Ed Feldman Movies

Jane Seymour makes a six-course meal of her starring role as a magazine editor in Obsessed With a Married Woman--indeed, her performance is the only tangible reason for sitting through this artistically bankrupt TV movie. The story contrives to have Seymour, happily married and the mother of a wise-lipped son, fall into the sack with her star reporter Tim Matheson. It seems that Jane has assigned Matheson to do a series of articles on mistresses. He does his homework so well that Jane takes him on as her own "male mistress." Obsessed with a Married Woman is not the title we'd choose for this time-waster; how about Annoyed with a Tiresome Premise? ~ Hal Erickson, Rovi

In this marital drama, a divorcee moves in with a younger man and finds herself embroiled in a custody battle with her jealous ex-husband. ~ Sandra Brennan, Rovi

Ever anxious to enter the "nighttime serial" market engendered by Dallas, NBC commissioned Flamingo Road, a casual remake of the 1949 Joan Crawford film of the same name. The TV-movie pilot, which aired in May of 1980, introduces the dramatiis personae. Howard Duff plays the corrupt political boss of a small Florida town (a role originated by Sidney Greenstreet in 1949). Cristina Raines is the Crawford counterpart, a faded nightclub singer who wanders into Duff's town and upsets the political and social apple cart by shacking up with a local contract (John Beck). Duff tries to destroy Raines by dredging up her past, to no avail. When Flamingo Road became a series in 1981, it manage to hang by its fingertips in the ratings for eighteen months. ~ Hal Erickson, Rovi

21 Hours at Munich is a grim reenactment of the darkest days of the 1972 Munich Olympics. A gang of eight Arab terrorists storm the Israeli dormitory, killing two and taking hostage nine athletes. The terrorist's demands include the release of 200 Arabs held in Israeli jails; Israel follows its standard policy in dealing with terrorism and refuses to capitulate. There can be only one way that this film will end, but the tragedy of the occasion is buoyed by isolated moments of inspirational heroism. William Holden and Franco Nero head the cast, while sportscaster Jim McKay, whose emotional coverage of the actual events has since become famous, narrates the film. 21 Hours at Munich first aired on November 7, 1976. ~ Hal Erickson, Rovi

A magazine editor (Cliff Robertson) suffers a heart attack and begins to reminisce about the happy childhood he spent with his father (Robert Preston). The memories cause him to wonder about the family he has raised since growing up. ~ John Bush, Rovi

This film, loosely-based on the book by Bob Woodward, follows the career of comedian John Belushi (Michael Chiklis) as his spirit is guided through the past by the Angel Velasquez (Ray Sharkey). ~ Iotis Erlewine, Rovi

In addition to sexual encounters and nudity, toilet humor is on a roll in this story about some teens trying to finish a 12-week course in fast-food service -- yes, 12 weeks to study how to make and sell a hamburger. As their final exam, the teens have to run a burger place. ~ Eleanor Mannikka, Rovi

In Peter Weir's thriller Witness, Samuel (Lukas Haas), a young Amish boy, witnesses a murder in the restroom of a Philadelphia bus station. Harrison Ford stars as John Book, the police detective investigating the murder. When Book discovers that the crime was part of a conspiracy involving several officials in his department, he flees Philadelphia to the Amish community where Samuel lives with his widowed mother, Rachel (Kelly McGillis). Slowly assimilating himself into the Amish community, Book eventually finds himself falling in love with Rachel in the midst of his investigation. Eventually, the corrupt police track Book down, and he is forced to confront them, while also trying to protect Rachel and Samuel. ~ Matthew Tobey, Rovi

A suicidal patient is placed in a mental hospital for observation. A psychiatrist realizes that the fellow contains telepathic powers with which he's capable of transferring his own fear-filled nightmares into the minds of others. When he directs his ephemeral madness into the minds of the doctors and patients around him, the hospital turns into a nightmarish melee. ~ Rovi

Larry Peerce directed this tired disaster movie about a mad sniper loose in a football stadium. At the beginning, the sniper picks off a cyclist for practice and then takes roost in the top tower of the Los Angeles Memorial Coliseum. Sent in to stop the terror is Captain Peter Holly (Charlton Heston), who wants to get his hands on the sniper without endangering the lives of the people in the stadium. Unfortunately, there is a second group of law enforcement officers, a tactical commando group, who want to go into the stadium and rush the sniper -- regardless of the danger such an action would cause to the crowd watching the game. The sniper plans to start blasting at the two-minute warning signal of the football game. Holly has to find the sniper before the two-minute warning is given -- not merely to prevent the killings threatened by the sniper but to head off the tactical force before any other unnecessary deaths are incurred by the force's bulldog techniques. ~ Paul Brenner, Rovi

A real-life historical incident becomes the basis for this military thriller from director Kathryn Bigelow that's reminiscent of such submarine dramas as Das Boot (1981), The Hunt for Red October (1990), Crimson Tide (1995), and U-571 (2000). Harrison Ford stars as Captain Alexi Vostrikov, a Russian naval officer who's being given command of the Soviet Union's first nuclear submarine, K-19, at the height of the Cold War in 1961. The vessel's previous commander, Captain Mikhail Polenin (Liam Neeson) has been demoted to executive officer following a botched test and his outspoken assertions that the flagship is not yet ready for deployment, but he curbs his resentment and resolves to serve his new superior well. Polenin's concerns are well founded: parts are not yet installed, equipment is missing, and the ship's doctor is killed in an auto mishap. Political pressure forces Vostrikov to sail his crew into the North Atlantic anyway, for a missile fire test that serves as a warning to the U.S. that its enemy is now its technological equal. The test is a success, but a disastrous leak in the K-19's reactor cooling system soon threatens to create enough heat to detonate the craft's nuclear payload -- which would certainly be mistaken for the first salvo in a worldwide atomic exchange and spark the beginning of World War III. With no other option, Vostrikov orders his men to repair the damage in ten-minute shifts, irradiating them hopelessly. The conflict between the seemingly bureaucratic Communist Vostrikov and the more humane Polenin escalates, until a surprising twist reveals where both officers' loyalties truly lie. ~ Karl Williams, Rovi

Green Card fuses the template of a light romantic comedy with a classic fish-out-of-water scenario. In order to retain her beautiful rent-controlled Manhattan apartment, a beautiful, socially-conscious American woman (Andie MacDowell) has to be married, so she decides to marry a burly French composer (Gerard Depardieu), who is eager to earn a green card so he can stay and work in America. After the marriage, the couple doesn't live together, but when the government's Immigration agents begin to investigate the pair, they are forced to put up a charade to convince the authorities that they are truly in love. Of course, the charade eventually becomes reality. ~ Stephen Thomas Erlewine, Rovi