Joey Faye Movies

Though some viewers might be put off by its length, graphic violence, and absence of likable characters, Sergio Leone's final film is also a cinematic masterpiece. Spanning four decades, the film tells the story of David "Noodles" Aaronson (Robert De Niro) and his Jewish pals, chronicling their childhoods on New York's Lower East Side in the 1920s, through their gangster careers in the 1930s, and culminating in Noodles' 1968 return to New York from self-imposed exile, at which time he learns the truth about the fate of his friends and again confronts the nightmare of his past. The acting, the re-creation of the time period, the cinematography, and the music are all superb. However, even more important is Leone's ability to make the film work on so many different levels: it's both a criticism of gangster-film mythology and a continuation of the director's exploration of the issues of time and history. Strange as it may seem, the violence and gore in the first half of the film turn into a sad elegy about wasted lives and lost love. The film's strengths emerge only in its full 229-minute version -- the 139-minute and other edited versions don't make nearly the same impact. ~ Yuri German, All Movie Guide

The McCarthy-era "witch hunts" in the entertainment industry set the stage for this comedy drama set in the 1950s. Howard Prince (Woody Allen) is a cashier at a corner bar who works as a small-time bookie on the side, with little success. One day, Howard's old friend Alfred Miller (Michael Murphy), a successful television writer, makes a business proposal to him; Alfred's leftist political views have resulted in him being blacklisted from the major television networks, and he can no longer get work. Alfred asks Howard to act as a "front" -- Howard puts his name on Alfred's scripts, sells them, and takes a cut of the payment for his trouble. Howard's new career as a "writer" is an instant success, and soon Howard is fronting for a handful of blacklisted scribes while earning a healthy income and becoming the toast of the television industry; another fringe benefit is a romance with beautiful network employee Florence Barrett (Andrea Marcovicci). However, comic Hecky Brown (Zero Mostel), who had a brief fling with socialism years before, now finds his past catching up with him, and he's told in order to save his job as host of a weekly television show, he has to get the goods on some suspicious figures, among them Howard Prince, whose background looks a little too clean for comfort. The Front was written by Walter Bernstein, who was himself blacklisted during the 1950s, as were co-stars Zero Mostel, Herschel Bernardi, and Lloyd Gough. ~ Mark Deming, All Movie Guide

The Grissom Gang is a remake of the notorious 1949 British melodrama No Orchids for Miss Blandish. Kim Darby plays a 1920s-era debutante who is kidnapped and held for ransom. Her captors are the Grissoms, a family comprised of sadists and morons, and headed by Ma Barker clone Irene Dailey. One of the Grissoms, played by Scott Wilson, takes a liking to his prisoner, which results in a bloody breakdown of the family unit. Both The Grissom Gang and the original No Orchids for Miss Blandish were inspired by the best-seller by James Hadley Chase, though neither film retains Chase's original ending. ~ Hal Erickson, All Movie Guide

In this comedy, New York City undergoes a dramatic change when a toucan carrying a strange virus is smuggled through customs. In those it infects, the virus causes an intense euphoria and a desire to do good. The first man to receive the infected bird is a misanthropic, cynical artist who lives in an apartment with his girlfriend. The couple names the toucan "Amigo," and soon they are indeed happy. They decide to spread it around and so the bird is freed. The Big Apple goes into an economic tailspin as its residents become deliriously happy and stop buying cigarettes, booze and tranquilizers. To save the financially foundering city, the mayor and a presidential envoy begin distributing unpleasant masks to the happy city-dwellers. The artist and friends thwart the officials' scheme by infecting the masks. So begins a battle between the officials and the artist. Eventually Amigo is caught, and an antidote is delivered. The renowned rudeness, cruelty and selfishness of the native New Yorkers quickly returns, and the city is saved. The artist realizes that his quest has been futile, and he devotes the rest of his time and energy to making his girlfriend happy. ~ Sandra Brennan, All Movie Guide

James Coburn stars in this comedy-melodrama as Eli Kotch, who uses his charm to obtain a parole from prison by having an affair with a female psychologist. Eli's plan upon getting out of jail is to rob a bank at the L.A. International Airport. The date of the bank robbery coincides with the arrival of the Russian premier, so that bank security will be minimal with the premier attracting most of the airport security forces. Harrison Ford appears in his film debut in the bit part of a bellhop. ~ Paul Brenner, All Movie Guide

In this romantic comedy, Deke Gentry (Kirk Douglas) is a lawyer who gets an unusual assignment from Chloe Brasher (Thelma Ritter), a wealthy widow, owner of a successful hotel chain, and one of his most prominent clients. Chloe has three daughters, sensible Kate (Mitzi Gaynor), bohemian Jan (Leslie Parrish), and heath food fanatic Bonnie (Julie Newmar), and she wants Deke to find them husbands. Though Deke protests that matchmaking is outside his traditional area of expertise, Chloe is insistent, and he ends up taking the job. To be sure that he's going through with it, Chloe assigns her security chief Joe (William Bendix) to keep his eye on Deke. Eventually, Deke fixes up Bonnie with Harvey Wofford (Richard Sargent), a meek IRS agent, and pairs Jan with artist Sam Travis (William Windom), but Kate turns out to be the hardest Brasher sister to marry off, until he throws his own hat into the ring. Richard Sargent would later shorten his first name to Dick and find success on the popular television comedy Bewitched. ~ Mark Deming, All Movie Guide

