For Hire, Alan Ladd was catapulted to stardom in the role of Phillip Raven, a ruthless professional killer with a long-suppressed streak of decency. After successfully pulling off his latest murder, Raven reports to his boss, effeminate fifth columnist Willard Gates (Laird Cregar). He collects his $1000 fee, only to discover later that Gates has double-crossed him with marked bills. This was done at the behest of Gates' boss, crooked business executive Alvin Bewster (Tully Marshall), who wants no loose ends left around to connect him with a plot to sell poison gas to the Axis. As Raven ducks and dodges the police, detective Michael Crane (Robert Preston) is hot on the trail of Bewster and Gates. Crane talks his girlfriend, nightclub singer-musician Ellen Graham (Veronica Lake), into taking a job at Gates' nightclub. While on the train to the club, Ellen makes the acquaintance of the escaping Raven. Gates boards the train, spots Ellen innocently sitting next to Raven, and assumes that the two are in cahoots. Later, Gates kidnaps Ellen and spirits her away to his mansion, intending to do away with her the first chance he gets. Instead, Raven, still seeking revenge for being set up, bursts into the mansion in search of Gates. Having previously been impressed by Ellen's kindness, he rescues her, though he intends using her as hostage should the police catch up with him. As they hide out together in the rail yards, Ellen and Raven get to know each other. Learning of Raven's miserable, abusive childhood, Ellen tries to chip away his murderous veneer, hoping to reform him. But when the cops arrive, Raven reverts to his instincts, shooting his way out of his hiding place. As Crane escorts Ellen out of harm's way, Raven rushes towards a bloody showdown with Bewster and Gates. Based on Graham Greene's A Gun For Sale, This Gun For Hire was remade in 1958 as Short Cut to Hell, then again under the original title as a 1990 made-for-TV film. ~ Hal Erickson, All Movie Guide
- Starring:
- Veronica Lake, Robert Preston, (more)
- 1942
It takes a while for the viewer to catch on, but the 1942 quickie Spy Ship is a remake of the 1934 crime melodrama Fog Over Frisco. The main difference is that the film's principal murder victim, the sister of the heroine, is transformed from a dizzy socialite to an out-and-out villainess. The story is re-set during the months before America's entry into WW2. Famed aviatrix Pamela Mitchell (Irene Manning), a devout and outspoken isolationist, is secretly in the employ of the German government. Her younger sister Sue (Maris Wrixon) worries about the company Pamela keeps, and expresses these concerns to hotshot reporter Ward Prescott (Craig Stevens). When Pamela is killed by her Nazi confreres to keep her from revealing all to the world, Sue finds herself among the suspects. It all comes to an end on the spy ship of the title, where a kidnapped Sue is rescued in the nick of time by Ward and practically every cop in New York. ~ Hal Erickson, All Movie Guide
- Starring:
- Craig Stevens, Irene Manning, (more)
Cecil B. DeMille's Technicolor historical spectacle Reap the Wild Wind was to have starred Gary Cooper, but Cooper's prior commitment to Goldwyn's Pride of the Yankees compelled DeMille to recast the leading role with John Wayne. The film, set in the mid-19th century, centers around Key West, Florida, where piracy reigns unchecked. Wayne plays the captain of a salvage business, working on behalf of Raymond Massey to rescue valuables from the merchant ships wrecked by pirates. During one expedition, Wayne is rescued from drowning by Paulette Goddard, the hoydenish manager of a rival salvage firm. Goddard arranges for Wayne to go to work for her boss, Ray Milland, and a romantic rivalry ensues. Later on, Goddard's cousin Susan Hayward is lost at sea when her ship is attacked by pirates. Wayne is accused of engineering the wreck, thanks to the duplicity of Massey, the real brains of the pirate operation. Wayne and Milland both don deep-sea diving gear and swim to the bottom in search of evidence. When Milland is attacked by an octopus, Wayne saves his rival's life at the expense of his own. Massey is exposed, and Milland wins Goddard. Essentially a standard maritime meller, Reap the Wild Wind takes on the veneer of importance thanks to DeMille's epic treatment of the material. Though competition is fierce, Ray Milland steals the show with a truly offbeat characterization (he even gets to indulge in a little ventriloquism!) ~ Hal Erickson, All Movie Guide
