Russell Arms Movies

Officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner) think that something fishy is going on where they're summoned to two different accident scenes. In both instances, the same tow truck pulls up to haul off the damaged vehicle--and the same witness comes forth to tell what he saw. Sure enough, there's a con job going on, and Jim and Pete join forces with the Bunco division to nab the perpetrators. ~ Hal Erickson, Rovi

Middle-aged sculptor John Kenyon (John Larkin) falls hopelessly in love with his young model Theba (Marianna Hill), demonstrating his ardor by making a "goddess" statue of her. Unfortunately, Theba's Medusa-like mother Cleo (Faith Domergue) would rather than she marry someone her own age--and more specifically, someone with more money. Inevitably, Cleo is murdered, and Kenyon is spotted apparently disposing of the body. Among those scrutinized by Perry Mason (Raymond Burr) in his efforts to save Kenyon from the gas chamber is one George Spangler, played by future Oscar winner George Kennedy. ~ Hal Erickson, Rovi

Lawyer Richard Hammon (John Conwell) is accused of murdering his wife by running her down with his car. Taking Richard's case is another attorney, Everett Dorrell (Russell Arms), who happens to be crooked. In the end, Perry Mason (Raymond Burr) must not only save Hammon from conviction but must also undo the damage caused by the "rotten apple" attorney. Filmed for Perry Mason's third season, this episode was originally slated to air on March 26, 1960. ~ Hal Erickson, Rovi

The December 24, 1955 Christmas episode, live from New York City. ~ Iotis Erlewine, Rovi

Included are Christmas specials from 1953-54: Your Hit Parade live from Rockefeller Center and an episode of The Jack Benny Show. ~ John Bush, Rovi

Not quite as memorable as his previous Riders in the Sky, Gene Autry's Sons of New Mexico is still well up to the star's standard. This time, Gene tries to reform Randy Pryor, a would-be juvenile delinquent, played by Autry-protégé Dick Jones (who later starred in the Autry-produced TV series Range Rider and Buffalo Bill Jr). To this end, Pryor is enrolled at the New Mexico Military Institute, where much of this film was lensed. The kid chafes at the school's regimen and escapes, heading back to his criminal mentor Pat Feeney (Robert Armstrong). Eventually, however, Pryor sees the light, and helps Autry bring Feeney to justice. Featured in the cast is another Gene Autry contractee, Gail Davis, who went on to star as TV's Annie Oakley. ~ Hal Erickson, Rovi

Quick on the Trigger was Charles Starrett's second "Durango Kid" picture for 1949. It all begins when ousted sheriff Steve Warren (Starrett) is put on trial for the murder of heroine Nora Reed's (Helen Parrish) brother. Steve is innocent, of course, but he doesn't stand a chance against prosecuting attorney Garvey Yager (Lyle Talbot) -- especially since Yager is the real killer. Escaping from jail, Steve dons a mask and assumes the identity of the Durango Kid to see to it that justice is done. The film's requisite comedy and music are handled, respectively, by Smiley Burnette and the Sunshine Boys (not George Burns and Walter Matthau!) ~ Hal Erickson, Rovi

Cover-Up transfers the metropolitan "film noir" milieu to a small Midwestern town. Dennis O'Keefe plays Sam Donovan, an insurance detective, investigating the suicide of a policy holder. All signs point to murder, but no one in the victim's hometown is willing to cooperate with Donovan, least of all sheriff Larry Beat (William Bendix). Local girl Anita (Barbara Britton) breaks through the wall of silence and helps Donovan solve the mystery. Intriguingly, the action of Cover-Up takes place at Christmastime, with the tinselly Yuletide atmosphere providing stark contrast to the sordid murder story. ~ Hal Erickson, Rovi

Tornado Range is one of five Eddie Dean westerns originally produced by PRC in 1947 but released the following year by Eagle-Lion. Cast as a troubleshooter for the U.S. Land Office, Dean is assigned to settle a deadly range war. Sure enough, the warring homesteaders and cattlemen are being whipped into a frenzy by a third party, who hopes to "divide and conquer," claiming the land for himself. Surprisingly, all-purpose PRC villain George Cheseboro isn't the culprit in this one; instead, he's cast as the father of heroine Jennifer Holt. Roscoe Ates is once more on hand for some questionable comedy relief. ~ Hal Erickson, Rovi

Daredevils in the Clouds was one of Republic's several attempts to transform former cowboy star Robert Livingston into a non-cowboy leading man. With customers and creditors breathing down his neck, Terry O'Rourke (Livingston), the head of Polar Airways, does his best to bring his planes in on time. Johnny Martin (James Cardwell), top man at Trans-Global Airlines, covets O'Rourke's business, and will do anything-even commit murder-to gobble up Polar's clientele. Mae Clarke, who hadn't had a leading role in years, is quietly effective as Kay Cameron, a grounded aviatrix who carries a torch for her boss O'Rourke. The film is distinguished by the excellent miniature and special-effects work of the Lydecker Brothers. ~ Hal Erickson, Rovi

The longest-running non-musical play in Broadway history, Life With Father was faithfully filmed by Warner Bros. in 1947. William Powell is a tower of comic strength as Clarence Day, the benevolent despot of his 1880s New York City household. Irene Dunne co-stars as Day's wife Vinnie, who outwardly has no more common sense than a butterfly but who is the real head of the household. The anecdotal story, encompassing such details as the eldest Day son's (James Lydon) romance with pretty out-of-towner Mary (Elizabeth Taylor), is tied together by Vinnie's tireless efforts to get her headstrong husband baptized, else he'll never be able to enter the Kingdom of God. Each scene is a little gem of comedy and pathos, as the formidable Mr. Day tries to bring a stern businesslike attitude to everyday household activities, including explaining the facts of life to his impressionable son. Donald Ogden Stewart based his screenplay upon the play by Howard Lindsey (who played Mr. Day in the original production) and Russell Crouse; the play in turn was inspired by a series of articles written by Clarence Day Jr., shortly before his death in 1933. Due to a legal tangle with the Day estate, Life With Father was withdrawn from circulation after its first run; it re-emerged on the Public Domain market in 1975. ~ Hal Erickson, Rovi

Former army pilot Robert Taylor is accused, on the basis of strong circumstantial evidence, of his wife's murder. Suffering from periodic blackouts, Taylor isn't so certain of his innocence himself. When offered a brain operation, Taylor refuses, knowing that if he is proven sane he will be executed for murder. Instead, he opts for confinement in a high-walled veteran's mental institution. A compassionate lady doctor (Audrey Totter) falls in love with Taylor, convincing him to have the operation. Even after emerging from the ether, Taylor cannot remember any of the details concerning his wife's death--but he does recall that the dead woman had recently taken a job with a publisher (Herbert Marshall) of religious books. While the killer's identity is tipped off by this revelation, the audience is never certain that Robert Taylor isn't a murderer--especially since he'd previously appeared as a homicidal maniac in the 1946 film Undercurrent. The best moment in High Wall is the casual disposal of the sole witness to the murder, via a long, dark elevator shaft. ~ Hal Erickson, Rovi