Tia Texada Movies

David Mamet writes and directs the political thriller Spartan. Respected Secret Service agent Robert Scott (Val Kilmer) is assigned to the kidnapping case of Laura Newton (Kristen Bell), the missing daughter of a high-ranking political figure. Scott is teamed up with rookie Curtis (Derek Luke). Aided by the FBI and the CIA, the team discovers a human trafficking operation that may lead to Laura's kidnappers. Meanwhile, political operative Stoddard (William H. Macy) refuses to cooperate with the rescue mission. Scott and Curtis are forced to quit the investigation when the media reports Laura's death. Believing her to be alive, Curtis is motivated to start up a dangerous unofficial investigation of his own. Spartan premiered at the Bangkok International Film Festival in 2004. ~ Andrea LeVasseur, Rovi

One man's life is thrown into turmoil by picking up a telephone in this claustrophobic thriller. Stu Shepard (Colin Farrell) is a brash, cynical, and self-centered public relations man who juggles a busy career with both a wife, Kelly (Radha Mitchell), and a mistress, Pamela (Katie Holmes). Stu steps into a phone booth on a busy New York street to make a call to Pamela without Kelly being the wiser, but as soon as Stu hangs up, the phone begins to ring. Curious, Stu picks it up -- and a stranger on the other end (voice of Kiefer Sutherland) informs him that if he hangs up the phone, he'll be shot. The red dot of an infrared rifle scope convinces Stu that the caller means business, and when another man tries to make his way into the booth, he's shot mere inches from Stu, calling the attention of the police. Captain Ramey (Forest Whitaker) naturally assumes that Stu was the killer, as Stu struggles to find a way to convince the police of what's happening before more lives are lost, without leaving the booth and putting his own life on the line. At one time proposed as a vehicle for Jim Carrey, Phone Booth was directed by Joel Schumacher, from a screenplay by exploitation icon Larry Cohen. ~ Mark Deming, Rovi

A psychiatrist confronts a new client whose problems may not be all in his head in this drama. Dr. Ty Adams (Michael Beach) is a well-known psychiatrist who has earned no small amount of controversy for his blunt and "anti-medicinal" approach to treatment. Adams is also dealing with some emotional problems of his own after the death of his wife and child. Parker (John C. McGinley), a documentary filmmaker, has arrived at the hospital where Adams works to make a movie about his work, just in time for Adams to start working with a new patient -- a mysterious and angry fellow known only as "The Man" -- who insists he is Satan (Eriq LaSalle). The new patient is not easily convinced that he's delusional, and as he becomes a greater disruptive force, Adams can't help but wonder if maybe the stranger is telling the truth. Crazy as Hell was directed by actor Eriq LaSalle, who plays the new patient and is best known for his work on the television series E.R.; it was his first theatrical feature, after helming the made-for-cable Rebound. ~ Mark Deming, Rovi

Following up on her acclaimed debut, Clockwatchers, Jill Sprecher spins this intricate ensemble film about life's big questions. Set in New York City, the film focuses on five different characters with radically different perspectives on life. Gene (Alan Arkin) manages a large insurance company and is a compulsive pessimist, constantly bursting the bubbles of his more cheery colleagues. Walker (John Turturro), who holds a similarly bleak view of the world, decides that he cannot stand another day in his dull life as a physics professor and thus promptly dumps his wife, Patricia (Amy Irving). Troy (Matthew McConaughey) is an up-and-coming lawyer whose career is derailed after a hit-and-run accident. And Beatrice (Clea DuVall) is a modest cleaning woman hoping for a miracle. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, Rovi

In this action comedy, a crook trying to go straight finds himself lured back to crime by the police, without his even knowing it. When master criminals Jasper (Robert Pastorelli) and Bristol (Doug Hutchison) pull a heist that nets $40 million in gold but leaves behind several dead policemen, detective Edgar Clenteen (David Morse) pulls out all the stops to put the thief behind bars. Jasper is jailed and ends up sharing a cell with Alvin Sanders (Jamie Foxx), a habitual small-time criminal who was brought in after a bungled robbery of a seafood wholesaler. Jasper, who has a weak heart, suffers a heart attack in jail, and as he dies, he gives Alvin a message to pass along to his wife. Eager to track down Bristol, who still has the gold, Clenteen has Alvin secretly implanted with an experimental tracking device, and then lets him go free, while spreading the word on the street that Jasper told him where the gold was stashed shortly before his death. While Alvin makes an effort to start his life over and get a straight job, Clenteen and his staff are electronically following his every move, waiting for Bristol and his associates to track him down. Bait was directed by Antoine Fuqua, whose previous credit was the stylish crime thriller The Replacement Killers. ~ Mark Deming, Rovi

In the Babe tradition of talking animatronic animals, this comedy adventure gets underway when animal-research-lab janitor Misha (Tony Shalhoub) expresses concern for a Blue-crown Conure parrot named Paulie (voice of Jay Mohr) caged in a dank basement. Misha settles back as Paulie tells his life story, seen in flashback: When Paulie was owned by little Marie (Hallie Kate Eisenberg), the parrot helped the little girl get rid of her stutter. After Marie tried to teach Paulie how to fly, he wound up in a pawnshop owned by Artie (Buddy Hackett), where he got an education in one-liners. Paulie and Ivy (Gena Rowlands) learn Marie's family is in LA, so Ivy agrees to drive Paulie cross-country in her RV. However, Marie goes blind and dies. Paulie is forced to fly to LA, where small-time entrepreneur Ignacio (Cheech Marin), with an eye for talent, talons and tacos, puts Paulie to work as a dancer at his taco-stand, where Paulie gets a birds-eye view of a female parrot with pretty plumage. Unfortunately, researcher Dr. Reingold (Bruce Davison), convinced Paulie can bring him academic recognition, steps in with a false promise to link the parrot up with Marie. Betrayed, Paulie refuses to speak anything other than the standard "want-a-cracker" lines, resulting in solitary confinement. Misha, who knows why the caged bird talks, hopes to free Paulie for an eventual reunion with Marie. Animal stunt coordinator Boone Narr and Stan Winston animatronics brought Paulie to life. For another fine-feathered film, see Dean Riesner's Bill and Coo (1947); the film's all-bird cast (dressed in human clothing) brought a "Special Award" for producer Ken Murray during the 1948 Oscar ceremony. ~ Bhob Stewart, Rovi

Lucy Liu guest stars as a babysitter suspected of shaking an infant to death. Assigned to this case are Diane (Kim Delaney) and Jill (Andrea Thompson), both of whom have dated Bobby Simone (Jimmy Smits) -- and at least one of whom wants Bobby to make a definite commitment. Elsewhere, Martinez (Nicholas Turturro) and Medavoy (Gordon Clapp) try using different approaches to get a confession from a likely murderer, and a would-be cop gets into trouble by helping an old friend (Jose Soto) -- a gang leader who killed one of the other members for trying to defect. ~ Hal Erickson, Rovi