Parker Fennelly Movies
American character actor Parker Fennelly usually played taciturn New Englanders on stage, screen, television and mostly on radio. His Yankee upbringing made him well-suited to the roles. In addition to acting, Fennelly was also a noted playwright. ~ Sandra Brennan, Rovi
- 1949
Until the House Un-American Activities Committee horned in, several postwar Hollywood films dealt with touchy "liberal" subject matter. Lost Boundaries stars Mel Ferrer as a light-skinned African-American, whose family is "passing" in an all-white New England community. When the truth comes out, the more bigoted neighbors demand the expulsion of Ferrer and his family. Considered pretty potent stuff in 1949, Lost Boundaries appears fairly conventional today, especially in its reluctance to cast a genuine black actor in the lead. ~ Hal Erickson, Rovi
- Starring:
- Beatrice Pearson, Mel Ferrer, (more)
- 1951
Produced by "March of Time" maven Louis de Rochemont, Whistle at Eaton Falls is docudrama concerning a labor dispute in a small New Hampshire town. Union leader Lloyd Bridges is reluctantly promoted to the presidency of Eaton Falls' plastics plant. Now in a management position, Bridges must lay off several of his old friends in order to cut down costs. He tries to do this as painlessly as possible, but his union-boss successor Murray Hamilton public derides Bridges' methods. The potent problems posed by the film are solved in too-slick Hollywood fashion when the plant is saved by a huge government contract and the introduction of cost-efficient machinery. Dorothy Gish makes one of her rare talking-picture appearances as the widow of the plant's former owner in Whistle at Eaton Falls, and if you look closely you'll spot Lloyd Bridges' infant son Jeff in his movie debut. ~ Hal Erickson, Rovi
- Starring:
- Lloyd Bridges, Dorothy Gish, (more)
The trouble with Harry is that he's dead. The scene is a autumnal Vermont village, where a pre-Leave It to Beaver Jerry Mathers stumbles upon Harry's corpse in the woods. Mathers alerts his mother Shirley MacLaine (making her film debut), who recognizes Harry as her ex-husband. Later on, retired sea captain Edmund Gwenn likewise comes across the moribund Harry. Both MacLaine and Gwenn have reason to believe that they're responsible for Harry's demise; MacLaine thinks that she killed Harry by clobbering him with a bottle, while Gwenn is certain that he shot the poor fellow while hunting. As the day draws to a close, seemingly every person in town is convinced that he or she has had some hand in Harry's death, thus they conspire to hide the body from the authorities. Visiting artist John Forsythe, dumbfounded at the calm, collected reactions of the villagers regarding Harry (whose ubiquitous body pops up at the most inopportune moments), solves the "mystery." Though not his most successful film, The Trouble with Harry was one of director Alfred Hitchcock's favorites. The story's whimsical black-comedy elements are perfectly complemented by Bernard Herrmann's playful music score. Best bit: Mildred Natwick, coming upon Gwenn as the latter is strenuously dragging away Harry's corpse, asking offhandedly "What seems to be the trouble, Captain?" The Trouble With Harry was adapted by John Michael Hayes from the novel by John Trevor. ~ Hal Erickson, Rovi
- Starring:
- Edmund Gwenn, John Forsythe, (more)
- 1957
The 8-year-old "Ma and Pa Kettle Series" came to an end with The Kettles on Old MacDonald's Farm. In her last screen appearance, Marjorie Main is back as Ma Kettle, while Parker Fennelly replaces the defecting Percy Kilbride as Pa Kettle. This time, Ma and Pa try to smooth the path of romance for newlyweds Sally Flemming (Gloria Talbot) and Brad Johnson (John Smith). Despite her wealthy parents' objections, Sally intends to "rough it" with her back-to-the-soil husband by living on the Kettles' old, ramshackle farm. Ensuing comic complications include a set-to with a bunch of crooked loggers and a wild appearance at a rodeo. A worthwhile finale to this durable series, The Kettles on Old MacDonald's Farm was still making the second-run-theater rounds as late as 1960. ~ Hal Erickson, Rovi
- Starring:
- Marjorie Main, Parker Fennelly, (more)
- 1958
Paladin (Richard Boone) generously allows homeless newlyweds Hank and Janie Bosworth (Paul Jasmin and Jacqueline Mayo) to use his hotel suite for their honeymoon. Upon learning that Hank's half-brothers intend to do harm to the groom's elderly father Rupe Bosworth (played by Parker Fennelly, best known for his portrayal of dry-witted Titus Moody on radio's Fred Allen Show), Paladin rides off to warn the elder Bosworth of the danger. Ultimately, Paladin must help the aphasiatic Rufe prove that he is mentally competent to retain ownership of his land. ~ Hal Erickson, Rovi
