Edwige Fenech Movies

Mathieu (Robert Hirsch) is a mild-mannered man engaged to a woman whose father is involved in running a house of prostitution. When the father dies, Mathieu inherits the bordello and is unprepared for his new position. He overcomes his shyness and becomes a sexual dynamo when his workers feed him some powerful amphetamines. ~ Dan Pavlides, Rovi

This preposterous sex melodrama stars pretty Edwige Fenech as a prostitute hired by the overbearing mother (Maud de Belleroche) of a shy, mentally-retarded 20-year old named Tony. Fenech is meant to claim Tony's virginity on a sea cruise, also attended by sexy Paula (Rosalba Neri) and her slimy husband Aldo, who incessantly try to curry the wealthy mother's favor. Ewa Aulin (Candy) shows up as an island girl who dies when the dull-witted Tony accidentally strangles her, leading her husband to board the ship, where he is quickly dispatched by the rifle-toting Neri. Bodies are exploded with dynamite, Neri models a leather bikini, and there is much sexual byplay, both straight and lesbian. Cult buffs will appreciate seeing two of the most famous sex symbols in Italian genre film, Fenech and Neri, sharing the screen in revealing costumes, but anyone looking for high drama would be best served elsewhere. Exploitation master Jerry Gross released the film in America. ~ Robert Firsching, Rovi

Legendary horror director Mario Bava did not want to make this standard thriller, and it certainly bears the lackadaisical mark of a contractual-obligation film. The plot is yet another variant on the Ten Little Indians story, with an inventor taking a group of investors to an island, where they are murdered one by one by an unseen killer. There are picturesque beach scenes and some well-composed images of bodies hanging in a meat locker, but it has all been done before, and better. The visuals are stylish and the production design is sleek, but the familiar storyline drags and the film never reaches the delirious frenzy of such Bava classics as Antefatto despite the best efforts of a cast including Edwige Fenech, Renato Rossini, and William Berger.
~ Robert Firsching, Rovi

In this flashy giallo from Italian filmmaker Sergio Martino, Julie Wardh (Edwige Fenech) is a lovely but jaded woman who is no longer satisfied in her relationship with husband Neil (Alberto de Mendoza), a wealthy but emotionally cold man of privilege. However, as she ponders the fate of her marriage, her thoughts often turn to her former lover Jean (Ivan Rassimov), a cruel libertine with a taste for inflicting pain. Julie meets handsome George (George Hilton) at a wild party and discovers he's attracted to her just as she's drawn to him. Julie and George are soon involved in a torrid affair, but it's Julie's poor fortune that Jean attended the party where they first met and knows about her new infidelity. Even worse, Jean is willing to blackmail Julie to get what he wants, forcing her into a desperate situation. ~ Mark Deming, Rovi

Pretty Edwige Fenech spends most of her time either naked or dazed in this tiresome tale of devil worship from the director of I Corpi Presentano Tracce di Violenza Carnale. Set in England, the film stars Fenech as a woman who is in therapy for nightmares related to the long-ago murder of her mother. Offering a cure for her woes, a neighbor takes her to a sabbat, where she is seduced and tattooed by the crazed leader of a satanic cult. Soon, the cult is commanding her to kill for them, and a strange man keeps following her around with the stiletto used to murder her mother. It doesn't make much sense and seems to drag on forever, but true Euro-buffs will love it anyway just because of the cast featuring George Hilton, Ivan Rassimov, Nieves Navarro (a.k.a. Susan Scott), Dominique Boschero, and Carla Mancini. ~ Robert Firsching, Rovi

This brisk little thriller is a textbook example of a giallo: Perche Quelle Strane Gocce Di Sangue Sul Corpo Di Jennifer? doesn't make a lot of sense but it keeps the viewer guessing throughout and packs plenty of wild visual excess into its running time. Ernesto Gastaldi's script is thin on characterization and logic but delivers all the elaborate murder setpieces, red herrings and radical plot twists the genre requires. Director Giuliano Carnimeo avoids allowing the viewer to dwell on the gimmicky nature of the storytelling by maintaining a snappy pace and trotting out a vast array of eye-catching visual devices (zooms, fish-eye lens shots, point-of-view camerawork) to keep the viewer's eye dazzled throughout. The performances are limited by the weak characterizations but Edwige Fenech is easy on the eyes as the film's heroine and George Hilton makes a decent square-jawed hero. All these elements make Perche Quelle Strane Gocce Di Sangue Sul Corpo Di Jennifer? a fast-paced, occasionally startling piece of macabre eye candy. Viewers looking for narrative depth won't find much of interest here but fans of 1970's Eurotrash are likely to consider it a kitschy delight. ~ Donald Guarisco, Rovi

This seamy, atmospheric Italian thriller is a kinky variation on Edgar Allan Poe's The Black Cat. Luigi Pistilli stars as Oliviero Rouvigny, a racist, alcoholic writer who beats and verbally abuses his wife Irina (Anita Strindberg) in a remote castle. People are having their throats slashed with a curved knife, and Rouvigny is the prime suspect. When a pretty bisexual cousin, Floriana (pin-up queen Edwige Fenech) comes to stay with the unhappy couple, a sinister web of evil, sex, and death result. Pistilli gives an eminently hateful performance, and Ivan Rassimov and Daniela Giordano show up as well. There's also a fairly stylish murder involving a roadside billboard bearing the picture of a heart, a cat has one of its eyes gouged out with a pair of scissors, and a black maid is chopped to death with a meat cleaver and walled up in the cellar. The film's Italian title translates as the evocative Your Vice Is a Locked Room and Only I Have the Key, a message inscribed on one of the notes sent by Rassimov to Fenech in director Sergio Martino's previous giallo thriller, Lo Strano Vizio della Signora Wardh. He went on to make the popular Torso and other genre efforts for the next quarter-century. ~ Robert Firsching, Rovi

Legendary director Sergio Martino takes the helm for this sexploitation classic concerning the scandal that erupts when the panicked head of a high-profile cheese production company hires a beautiful prostitute to seduce an unsuspecting Cabinet member. Edwige Fenech and Pippo Franco star in a bawdy comedy classic that's as sexy as it is hilarious. ~ Jason Buchanan, Rovi

A naïve but beautiful girl enters into a volatile relationship with an abusive crime boss who plunges her headlong into a sordid world of prostitution and debauchery. Desperate, Anna (Edwige Fenech) flees from Guido (Corrado Pani) into the arms of kindhearted doctor Lorenzo (John Richardson). When Guido tracks Anna down and attempts to punish her for leaving him, the frightened girl must summon all of her inner strength to personally confront the man who made her suffer for so long. ~ Jason Buchanan, Rovi