When people refer to Doris Day as "the world's oldest professional virgin," they generally have the 1962 comedy That Touch of Mink in mind. It isn't that Cathy Timberlake (Day) is above a bit of hanky-panky; it's just that she wants such tangibles as a marriage license and wedding ring first. Thus, when playboy businessman Philip Shayne (Cary Grant) begins actively pursuing Cathy (they "met cute" when Philip's limo splashed mud on the hapless Cathy), she won't say "I will" until he says "I do." She is of the idealistic opinion that she can bring out the best intentions in him, even when he repeatedly tips off his worst intentions by inviting her to accompany him to Philadelphia, Baltimore, and Bermuda. After not a few complications and misunderstands, Cathy finally finagles a proposal out of Philip. The film is essentially much ado about nothing, but it is so well-acted and attractively photographed that the audiences are willing to go along for the ride. The high-powered supporting cast includes Gig Young as Roger, Philip's moralistic financial advisor; Audrey Meadows as Connie, Cathy's wise-cracking roommate; Alan Hewitt as Dr. Gruber, a confused psychiatrist; John Astin as Beasley, Cathy's slimy would-be beau; Dick Sargent as a neurotic honeymooner; and an unbilled Richard Deacon as an all-around letch. Best scene: the baseball-dugout rhubarb involving New York Yankees Mickey Mantle, Roger Maris, and Yogi Berra. ~ Hal Erickson, All Movie Guide

Those familiar only with Johnny Horton's song hit North to Alaska might not be aware that the song came equipped with a movie. John Wayne and Stewart Granger star as a couple of lucky miners in Alaska Territory during the '98 gold rush. Since the Duke is the only man he can trust, Granger sends his pal to Seattle to fetch his fiance. Fabian appears in the cast (playing Granger's brother) primarily to attract teenage filmgoers; he gets to sing, of course, but he's better than usual. The film's centerpiece, an outsized brawl in the muddy streets of Nome, was repeated with several variations in Wayne's subsequent McLintock (1963). North to Alaska was based on a considerably more genteel stage play, Laszlo Fodor's Birthday Gift. ~ Hal Erickson, All Movie Guide

Wealthy widow Matilda Benson (Kathryn Givney) rules over her children like a dowager empress, threatening to cut them out of her will for the slightest infraction. Even so, the children can't help but get involved with crooked gambler Danny Barker (Robert Strauss), who ends up murdered after threatening to bring scandal upon the Benson family. It is Sylvia Benson (Patricia Cutts) whom the police arrest for the crime, and it is Perry Mason (Raymond Burr) who rushes to Sylvia's defense. This episode is based on a 1937 novel by Perry Mason creator Erle Stanley Gardner, which was previously adapted as the 1940 theatrical film Granny Get Your Gun--with Perry Mason written out of the story! ~ Hal Erickson, All Movie Guide

This Runyonesque fable serves as a vehicle for TV quiz-show host Hal March. The star plays con artist Marty Holland, who for his own financial gain plans to fix the outcome of a beauty contest. The winner is supposed to be Rita Hall (Jean Willes), the brassy girlfriend of big-time mobster Irving the Hammer (who, worse luck, never appears in the film). But when Marty falls for virtuous contestant Ruth Collins (Merry Anders), he decides to turn honest, even though he runs the risk of ending up in a cement kimono. Adding to the fun is Joe E. ("Ooh! Ooh!") Ross as Marty's sidekick Max Crane and "J.D." flick regular Richard Bakalyan as a dese-dem-and-dose hoodlum. ~ Hal Erickson, All Movie Guide

Nanette Fabray and Joey Faye repeat their original Broadway roles in this live, 90-minute TV adaptation of the 1948 Jule Styne-Sammy Cahn musical comedy hit High Button Shoes. Based on a semi-autobiographical novel by Stephen Longstreet, the story is set in New Brunswick, New Jersey, in the year 1913. Returning to his home town after many years, glib con artist Harrison Floy (a part immortalized on stage by Phil Silvers, but played here by Hal March) hopes to find at least few people he hasn't already fleeced. Floy targets his former girlfriend Sara Longstreet (Fabray) and her husband Henry (Don Ameche), smooth-talking them into unwittingly participating in a land scam. As if that wasn't enough skullduggery, Harrison and his cohort Pontdue (Joey Faye) even try to fix the upcoming Princeton-Rutgers football game. The musical numbers include "I Still Get Jealous", "Papa Won't You Dance With Me?", "You're My Girl", "Nobody Ever Died for Dear Old Rutgers" and "The Cops and Robbers Ballet" (originally titled "The Mack Sennett Ballet until former comedy-movie producer Sennett sued for unauthorized use of his name). An abridged version of High Button Shoes was later staged as a 1966 episode of The Garry Moore Show. ~ Hal Erickson, All Movie Guide

Shot on location in New York City's Winter Garden Theatre, this is essentially a filmed performance of Phil Silver's hit Broadway show in which he plays a moody and egotistical television comic (allegedly patterned after Milton Berle). Trouble begins when the ratings for Jerry Biffle's (Silvers) television show begin to sag. The producer spice up the show by adding sales clerk Sally Peters (Judy Lynn) and handsome young Cliff Lane (Danny Scholl) as love interests. Jerry falls in love with Sally, but Sally is in love with Cliff. The ensuing tension is most problematic for Jerry's every diplomatic personal assistant Vic Davis (Jack Albertson). ~ Sandra Brennan, All Movie Guide