Doris Day stars in a true-to-type performance as Jane Osgood, a spunky, pretty, wronged widow with two children. She manages her own lobster business, and the railroad has just trashed a shipment, killing them off before they could ever be properly boiled to death for someone's dinner. Jane commissions her lawyer (and potential romantic partner) George Denham (Jack Lemmon) to take on the railroad and its nefarious owner, Harry Foster Malone (Ernie Kovacs). Thus, the battle between the unjustly treated Jane and the arrogant railroad boss begins. ~ Eleanor Mannikka, Rovi
- Starring:
- Doris Day, Jack Lemmon, (more)
- 1960
This episode is a showcase for character actor Parker Fennelly, best remembered as the dour "Titus Moody" on radio's Fred Allen Show. Fenelly plays Abraham Lee, an elderly farmer who owns a tiny patch of land bordering the property of wealthy and powerful rancher George Advent (Denver Pyle). Upset that Lee's farm prevents the fence surrounding his own land from forming a "perfect" line, Advent has declared war on the old codger--and of course, Paladin (Richard Boone) has cast his lot with the underdog. Essential to the story's outcome is Lee's Native American adopted son, played by My Three Sons' Don Grady). ~ Hal Erickson, Rovi
- 1966
- Add The Russians Are Coming, the Russians Are Coming! to Queue Add The Russians Are Coming, the Russians Are Coming! to top of Queue
Just because The Russians are Coming, the Russians are Coming was vastly overrated by contemporary critics does not make it any less amusing. The story gets under way when a Soviet submarine accidently gets lodged in a sandbar on the coast of a New England town. In his feature film debut, Alan Arkin plays the sub's second-in-command, who is ordered by commander Theodore Bikel to free up the sub and skeedaddle before an international incident erupts. Hoping to secure a power boat to tug the sub out to sea, Arkin and his men call upon vacationing TV writer Carl Reiner, passing themselves off as Norwegians. When this ruse fails, Arkin is reluctantly compelled to force Reiner at gunpoint to fetch his motorboat, while gentle-natured Russian sailor John Philip Law is left behind to guard Reiner's wife Eva Marie Saint and pretty neighbor girl Andrea Dromm (yes, love blooms). The plot thickens when the locals, notably bullnecked sheriff Brian Keith and superpatriot Paul Ford, spread the word that the Russians have "invaded" their little community. Several slapstick complications later, the Russians and the locals face each other down in the center of the village, weapons at the ready. Fortunately, World War 3 is averted when the Russians and the villagers band together to rescue young Johnny Whittaker from falling to his doom. Enormously popular upon its first release, The Russians are Coming, the Russians are Coming still works on a slick sitcom level. The film was based on a novel by Nathaniel Benchley, the son of humorist Robert Benchley and the father of Jaws author Peter Benchley. ~ Hal Erickson, Rovi
- Starring:
- Carl Reiner, Eva Marie Saint, (more)
Easygoing but psychotic Dennis (Anthony Perkins) is released from jail, where he has served a sentence for his complicity in a suspicious death. Wandering through a small, working-class New England town, Dennis befriends apparently normal high school A-student Sue Ann (Tuesday Weld). He fills her head with lies about his imaginary career as a secret agent. She is thrilled, and makes up her mind to join him in his further adventures. This jet-black "who's manipulating who?" seriocomedy was adapted by Lorenzo Semple Jr. from Stephen Geller's novel She Let Him Continue. ~ Hal Erickson, Rovi
- Starring:
- Anthony Perkins, Tuesday Weld, (more)
- 1968
Minister Sam (Andy Griffith) and his wife Mary Elizabeth (Lee Meriweather) move to a Kansas town divided by political concerns that stall the town's progress. Will Sinclair (Henry Jones) and Alex Gresham (Edgar Buchanan) have allowed a long-standing family argument to impede the progress of the small rural community. Sam must contend with his mother-in-law (Kay Medford) and his wild brother-in-law Bubba (Jerry Van Dyke) when Bubba sets up a moonshine still in the church basement with the help of his friend Calvin (Parker Fennelly). Art Shields (Gary Collins) is the ambitious young country lawyer who runs for mayor in hopes of bringing peace to the families, and he works for the best interests of the divided community. ~ Dan Pavlides, Rovi
- Starring:
- Andy Griffith, Jerry Van Dyke, (more)
In this comedy, a bungling bookkeeper's assistant works in the Dalton city hall and finds himself framed for embezzling by his corrupt superiors. A sweet young woman helps him clear his name. He is also assisted by Leo the computer. ~ Sandra Brennan, Rovi
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