Colm Feore

A woman finds herself torn between her career and love in this Canadian made-for-television movie. Sheila McCarthy stars as Anna, a professor who takes a temporary position at a Western Canadian university. When her tenure is up and she must look elsewhere for work, she has to choose between pursing her career or staying with the colleague she has fallen in love with (Barry MacGregor). ~ Bernadette McCallion, All Movie Guide

A gifted statesman ultimately done in by a trio of fatal flaws including arrogance, stubbornness, and off-putting candor, Alexander Hamilton made a stunning ascent to power before his career was marred by scandal and tragedy. Regardless of his personal peccadillos, however, Hamilton's impressive legacy continues to live on over two centuries after his untimely death. In this documentary, history buffs can find out just how the first U.S. Secretary of the Treasury helped to transform a struggling young republic into an industrialized nation with the power to compete on a global level. ~ Jason Buchanan, All Movie Guide

This PBS documentary demonstrates that there was more to Benjamin Franklin than most contemporary observers could imagine. The diversity of Franklin's achievements exceeded even what we know today, going far beyond the inventions, the Almanac, the statesmanship, the diplomacy...and the amorous conquests. Much of the teleplay is told in Franklin's own words, relayed in "talking head" fashion by two different actors: Dylan Baker as young Ben, and Richard Easton as the elderly Franklin. Other commentary is offered by a team of eminent historians and by narrator Colm Feore. Intended as a three-part miniseries, Benjamin Franklin ultimately aired in two segments, on November 19 and 20, 2002. ~ Hal Erickson, All Movie Guide

This Canadian made-for-TV movie was originally telecast under the title Skate. Should give you a clue as to its content, yes? no? Under any name, the film is a prosaic biopic of Olympic skating-star Lori Larouche. Lynn Nightingale plays the leading role, while the real Lori is seen in longshot. Blades of Courage premiered in the US on cable television. ~ Hal Erickson, All Movie Guide

Director Yves Simoneau explores the plight of the American Indian in the later half of the 19th century in this docudrama exploring the effects of westward expansion and based on the book by Dee Brown. ~ Jason Buchanan, All Movie Guide

A starry-eyed would-be star discovers just how far the notion that "there's no such thing as bad publicity" can go in this screen adaptation of the hit Broadway musical Chicago, originally directed and choreographed by Bob Fosse. In the mid-'20s, Roxie Hart (Renee Zellweger) is a small-time chorus dancer married to a well-meaning dunderhead named Amos (John C. Reilly). Roxie is having an affair on the side with Fred Casley (Dominic West), a smooth talker who insists he can make her a star. However, Fred strings Roxie along a bit too far for his own good, and when she realizes that his promises are empty, she becomes enraged and murders Fred in cold blood. Roxie soon finds herself behind bars alongside Velma Kelly (Catherine Zeta-Jones), a sexy vaudeville star who used to perform with her sister until Velma discovered that her sister had been sleeping with her husband. Velma shot them both dead, and, after scheming prison matron "Mama" Morton hooks Velma up with hotshot lawyer Billy Flynn (Richard Gere), Velma becomes the new Queen of the scandal sheets. Roxie is just shrewd enough to realize that her poor fortune could also bring her fame, so she convinces Amos to also hire Flynn. Soon Flynn is splashing Roxie's story -- or, more accurately, a highly melodramatic revision of Roxie's story -- all over the gutter press, and Roxy and Velma are soon battling neck-to-neck over who can win greater fame through the headlines. A project that had been moving from studio to studio since the musical opened on Broadway in 1973, Chicago also features guest appearances by Lucy Liu and Christine Baranski. ~ Mark Deming, All Movie Guide

Rockne S. O'Bannon scripted this two-part TV miniseries adaptation of Peter Benchley's novel, found floating in the wake of his Jaws and The Beast. The origins of the tale's hybrid horror begin in 1972 at a secret Navy base off St. Lucia, where researchers cross a dolphin with a great white shark, creating a monster to generate fear and loathing in Vietnam. The Navy covers up the failed experiment, and 25 years later, cut to the Chase -- namely, scientist Simon Chase (Craig T. Nelson), who moves to the island to research a cancer-shark connection. Chase brings along his scientist ex-wife (Kim Cattrall), his 15-year-old son, Max (Matthew Carey), and their pet sea lion. Naturally, the "creature" resurfaces and gnaws on islanders -- with Chase soon in pursuit. Creature effects by Stan Winston. Filmed in St. Lucia, West Indies and Vancouver, British Columbia. Premiered May 17, 1998 on ABC. ~ Bhob Stewart, All Movie Guide

Despite Ray's best efforts, killer Charles Carver (Colm Feore) is paroled for good behavior. Although the authorities believe that the soft-spoken, intellectual Carver has mended his ways, Ray (David Marciano) is convinced that the parolee intends to knock off everyone responsible for his arrest--and Carver confirms this by tauntingly leaving clues for Ray to uncover. As if this wasn't bad enough, Carver manages to persuade the public that he was wrongly imprisoned in the first place--and that Ray had framed him on a phony charge. Originally broadcast on Canadian television, this episode made its US debut on May 3, 1996. ~ Hal Erickson, All Movie Guide

The third of John Woo's American-made feature films, Face/Off stars John Travolta as Sean Archer, an FBI agent obsessed with capturing Castor Troy (Nicolas Cage), a criminal genius who years before killed Archer's son while trying to assassinate the agent. Archer's single-minded pursuit of Troy has caused serious harm to his marriage, but Archer thinks the light may have appeared at the end of the tunnel when a seriously wounded Troy is captured in a bloody shootout. However, it turns out that Troy has planted a time bomb, with a biological payload that could destroy the entire city of Los Angeles -- and Troy isn't about to say where it is. The only other person who knows the bomb's location is Troy's brother, Pollux (Alessandro Nivola), who is no more helpful than Castor. FBI scientists hatch a plan: they have developed an experimental surgery which would allow them to graft Troy's face temporarily on Archer's head and allow him to question Pollux as if he were his brother. But after Archer has taken Troy's face, Troy regains consciousness and forces the doctors to give him Archer's face. Now the criminal mastermind has the FBI at his disposal, and the lawman is underground with few places to turn. Along with Woo's usual elaborately choreographed action scenes, Face/Off features a number of notable supporting performances, including Joan Allen as Archer's wife, Colm Feore and C.C.H. Pounder as FBI scientists, and Gina Gershon as Troy's loyal but long-suffering girlfriend. ~ Mark Deming, All Movie Guide

This six-part Canadian TV anthology (actually telecast in three parts) was founded on the theme of human frailty. The stories, largely based on famous literary works, were linked together by the activities of documentary filmmaker George (Ken Finkelman, who also wrote and directed the series). Individual episode included "The Body", a saga of public embarrassment based on a story by Italo Calvino; "Disasters", based on an Orhan Pamuk story about the public's fascination with spectacular tragedies; "Evil", inspired by Maggie O'Kane's article on the war in Kosovo; "Celebrity", a fable wherein Jesus returned in the 21st century; and "Chaos and Order", in which a modern-day film crew found itself in the middle of an ancient Japanese legend. The series concluded with "The Award", a self-revelatory piece about hero George's own neuroses. Foreign Objects was originally seen from September 24 to 26, 2001. ~ All Movie Guide

When her husband's career finally gets boosted onto the fast track, a wife finds herself increasingly alone, bored and confused about what she should do with her life. As a result, her marriage begins to suffer. ~ Sandra Brennan, All Movie Guide