Fritz Feld Movies
Diminutive, raspy-voiced German actor Fritz Feld first gained prominence as an assistant to Austrian impresario Max Reinhardt. Feld came to the U.S. in 1923 in the touring company of Reinhardt's The Miracle. Once he reached California, Feld formed the Hollywood Playhouse in partnership with Joseph Schildkraut; here he staged hundreds of productions featuring up-and-coming L.A. talent, including his future wife, actress Virginia Christine. In films on a sporadic basis since the 1920s, Feld began working onscreen regularly around 1936, eventually toting up over 400 movie appearances (not to mention his more than 700 TV stints and 1000-plus radio programs). He was cast as Viennese psychiatrists, Italian duellists, Teutonic movie directors, Russian orchestra leaders, and French maitre d's. It was in 1947's If You Knew Susie that Feld developed his signature "schtick": the sharp "Pop!" sound effect created by smacking his open mouth with the flattened palm of his hand.In the 1960s and 1970s, Feld was a favorite of moviemakers who'd grown up watching his vintage screen appearances; he was virtually a regular at the Disney studios, appeared in many of Jerry Lewis' projects, was given fourth billing in Gene Wilder's The World's Greatest Lover (1977), and was seen in Mel Brooks' Silent Movie (1976) (where his trademarked "Pop!" was conveyed via subtitle) and The History of the World, Part One (1981) (as the head waiter at the Last Supper). Among Fritz Feld's least characteristic screen appearances were his performance as a hearty Northwoods trapper in the 1976 "four-waller" Challenge to Be Free and his poignant cameo as the alcoholic who offers down-and-out Faye Dunaway a match in Barfly (1987). ~ Hal Erickson, All Movie Guide
- 1940
In It's a Date, the teenage diva Deanna Durbin is cast as Pamela Drake, the daughter of celebrated stage actress Georgia Drake (Kay Francis). Hoping to find success as an actress herself, Pamela energetically lobbies for the role of the maid in an upcoming play based on the life of St. Bernadette -- a role that has already been given to Georgia. When those conducting the auditions hear Pamela's singing, however, they quickly change their mind and offer the part to her. The rivalry between Pamela and Georgia intensifies when both fall in love with handsome middle-ager John Arlen (Walter Pidgeon). Innumerable complications follow, leading to a happy ending for both mother and daughter, though not quite the ending that either one had in mind. Deanna Durbin's musical repertoire this time out includes "Musetta's Street Song" from La Bohème, "Loch Lomond," "Love Is All," and a curious climactic rendition of "Ave Maria." It's a Date was remade in 1950 as Nancy Goes to Rio, with Jane Powell and Ann Sothern. ~ Hal Erickson, All Movie Guide
- Starring:
- Deanna Durbin, Kay Francis, (more)
- 1940
In this musical, a sharp witted press agent teams up with an unemployed chorine and dubs her "Miss Manhattan" to promote a cheap line of clothing. To escort her about town, the agent invents a "Mr. Manhattan." He then has them fake a marriage. When he realizes that he is in love with his creation, the agent promptly fires "Mr. M" and takes her to the altar personally. Songs include: "Ma, He's Making Eyes At Me," "Unfair To Love," and "A Lemon In The Garden Of Love." ~ Sandra Brennan, All Movie Guide
- Starring:
- Tom Brown, Constance Moore, (more)
- 1940
Previously filmed in 1923 as a vehicle for Marion Davies, Rida Johnson Young's warhorse theatrical property Little Old New York was dusted off by 20th Century-Fox for Alice Faye, Fred MacMurray and Richard Greene. The latter plays the nominal lead, Scottish inventor Robert Fulton, who in 1807 arrives in New York City with the intention of building a steamboat which will accelerate transportation between the many boroughs. Everyone laughs at "Fulton's Folly" with the exception of gorgeous tavern keeper Pat O'Day (Alice Faye), who offers Fulton shelter and financial assistance. This doesn't sit at all well with Pat's boyfriend Charles Brownne (MacMurray), who like most of the sailors in the region is fearful that Fulton's steamboat will put him out of business. By film's end, however, Brownne has aligned himself with Fulton, if only because of his intense dislike for the villain of the piece, rival mariner Regan (Ward Bond). Several notably 19th century New York personages show up for cute cameo bits, among them Nicholas Roosevelt (Robert Middlemass), John Jacob Astor (Roger Imhof) and Washington Irving (Theodore Von Eltz). ~ Hal Erickson, All Movie Guide