- Starring:
- Ray Milland, John Wayne, (more)
- 1942
A pregnant Alice Faye was forced to bow out of this colorful Fox musical, which instead went to Rita Hayworth, whom the studio borrowed from Columbia. Hayworth plays the highly fictitious Sally Elliott of the title, a musical star teaming up with Indiana boy Paul Dresser (Victor Mature), a runaway who after a brief stopover in a tank town medicine show arrives in Gay Nineties New York full of verve and vigor. There he composes the title tune for the fair lady and becomes the toast of Tin Pan Alley. There are the obligatory bumps on the road along the way, of course, but everything ends, as any Fox musical should, with a grand and glorious finale. Although Fox publicity claimed that My Gal Sal was based on a My Brother Paul, a biography by the composer's brother, Theodore Dreiser, it was actually concocted from an unpublished manuscript by Dreiser and his wife Helen Richardson. The film earned Oscars™ for art and set decoration and included such Dresser songs as "On the Banks of the Wabash", "I'se Your Honey, If You Wants Me, Liza", "Come Tell Me What's Your Answer (Yes or No)" and "Mr. Volunteer. House songwriters Leo Robin and Ralph Rainger contributed "Me and My Fella" and "On the Great White Way. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Rita Hayworth, Victor Mature, (more)
- 1942
This historical drama tells the story of the first class to graduate from the U.S. Military Academy at West Point. In the early 19th Century, Congress appropriated the money to build the school, but opponents who believed it to be an illegitimate expansion of the powers of the federal government decided to sabotage the school. They put the hard-as-nails Major Sam Carter (Laird Cregar) in charge of the academy, and he ruthlessly put the recruits through grueling training -- until only ten prospective soldiers remained. They include Dawson (George Montgomery), a patriotic farm boy and Howard Shelton (John Sutton), a selfish playboy who has come to West Point only because of its prestige. The two vie for Carolyn Bainbridge (Maureen O'Hara), while they, along with the other eight, try convince Carter that the school is worth keeping. ~ Michael Betzold, All Movie Guide
- Starring:
- George Montgomery, Maureen O'Hara, (more)
- 1942
Like Harmon of Michigan and Smith of Minnesota, Columbia's Spirit of Stanford is built around the talents of a real-life college football star, in this instance all-American quarterback Frankie Albert. The story is cut from a familiar cloth, with Albert's arrogance getting him into all sorts of trouble before he gets his head on straight. At first intending to quit school before graduation to go professional, our hero relents at the last moment when his roomate falls ill just before the Big Game. The climax is well worth the wait, with Albert performing admirably and convincingly on the football field against a formidable lineup of genuine college athletes. Columbia contractee Marguerite Chapman is the love interest, while another Stanford gridiron great, Ernie Nevers, shows up in a cameo role. ~ Hal Erickson, All Movie Guide
- Starring:
- Frankie Albert, Marguerite Chapman, (more)
- 1942
City of Silent Men comes so close to being a "model" "B" picture that it's a downright shame it just misses the mark. The plot revolves around a group of ex-convicts who try to start life anew by relocating in a small town under assumed names. The mayor of the town welcomes the former cons with open arms, helping them re-open a dormant canning factory and encouraging them to hire other reformed criminals. Alas, the bigoted local newspaper editor stirs up public hostility towards the new cannery and its owners, but everything is resolved happily when the ex-cons are awarded a defense contract. City of Silent Men could easily have lapsed into pointless melodrama, but the sincerity of the performers and the strength of Joseph Hoffman's screenplay keep the events on an even and realistic keel. All City of Silent Men lacks is a decent budget, but that's to be expected in a PRC Picture from this period. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Albertson, June Lang, (more)
