You Yong Movies

Omnibus films attained renewed popularity during the 1990s and 2000s; this particular seven-episode film-a-sketch arrived during that period, and involved several top-tiered international filmmakers including John Woo, Spike Lee, Ridley Scott, Emir Kusturica and three others. Each helmer was asked to shoot a segment of between 16-18 minutes in length, for UNICEF, on the subject of exploited and/or underprivileged children around the world. The package opens with "Tanza," helmed by Algerian novelist-cum-filmmaker Mehdi Charef and shot in Burkina Faso. It concerns the 12-year-old female title character - an adolescent freedom fighter - who trollops through the countryside accompanied by young male guerilla fighters who spout off deliberately nonsensical English-language dialogue. Kusturica takes the reins for the second segment, "Blue Gypsy," an overtly comical episode in the vein of Time of the Gypsies about a precocious young boy who makes the split from his alcoholic father and thieving family and goes to live in a juvenile detention center, finding it preferable to home. The third episode, helmed by co-producer Stefano Veneruso and entitled "Ciro," recalls neorealismo with its Naples-set tale of a young boy unloved and systematically neglected by his mother, who resorts to spending time with other neglected children and stealing watches, and then gets caught in the direst of ways. The fourth segment, Spike Lee's delicately-handled "Jesus Children of America," stars Hannah Hodson as Blanca, a young Brooklynite ostracized by her peers because her parents are junkies; when she learns of her HIV-positive status, her world crumbles. For the 5th episode, "Bilu and Joao," Brazilian director Katia Lund casts child actors Francisco Anawake de Freitas and Vera Fernandes as two impoverished tykes whose days involve walking around the outskirts of Sao Paulo and pulling a wooden cart, into which they pile aluminum and paper - but do so joyously, with the courage and grace of two individuals delighting in subhuman work despite the direst of circumstances. For the sixth segment, "Jonathan," Ridley Scott teams up to co-direct with daughter Jordan Scott; the episode stars David Thewlis (Naked) as an emotionally-traumatized war photographer who encounters a band of Eastern European orphans. And the closer, John Woo's "Song Song and Little Cat," studies the contrast between the lives of two young Asian girls from polar opposite ends of the socioeconomic spectrum: Oi Ruyi is Little Cat, an abjectly impoverished child discovered in the garbage, during infancy, by a homeless man; she grows up helping her discoverer forage for victuals until he dies, leaving her aimless and bereft. Woo cuts between her story and that of Song Song, a wealthy and pampered little girl whose story is equally tragic in its own way, as her parents are undergoing a bitter divorce. Though this film, as indicated, enlisted the support of at least two major Hollywood directors (Scott and Lee) it did encounter extreme difficulty securing U.S. theatrical and ancillary distribution, which effectively kept it out of North America in the years that immediately followed its global release. ~ Nathan Southern, All Movie Guide

A routine flight turns into a date with danger in this Chinese drama inspired by an actual incident. Airline pilot Li (Shao Bing) and his wife, a stewardess named Qiu Yehua (Xu Fan), have been quarreling and are dreading the next several hours together as they work the same flight travelling to Beijing from Shanghai. However, they have bigger things to worry about than their relationship when the landing gear falters, leaving them unable to land; aviation expert Liu Yuan (You Yong) tries to brainstorm a solution that will bring the 137 passengers on board safely to the ground, with only two hours to go before the jet's fuel runs out. ~ Mark Deming, All Movie Guide

Director Yim Ho followed up The Day the Sun Turned Cold with this film, produced by its lead actress Zhang Yu. One of a series of epic tales told by the Fifth Generation Chinese filmmakers of the 1990s, The Sun Has Ears or Taiyang You Er is the story of a northern Chinese peasant wife in the 1920s whose personal life is played out against a background of sweeping political change. You You (Zhang Yu) and her debt-ridden peasant husband Tian You must search the barren fields for food during a widespread depression, eating bark and battling mice for seeds. They meet up with an unscrupulous bandit leader, Pan Hao, a warlord who has become a lieutenant in the Nationalist Army. Pan Hao lusts after You You, but she resists. Her husband, however, wants to trade his wife for political capital, so he "loans" her to Pan Hao for ten days. During this time, You You is surprised to discover that the bandit leader, though abusive, arouses new sexual and emotional feelings in her. She prefers the powerful political leader over her inept and dull husband and accompanies Pan Hao as he is pursued by the monarchy's forces. Meanwhile, her husband has bumbled his way into a leadership position in a rival band of military strongmen. Inevitably, the two men meet in battle. ~ Michael Betzold, All Movie Guide