- Starring:
- Alice Faye, Fred MacMurray, (more)
- 1940
The mystery surrounding the gender of infant film star Baby Sandy was finally solved in her penultimate vehicle, Sandy is a Lady. The plot involves the efforts of Sandy's parents Mary and Joe Phillips (Nan Grey and Tom Brown) to improve their financial status, which are alternately aided and endangered by the antics of two-year-old Sandy. The film's climax plays like something out of a "Sweepea" cartoon, with the toddling heroine perilously perambulating atop an unfinished skyscraper. Also on hand for a bit of adolescent deviltry are Butch and Buddy, better known for their appearances in W. C. Fields' Never Give a Sucker an Even Break and Abbott & Costello's In the Navy. And as was often the case in the Baby Sandy films, Sandy is a Lady is enhanced by the presence of such reliable character players as Mischa Auer (who was in all of Sandy's pictures), Edgar Kennedy, Billy Gilbert and Friz Feld. ~ Hal Erickson, All Movie Guide
- Starring:
- Baby Sandy, Butch and Buddy, (more)
- 1939
A remake of a 1930 Universal film, Little Accident was the third starring vehicle for androgynous juvenile star Baby Sandy. Hugh Herbert stars as Herbert Pearson, self-styled infant specialist on a big-city newspaper. When father Tabby Morgan (Ernest Truex) abandons his bundle of joy (Baby Sandy) on Pearson's desk, the latter is forced to play "papa"-and to play it with expertise-at the risk of losing his job. The slapstick consequences give way to thrills and spills when Baby Sandy finds himself (herself?) headed for a whirring laundry machine. Like its same-named predecessor, Little Accident was based on a play by Floyd Dell and Thomas Mitchell (yes, that Thomas Mitchell). ~ Hal Erickson, All Movie Guide
- Starring:
- Hugh Herbert, Florence Rice, (more)
- 1939
20th Century Fox's Christmas gift to moviegoers in 1939, this fanciful comedy-drama features the studio's darling of the ice, Sonja Henie. She plays the daughter of a Nobel Peace Prize-winner feared murdered by the German Gestapo. A couple of rival American newspaper reporters, Ray Milland and Robert Cummings, discover that the legendary Professor Norden (Maurice Moscovich) is still very much alive and living under an assumed name in Switzerland. The heroes, however, completely forget their critical assignment after spotting the professor's lovely daughter, Louise (Henie), and their preoccupation with the girl nearly leads to disaster. Fox borrowed Ray Milland from Paramount for this Henie vehicle, which was partially filmed at Sun Valley, ID. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Sonja Henie, Ray Milland, (more)
- 1939
Following up their successful film Love Affair, Charles Boyer and Irene Dunne team up again for the romantic melodrama When Tomorrow Comes, based on a story by James M. Cain. Philip (Boyer) is a concert pianist who stops into a restaurant for lunch and meets waitress Helen Lawrence (Dunne). He follows her to a rally where she is planning a strike. The two fall in love despite the fact that Philip is married to Madeline (Barbara O'Neil), who suffers from psychotic spells after a miscarriage has brought her to madness. Helen goes on strike and Philip wants to take her to Long Island on his sailboat, but they are stranded by a hurricane. Taking refuge in a destroyed church, Helen learns about his wife and is forced to make a difficult decision. When Tomorrow Comes won an Academy award in 1939 for Best Sound, mostly due to the novel hurricane scene. This is one of three films by director John M. Stahl to be remade by Douglas Sirk in the late '50s and early '60s. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Irene Dunne, Charles Boyer, (more)
- 1939