- 1943
Quality was seldom a consideration in the low-budget films of PRC Studios; still, the company was a welcome harbor for character actors who aspired to occasional leading roles. In Boss of Big Town, veteran supporting player John Litel is top-billed as crusading city market official Michael Lynn. When a criminal gang muscles in on the local food distribution markets, Lynn vows to throw the rascals out. First, however, he pretends to join the villains as a paid government stooge, the better to find out the identity of the "Mister Big" behind the distribution racket. The exposure of the "mystery villain" will come as a shock to fans of the 1927 Cecil B. DeMille epic The King of Kings--but not to dyed-in-the-wool movie buffs. ~ Hal Erickson, All Movie Guide
- Starring:
- John Litel, Florence Rice, (more)
- 1943
Pilot No. 5 is an oddly liberal-minded film to come from conservative old MGM. Franchot Tone plays an army pilot stationed in Java who volunteers for a suicide mission. He is chosen from five possible Allied candidates, hence the title. We learn via flashback just why Tone holds his life at so low a price; among his less pleasant reminiscences are his brief association with a demagogic Southern governor, blatantly based on Huey Long. Pilot No. 5 served to introduce Gene Kelly in a supporting role--as a nasty, pugnacious young jerk. ~ Hal Erickson, All Movie Guide
- Starring:
- Franchot Tone, Marsha Hunt, (more)
- 1943
Action specialist B. Reeves Eason socked Truck Busters through its breathless 58 minutes. Richard Travis plays independent trucker Casey Dorgan, who organizes his fellow drivers against the crooked machinations of crooked trucking executive Bonelli (Don Costello). Things get personal when Casey's brother Jimmy (Charles Lang) is killed in a Bonelli-engineered "accident." Standing helplessly on the sidelines is heroine Eadie Watkins, played by Virginia Christine, later to gain nationwide fame as "Mrs. Olsen" in the Folger's Coffee commercials of the 1960s and 1970s. Truck Busters is a not-too-heavily disguised remake of the 1932 James Cagney-Loretta Young vehicle Taxi. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Travis, Virginia Christine, (more)
The Dolly Sisters is the heavily Hollywoodized biopic of Jennie and Rosie Dolly, Hungarian-born entertainers who took Broadway by storm in the early 1900s. Betty Grable plays Jennie and June Haver plays Rosie; their uncle is the inevitable "funny foreigner" S.Z. Sakall, who manages their career from childhood. Passing an important audition for Oscar Hammerstein, the Dolly girls become international stage headliners, but in so doing they find that their private life is strained. Jennie in particular is perplexed by the dilemma of devoting herself to a career while still finding time to romance handsome composer John Payne. The Dolly girls are separated permanently when Rosie is fatally injured in an auto accident, but Jennie finds lasting happiness with her composer. Despite the pre-World War I ambience of the film, both Grable and Haver show off a lot more skin than would have been permissible in earlier times. But Dolly Sisters producer George Jessel knew what he was doing, and the Technicolor film was a major hit in 1945. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, John Payne, (more)
- 1945
This aquatic musical is set at a mountain resort in the beautiful Sierra Nevadas where a heroic Army Air Corpsman has come for a vacation. There he falls in love with the lovely swimming instructor, who is unfortunately newly married to a rather stodgy businessman. The mayhem begins when her new husband is called to Washington on urgent business. Songs include: "Please Don't Say No, Say Maybe," "I Should Care," "Lonely Night," "Vive L'Amour," "Schubert's Serenade" and "The Thrill Of A Romance." ~ Sandra Brennan, All Movie Guide
- Starring:
- Van Johnson, Esther Williams, (more)
- 1946
