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Rufina Nifontova Movies

Named a People's Artist of the Soviet Union in 1979, leading Russian actress Rufina Nifontova appeared on stage, screen and television. The daughter of working-class parents, she was born and raised in a village outside of Moscow. In the 1940s, she studied at Moscow's State Institute of Film (VGIK) where her classmates included such great Russian actresses as Maya Bulgakova and Tatiana Konyukhova. Nifontova graduated in 1955 and made her film debut the following year in Grigory Roshal's Volnitsa/Lover of Freedom (1956). Her portrayal of the Nastya earned her an award from the Karlovy Vary Film Festival and made her a star. Blessed with a pretty and intelligent face, she specialized in literary adaptations and often played outwardly gentle, but inwardly strong women able to face the toughest situations. She next starred as Katya in Roshal's trilogy (based on Alexei Tolstoy's Khozhdeniye Po Mukam/Purgatory (1957-59). This proved to be her most famous role. Nifontova joined Moscow's famed Maly theater in 1958 and though not always a member of the troupe, continued performing there until her death in late 1994. During the 1970s, Nifontova frequently appeared in television movies based on literary works. ~ Sandra Brennan, Rovi
1981  
 
Katya (Tanya Aksyuta) and Roman (Nikita Mikhailovsky) are two teenagers who fall in love in spite of the opposition of one of their parents. Katya's mother (Irina Miroshnichenko) and Roman's father (Albert Filozov) had known each other in a most friendly way many years earlier - and now they are going to be neighbors. Roman's mother (Lidiya Fedoseyeva-Shukshina) does not like the idea of a possible old flame suddenly being rekindled, and she does everything she can to keep Katya and Roman apart, in order to lessen any reason for contact between the two families. A schoolteacher enters into the picture, making the odds a little better for Katya and Roman who are determined to overcome his mother's opposition to their relationship. ~ Eleanor Mannikka, Rovi

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Starring:
Tatyana AksyutaNikita Mikhailovsky, (more)
 
1968  
 
This adaptation of Lev Slavin's play was notable for its humorous treatment of the Russian Civil War and foreign governments' involvement in it. The film was shot in 1968 but not completed until 1987 due to the intervention (no pun intended) of the authorities. It was intended to commemorate the 50th anniversary of the October revolution and at the same time be an entertaining film. One reviewer (for Variety) likens the resulting film to what might have happened had directors Jean-Luc Godard and Federico Fellini teamed up with the Red Army in 1968 to put on a cabaret show. Farce is liberally mixed with slapstick. This is far from the kind of stodgy film that was usually produced for official celebrations. After the government stopped the production, the cast sent a letter to Soviet Prime Minister Alexei Kosygin defending the film and its director, quoting from Lenin that "the Revolution is a jolly thing, and revolutionary art can't be routine, dull, cliched." The letter didn't help. The show opens with a chorus of very fat girls in tight-fitting band uniforms singing while an army unit goes on maneuvers and a general does bookkeeping on an abacus. In the story, Brodsky, (who is also sometimes called Voronov), is a communist agitator in Odessa, which has not yet fallen to the Bolshevik regime. The local police and military are trying to hunt down the communists. Zhena is a wealthy woman who hopes to escape before the Bolsheviks take over, but she falls in love with a good-looking lad named Sasha, who is involved with the communists. When Sasha works out a deal with the local "bourgeois capitalists" (all made up like clowns) to cover his gambling debts, he becomes an official "Enemy of the Working Class." Meanwhile, Brodsky has landed in the capitalist's prison and is declared a hero of the revolution when he dies there. The entire story is told in Odessa slang, liberally mixed with heavy swearing and underworld lingo. ~ Clarke Fountain, Rovi

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Starring:
Vladimir VysotskyYuliya Burygina, (more)