Robert E. Sherwood's Pulitzer Prize-winning play Idiot's Delight starred Alfred Lunt and Lynn Fontanne on Broadway. Set in a lavish alpine hotel bordering an Italian air base, the story throws together several disparate people, each in his or her own way affected by the World War that threatens to erupt at a moment's notice. The only person who doesn't seem to have a political or economic stake in world affairs is Harry Van, a two-bit American entertainer who is stranded in the hotel with his travelling all-girl troupe, "Les Blondes." Harry is convinced that the alluring Irene, the foreign-accented "travelling companion" of munitions tycoon Achille Weber, is actually an American girl with whom he'd had a one-night stand years earlier, but Irene laughs off his insinuations. Eventually, Irene turns to Harry for comfort when Weber proves too disgustingly warmongering for her tastes. When war breaks out and the hotel is targeted for bombing, Harry makes sure that everyone gets to safety; he himself stays behind with Irene, with whom he has fallen in love. The two sing a hymn as the hotel is blown to oblivion. When Idiot's Delight was filmed in 1939, Norma Shearer did her best Lynn Fontanne imitation as Irene, while Clark Gable remained Clark Gable in his interpretation of Harry Van (his song-and-dance rendition of "Puttin' on the Ritz" is a classic of sneering insouciance). The film underwent an extensive "MGM-izing": while the pre-European affair between Harry and Irene is never dramatized in the play, the film shows Harry and Irene commiserating in a long prologue set in a seedy vaudeville house--and, in keeping with censorship restrictions, it is made abundantly clear that, while Harry befriends Irene, he does not sleep with her. The munitions manufacturer, here played by Edward Arnold, is depicted as an aberration, and not representative of "honest" business moguls (many of whom were close personal chums of MGM head Louis B. Mayer). And, while the ending of the play does not tell us whether or not Harry and Irene survive the bombing, the film permits the lovers a sun-streamed happy ending. ~ Hal Erickson, All Movie Guide
- Starring:
- Norma Shearer, Clark Gable, (more)
- 1939
A distinct letdown from their previous MGM films, the Marx Bros.' At the Circus nonetheless contains intermittent moments of high hilarity. When Jeff Wilson (Kenny Baker) is in danger of losing his circus to crooked creditor Carter (James Burke), Jeff's faithful roustabout Antonio (Chico Marx) enlists the aid of seedy attorney J. Cheever Loophole (Groucho Marx). Despite the best efforts of Loophole, Antonio and general hanger-on Punchy (Harpo Marx), Jeff is robbed of the circus payroll by two flies in the ointment, Goliath the Strong Man (Nat Pendleton) and Little Professor Atom (Jerry Marenghi, later known as Jerry Maren). Also in on the plot to wrest control of the circus is aerialist Peerless Pauline (Eve Arden), with whom Loophole has a cozy tete-a-tete while walking on the ceiling (no kidding!) In a last-ditch effort to raise the necessary funds, Loophole romances Jeff's wealthy aunt Mrs. Dukesbury (Margaret Dumont). The finale takes place at a fancy society party at the Dukesbury mansion, with Punchy and Antonio hijacking the scheduled entertainment and replacing it with a full-fledged circus performance. Weighed down by an excess of plot and a surfeit of misfire gags, not to mention one of sappiest romantic subplots in film history (involving sappy tenor Kenny Baker and sappier ingenue Florence Rice), At the Circus still keeps audiences happy with Groucho's rendition of the deathless "Lydia the Tatooed Lady" (by Harold Arlen and E. Y. Harburg) and the zany denoument, wherein pompous conductor Fritz Feld and his orchestra are set adrift in the middle of the ocean and the magnificent Margaret Dumont is shot out of a cannon. Best gag: When Eve Arden stuffs the circus payroll into her blouse, Groucho turns to the camera and whispers "There must be some way of getting that money back without offending the Hays Office." ~ Hal Erickson, All Movie Guide
- Starring:
- Groucho Marx, Chico Marx, (more)
Katharine Hepburn and Cary Grant star in this inspired comedy about a madcap heiress with a pet leopard who meets an absent-minded paleontologist and unwittingly makes a fiasco of both their lives. David Huxley (Grant) is the stuffy paleontologist who needs to finish an exhibit on dinosaurs and thus land a $1 million grant for his museum. At a golf outing with his potential benefactors, Huxley is spotted by Susan Vance (Hepburn) who decides that she must have the reserved scientist at all costs. She uses her pet leopard, Baby, to trick him into driving to her Connecticut home, where a dog wanders into Huxley's room and steals the vital last bone that he needs to complete his project. The real trouble begins when another leopard escapes from the local zoo and Baby is mistaken for it, leading Huxley and Susan into a series of harebrained and increasingly more insane schemes to save the cat from the authorities. Inevitably, the two end up in the local jail, where things get even more out of hand: Susan pretends to be the gun moll to David's diabolical, supposedly wanted criminal. Naturally, the mismatched pair falls in love through all the lunacy. Director Howard Hawks delivers a funny, fast-paced, and offbeat story, enlivened by animated performances from the two leads, in what has become a definitive screwball comedy. ~ Don Kaye, All Movie Guide
