Michael Feast Movies

Propelled into the path of an oncoming train by a nightmarish creature that stalks the darkness, an ordinary American finds himself forced to die a new death every day until he can solve the mystery of his own life in this installment of the 2007 After Dark Horrorfest. As the speeding lights rushed towards him, Ian Stone thought he was experiencing his last moments. Having inexplicably survived the frightening incident, Ian is born into a new existence that is completely different despite the fact that he still feels strangely familiar. Soon enough, Ian is thrown into the clutches of death yet again. Upon realizing that he is being stalked by a strange supernatural presence and that he will die a new death every day until he unlocks the lingering secrets of his own life, Ian Stone attempts to thwart death long enough to uncover the hidden truth about his own identity. ~ Jason Buchanan, All Movie Guide

For his debut feature film, writer/director Marcus Adams helmed this independent occult horror flick set in the U.K. Long Time Dead tells the story of a group of college students who find themselves playing with a homemade Ouija board late one night. Not taking the game seriously, they unwittingly conjure up a demon that promises to kill them all one by one. Starring Lukas Haas, Joe Absolom, and Lara Belmont, Long Time Dead screened in 2002 at Germany's Munchen Fantasy Filmfest and The Netherlands' Fantastic Film Festival. ~ Matthew Tobey, All Movie Guide

At the 1998 Cannes Film Festival, American independent director Todd Haynes (Safe) received the "Artistic Achievement" award for this re-creation of the UK glam rock scene of the early '70s. Glam rock star Brian Slade (Jonathan Rhys Meyers), who does a character named Maxwell Demon, predicts his own death onstage. As per his prediction, this happens, but when the killing is exposed as a hoax, it marks the end of Slade's stardom. A decade later, in 1984, Brit reporter and former Slade fan Arthur Stuart (Christian Bale), who witnesses the hoax murder, gets the assignment to do a "Whatever Happened To..?" article, and the film's plot suddenly goes into a prismatic Citizen Kane mode, reflecting various angles on Slade's life and career. Arthur visits the wheelchair-bound Cecil (Michael Feast), who discovered Slade, and then tracks Slade through his early life and his initial encounter with outrageous, maniacal American singer Curt Wild (Ewan McGregor). Slade's rise begins as manager Jerry Divine (Brit comedian Eddie Izzard) moves in to take over the performer's career. Ex-wife Mandy Slade (Toni Collette), interviewed by Arthur in a dimly lit nightclub, has memories going back to their initial 1969 Sombrero Club encounter. Their marriage paralleled his Bowie-like ascent to fame as an innovative, bisexual rock star pushing the limits. Idolized by teens, Slade teamed up for a while with the drug-addicted Wild. Eventually, the marriage of Mandy and Slade comes to an end, and she hasn't seen him in seven years when she's interviewed by Arthur. The soundtrack features vintage music by Bryan Ferry, Lou Reed and Brian Eno, plus new tunes. Some background on the making of Velvet Goldmine is documented in producer Christine Vachon's book Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter (Avon, 1998) by Vachon with Slate film critic David Edelstein. ~ Bhob Stewart, All Movie Guide

Peter Greenaway's first fiction feature (after the mock-documentary The Falls) made him immediately famous and was named one of the most original films of the 1980s by British critics. The action is set in the director's beloved 17th century. Ambitious young artist Mr. Neville (Anthony Higgins) is invited by Mrs. Herbert (Janet Suzman) to make 12 elaborate sketches of her estate. Besides money, the contract includes sexual favors that Mrs. Herbert will offer to the draughtsman in the absence of Mr. Herbert. Entirely confident in his ability to weave a web of intrigues, Mr. Neville eventually becomes a victim of someone else's elaborate scheme. The film is structured as a sophisticated intellectual puzzle like the ones popular in the 17th century. There is a lot to pay attention to besides the intrigues -- fancy wigs, conversations by candlelight, English parks, Purcell-inspired baroque music by Michael Nyman, all to please the eyes, soothe the ears, and stimulate the mind. ~ Yuri German, All Movie Guide

A British version of Saturday Night Fever, Music Machine chronicles the travails of a disco dancer's quest to become king of the local dance club. ~ Sandra Brennan, All Movie Guide

St. Francis of Assisi was an extraordinarily complex and difficult figure whose effect on his contemporary society was electrifying. Even today, many people are moved by his visionary message of universal toleration. Twelfth-century Italy had an exceptionally grim and regimented society, but the barefoot monk from Assisi undoubtedly had the courage that comes from deep faith and was able to transcend the oppressiveness of the time. In this Italian/British-produced film, director Franco Zeffirelli attempts to bring his vision of this great man to the screen. The contemporary (1970s) example of the hippie movement contributed a great deal to the style in which the story is told. The musical score, using ancient Italian melodies, was arranged by Donovan. The film is visually beautiful in a way which tends to minimize the squalor of the times. As the movie begins, Francis (Graham Faulkner) is the son of wealthy merchants, and enjoys his share of wine, women and song without serious thought. When war and disease devastate his neighborhood, Francis undergoes an anguished transformation which culminates in his appearing before the local bishop and removing his clothes to renounce his previous life and family before dedicating himself to God. The culminating dramatic moment is Francis' appearance before Pope Innocent III (Sir Alec Guinness), to make his case for an independent religious order under new rules. ~ Clarke Fountain, All Movie Guide

When two teenage girls fantasize about their sexual yearnings, one is stalked by a psychopathic murderer. Wynne (Jenny Agutter) is adopted by a family and soon has a massive crush on her stepbrother George (Bryan Marshall). Her friend Corrine (Clare Sutcliffe) is Wynne's virginal friend who alludes to being sexually experienced. The two go into the woods where Corrine is raped and killed by an unknown assailant who has terrorized the countryside with his brutal carnage. When George is accused of the crime, Wynne must prove he is innocent in this thrilling slasher feature. ~ Dan Pavlides, All Movie Guide