Set during WWII, this taut and suspenseful espionage outing chronicles the courage of a brand-new cadre of specially trained American O.S.S. agents who parachute into France to destroy the vital Corbett Mallon tunnel to stop the German invaders from shipping supplies to their troops. One of the spies is a woman, and this bothers the group leader, who doubts her abilities. She soon proves herself, and the two embark on several exciting adventures before and after the completion of their mission. Along the way, the two manage to fall in love. Unfortunately, their commitment to duty is necessarily greater than their love and one of them will make a great sacrifice. ~ Sandra Brennan, All Movie Guide
- Starring:
- Alan Ladd, Geraldine Fitzgerald, (more)
- 1946
If the Perfect Marriage in this romantic comedy were truly perfect, there wouldn't be any story, would there? Outwardly an ideal couple, Maggie and Dale Williams (Loretta Young, David Niven) have grown tired of one another after 10 years. Petty squabbles lead to major battles, exacerbated by the well-meaning interference of friends and relatives. Caught in the middle is Maggie and Dale's daughter Cookie (Nona Griffith), who loves both parents equally and doesn't want to choose between them-which may very well happen if things get any worse. Leonard Spigelgass' screenplay, based on a play by Samson Raphaelson, is a lot closer to real life than most films of the period. Funny though the disagreements between the Williamses may be, there is an underlying pain and harshness to their bickering, which even the reasonably happy ending cannot altogether dissipate. ~ Hal Erickson, All Movie Guide
- Starring:
- Loretta Young, David Niven, (more)
- 1946
Ida "Don't mess with me" Lupino takes a job as a singer in Robert Alda's seedy Santa Monica nitery. Lupino ignores Alda's advances to cultivate a romance with pianist Bruce Bennett. Alda uses his connections with the Mob to break up the relationship--and also, hopefully, to break up Bennett into little pieces. Logic is not the film's strong suit, but it scores on atmosphere and tension. Man I Love served as the inspiration for Martin Scorcese's much-later New York, New York. ~ Hal Erickson, All Movie Guide
- Starring:
- Ida Lupino, Robert Alda, (more)
- 1946
In this humorous murder mystery, a woman is wrongfully accused of poisoning her uncle when he died after she gave the ailing fellow a pill that she believed was aspirin. To prove her innocence, the woman must find the strange lady that gave her the pill. A crazy chase ensues. ~ Sandra Brennan, All Movie Guide
- 1946
Number Three in PRC's "Michael Shayne" B-series was the fair-to-middling Blonde for a Day. Hugh Beaumont stars as Shayne, while his real-life wife Kathryn Adams (no, he wasn't married to Barbara Billingsley) costars as his secretary Phyllis. This time, Shayne gets involved with police reporter Helen Porter (Marjorie Hoshelle), who has in her possession damning evidence against a gambling ring. Since Helen has written several biting attacks on the police force, she turns to Shayne for help when her life is threatened. The climax finds Helen in the clutches of the crooks, forcing Shayne to resort to a clever subterfuge to effect her rescue. Purportedly, Blonde for a Day was based on Brett Halliday's very first "Michael Shayne" story. ~ Hal Erickson, All Movie Guide
- Starring:
- Hugh Beaumont, Kathryn Adams, (more)
- 1946
One of many films of the late 1940s examining the impact of WWII on post-war domestic life in the U.S., The Swell Guy is the story of an unprincipled war correspondent, Jim Duncan (Sonny Tufts). Jim has returned to his hometown following the war and tries to milk his wartime status and pose as a hero. He's actually a corrupt con man who exploits the good graces of his brother Martin (William Gargan) and tries to woo Martin's wife Ann (Ruth Warrick). Jim cheats the townspeople by staging rigged craps games, and he engages in other nefarious schemes that depend on the local citizens' naïve trust in the supposed war hero. Jim finally steals money from the town's charity campaign for war veterans and tries to leave town before his misdeeds catch up to him. But Jim gets a chance for redemption and real heroism when he alone can save his nephew's life. This film was directed by Frank Tuttle and based on the book The Hero by Gilbert Emery. ~ Michael Betzold, All Movie Guide
- Starring:
- Sonny Tufts, Ann Blyth, (more)