- Starring:
- Katharine Hepburn, Cary Grant, (more)
- 1938
Lucille Ball landed her first starring comedy role in the mile-a-minute farce The Affairs of Annabel. Lucy of course plays the title character, a screwball movie actress who indulges in one wacky publicity stunt after another at the behest of her press agent Morgan (Jack Oakie). To promote an upcoming prison picture, Annabel gets herself arrested-and has quite a time extricating herself from behind bars. The limit comes when she gathers research for her next film by hiring on as a housemaid, culminating in a fake kidnapping that turns out to be the real thing. Matching Ball and Oakie laugh for laugh is Fritz Feld as a bombastic foreign director. Cowritten by future Desilu Studios executive Bert Grant, The Affairs of Annabel was popular enough to inspire an equally hilarious sequel, Annabel Takes a Tour. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Oakie, Lucille Ball, (more)
- 1938
This comical campus romance showcases the fancy footwork of All-American basketball player Hank Luisetti while it tells the story of a dean's son who does his very best to become a good student. When he fails, he turns to playing basketball and befriends Luisetti, which makes him quite popular. This doesn't sit well with the dean, who wants academics to be more important than sports. ~ Sandra Brennan, All Movie Guide
- Starring:
- Betty Grable, Eleanore Whitney, (more)
- 1938
In this upbeat drama, a disillusioned millionaire, sick to death of the attempts of greedy friends and relatives to sponge off of him, becomes a bum to search for a decent human being. The tale begins as the wealthy man is about to commit suicide by leaping off of his yacht into the sea. He is just about to go when he spies a bum attempting suicide himself. The rich man saves the bum. He takes the bedraggled hobo and tells him his frustration. He then claims that he will give a million francs to the first person to treat him kindly without thinking about his wealth. The next day, the tramp awakens to find his raggedy old clothes have been replaced by the finest togs. Beside them is a large role of francs. The bum then begins circulating the millionaire's words around the town. As a result, people all over the country begin treating the homeless with kindness and respect. Eventually the disguised millionaire marries a circus performer and donates his million francs to the whole community. ~ Sandra Brennan, All Movie Guide
- Starring:
- Marjorie Weaver, Peter Lorre, (more)
- 1938
Herman Bahr's German play The Yellow Nightingale from 1907 became Paramount's 1938 entry in the then-popular operetta cycle. Gladys Swarthout, formerly of the Met, stars as Ilona Boros, a peasant girl with a magnificent voice who becomes a pawn in the rivalry between opera tenor Tony Kovach (John Boles) and his business manager Zoltan Jason (John Barrymore). Both men are infatuated with the beautiful, but cold, Countess Foldessy (Claire Dodd), and Tony plans to make Ilona a star so that Jason will be attracted to her instead. The scheme backfires, of course, and soon both men are fighting over Ilona, the outraged countess left to instead pursue Jason's butler, Von Hemisch (Curt Bois). In between the comedy, Swarthout, Boles, and company perform such well-known selections as "Because," from the opera Jocelyn; "Habanera," from Carmen; "La Ci Darem la Nano," from Don Giovanni; and Ralph Rainger and Leo Robin's "Tonight We Love." ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Gladys Swarthout, John Boles, (more)
- 1938
When mild-mannered bank clerk Wilbur Meely (Joe Penner) finds himself stuck in a speeding trailer after a bank robbery gone wrong, he doesn't think the situation could get much worse than it already is. Unbeknownst to him, however, both the police department and his domineering wife Carol (Lucille Ball) think he's the the one who initiated the robbery. Oblivious to the fact that Wilbur has actually been captured by the true theives, Carol (Ball) and the cops head off in hot pursuit. Go Chase Yourself was directed by Edward F. Cline and also features actors June Travis, Richard Lane, Fritz Feld, Tom Kennedy, Granville Bates, and Bradley Page. ~ Tracie Cooper, All Movie Guide
- Starring:
- Joe Penner, Lucille Ball, (more)
The last and least of Warner Bros.' Gold Diggers musicals, Gold Diggers in Paris at least has the novelty of a Gallic setting. The stars this time are Rudy Vallee, Rosemary Lane, and Warners musical perennial Hugh Herbert. There aren't really any "gold diggers" (i.e. young ladies on the prowl for rich husbands), merely a troupe of stranded nightclub chorines whom Vallee passes off as a ballet troupe in order to win an international prize. Busby Berkeley's choreography is far from his best, especially since he's dealing with real dancers this time instead of geometrically arranged nonmoving bodies. The one song of note is "The Latin Quarter," later put to excellent use in countless Bugs Bunny and Pepe Le Pew cartoons. ~ Hal Erickson, All Movie Guide
- Starring:
- Rudy Vallee, Rosemary Lane, (more)
- 1938
In this musical sequel to the highly successful Artists and Models, Jack Benny plays Buck Boswell, the leader of a troupe of performers who end up broke and stranded in gay Paris. To rustle up a little cash, he decides to produce a musical fashion show. Boswell hires an American father and daughter to perform because he thinks they too are impoverished. Things happen, and Boswell nearly loses his show until his two Yanks reveal that they are loaded. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jack Benny, Joan Bennett, (more)
- 1937
Two members of the Russian monarchy pose as French servants while hiding the Czar's fortune. This unlikely plot is at the core of this successful 1937 Hollywood comedy-drama starring the French-born Charles Boyer as Prince Mikail Alexandrovitch Ouratieff. The prince and his wife, Grand Duchess Tatiana Petrovna (Claudette Colbert), are entrusted with a huge fortune by the Czar, which they take with them while fleeing the Bolshevik Revolution. They arrive in Paris and put all the money in a bank, not wanting to take any for themselves. To fend off poverty, they take a job as servants in the home of wealthy businessman Charles Dupont (Melville Cooper) and his wife Fernande (Isabel Jeans). At a dinner party, their secret is exposed by one of the invited guests, a top Soviet official named Gorotchenko (Basil Rathbone), who had tortured and interrogated Ouratieff before the prince left Russia. Gorotchenko now asks for the fortune to help Russia, which is in economic trouble. ~ Michael Betzold, All Movie Guide
- Starring:
- Claudette Colbert, Charles Boyer, (more)
In this lighthearted musical comedy from legendary director Busby Berkeley, Henry Bowers (Dick Powell) is a saxophonist in a jazz band who wins a talent contest. His prize is a ten-week contract with a movie studio, Miracle Pictures (whose slogan is "If it's a good picture, it's a Miracle"). One of his first "assignments" is to escort lovely starlet Virginia Stanton (Rosemary Lane) to a movie premiere, but while Henry is looking forward to his date with a movie star, he's disappointed to discover that Virginia has opted not to go at the last minute, instead sending her lookalike stand-in, Mona Marshall (Lola Lane). Henry is more than a bit miffed at this, but when he appears on Louella Parsons' radio show, he's a big hit and rockets to stardom. Ronald Reagan has a bit part as a radio announcer (which he did full time before acting and politics began paying the rent for him), and keep an eye peeled for Susan Hayward and Carole Landis in minor roles. By the way, Rosemary Lane and Lola Lane look a great deal alike for a good reason -- they're sisters. ~ Mark Deming, All Movie Guide
- Starring:
- Dick Powell, Rosemary Lane, (more)
- 1937
An American actress gets herself a titled husband in this routine comedy from Warner Bros. Unable to get work in her home country, Laurine Lynne (Beverly Roberts) travels to Vienna where her press agent, Joe Craig (Allyn Joslyn), convinces her to marry royalty. The lucky fellow is Prince Rupert (Patric Knowles), an impoverished nobleman now working as a waiter. Do the two of them fall in love despite this marriage of convenience? Of course they do, and in less than 60 minutes of screen time. M.K. Jerome and Jack Scholl provided three less-than-memorable songs to the rather trite proceedings: "Shall We Dream?," "Five Little Maids," and "Echo Mountain." ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Patric Knowles, Beverly Roberts, (more)
- 1937
After a year-long period of starring in such heavy fare as Maid of Salem, Claudette Colbert returned to comedy with I Met Him in Paris. Colbert plays a successful American fashion designer, squired by three suitors: playwright Melvyn Douglas, playboy Robert Young and hometown lad Lee Bowman. Bowman is fourth-billed, so that lets him out. Young is already married: Strike Two. That leaves Melvyn Douglas, who is indeed the winner of this three-way race. Most of the film takes place at a vacation resort in Switzerland (actually Sun Valley, Idaho), where several minutes of humor is extracted from the three suitors' clumsiness on skis. I Met Him in Paris charmed the critics in 1937; today it seems like just another pleasant diversion, served up by experts in the comedy field. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Melvyn Douglas, (more)
- 1937
Carole Lombard stars as Helen Bartlett, a compulsive liar who always tips the audience to an oncoming whopper by sticking her tongue in her cheek. Helen is married to a Kenneth Bartlett, a scrupulously honest lawyer whose integrity has always held him back professionally. Hoping to help Kenneth get ahead, Helen confesses to a murder she obviously didn't commit, confident that he'll get her off and make his reputation. But things don't go exactly as planned, thanks largely to a mysterious eccentric named Charley (John Barrymore), who assures the heroine over and over that she'll "fry." Once considered a prime example of screwball comedy, True Confession is now regarded by film buffs as one of Carole Lombard's worst pictures: it wasn't much better when remade by Betty Hutton in 1946 as Cross My Heart. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Fred MacMurray, (more)
- 1937
Set during World War I, Lancer Spy stars a young George Sanders as Michael Bruce, an officer in the British Navy who bears an uncanny resemblance to the recently-captured Baron Kurt von Rohbach (also Sanders). Rohbach is highly connected in the German aristocracy, and his capture has been kept quite secret. This allows Bruce to be drafted into service to impersonate the German officer, infiltrate the enemy at the top level, and send back information that can turn the tide in the war. Bruce does a remarkable job and fools just about everyone; only the head of the secret police Major Gruning (Peter Lorre) has his doubts, but he can hardly accuse someone of the Baron's standing on nothing more than suspicions. He therefore engages a comely nightclub singer Dolores Daria Sunnell (Dolores Del Rio) to seduce Bruce and find out if his suspicions are sound or baseless. Unfortunately for Gruning, the singer finds her heart genuinely stolen by the imposter. She discovers the truth, but refuses to out him. Meanwhile, Gruning has laid his hands on some evidence of his own, and he moves to capture Bruce. Having accomplished his mission, Bruce flees to Switzerland. Gruning captures Dolores instead and puts her to death for her betrayal. ~ Craig Butler, All Movie Guide
- Starring:
- Dolores Del Rio, George Sanders, (more)
- 1930
In this comedy, a young man slated to inherit a big fortune is conned into dressing up as Napoleon by his aunt and uncle who tell him he is to attend a costume ball. Instead, they take him to an asylum and have him committed. Fortunately, he, a nurse, and several inmates manage to escape and return to his home where he manages to get rid of his troublesome relatives. ~ Sandra Brennan, All Movie Guide
- 1929
This early musical features several song-and-dance numbers in the midst of a story about underworld criminals. Nick (Paul Porcasi), who runs the Paradise Night Club, is murdered by Steve (Robert Ellis), a bootlegger. Billie Moore (Merna Kennedy), a hoofer at the club, witnesses the killing but stays mum about the dirty business until she finds out Steve's next target is Roy (Glenn Tryon), her dancing partner. Billie is determined to tell her story to the police before Roy winds up dead, but Steve isn't about to let that happen and kidnaps her. No synopsis of this film is complete without a mention of the then-remarkable camera crane, which director Paul Fejos had designed specifically for use on Broadway, allowing unusually fluid movement and access to nearly every conceivable angle. It could travel at 600 feet per minute and enlivened the visual style of any number of other films on the 20th Century Fox lot over the next several years. ~ Mark Deming, All Movie Guide
- Starring:
- Glenn Tryon, Evelyn Brent, (more)
