Stephanie Faulkner Movies

Basically another variation of Ten Little Indians with a werewolf thrown in for good measure, this plodding sequel efers less to previous Howling installments than to the source novels by Gary Brandner. The stage is set at an ominous Romanian castle, where the ancestors of a legendary werewolf bloodline committed suicide in the 15th century to rid the world of their monstrous kind. Apparently they did not entirely succeed, since five hundred years later a diverse group of guests is invited to the castle by its resident Count (Philip Davis), who plans to reveal the identity of a lycanthrope in their midst: the descendant of the one werewolf who got away. Filmed on location in Budapest, this film benefits from its ominous Gothic setting and an interesting score, but there is little else to recommend it; the mystery monster is onscreen for barely more than five minutes, making one wonder whether the film was originally intended to be a Howling sequel at all. ~ Cavett Binion, All Movie Guide

Janis Paige appears as Eleanor Brandon, a lonely woman who seems to know all the intimate details in the life of Judge Harry T. Stone (Harry Anderson). Is it possible that Eleanor is Harry's long-lost mother, as she claims to be? And in another case, the shifty promoter of a phony beauty contest is brought to court by a disgruntled would-be prize winner. ~ Hal Erickson, All Movie Guide

In this sprawling television miniseries, originally aired in May 1983 on NBC, a race of seemingly human-like aliens arrive en masse on Earth. These "Visitors" promise cooperation and friendship -- then launch a clandestine takeover of the planet by accusing the entire scientific and medical community of conspiring to destroy them, then finally "benevolently" seizing power. Inspired by Sinclair Lewis' It Can't Happen Here, a 1935 account of a fictional fascist takeover of America, V uses a huge ensemble cast and an elliptical method of storytelling to trace the contact between humans and the Visitors, from the arrival of 50 giant flying saucers in low Earth orbit to the first major victory of the underground resistance that opposes the aliens. Major characters include Mike Donovan (Marc Singer), a television cameraman who leverages his experience filming in various war-torn locales to help expose the Visitors' true nature; news anchor Kristine Walsh (Jenny Sullivan), his sometime girlfriend, who allows her ambitions to cloud her journalistic judgment and becomes a pawn of the alien invasion; Juliet Parrish (Faye Grant), a young biochemist who finds herself thrust into the role of resistance leader; Abraham Bernstein (Leonardo Cimino), the patriarch of a Jewish family divided between the lessons of the Holocaust and the need to survive; Elias Taylor (Michael Wright), a petty thief who joins the resistance after the Visitors kill his doctor brother, Ben (Richard Lawson); and Robin Maxwell (Blair Tefkin), the surly eldest daughter of a scientist (Michael Durrell) who finds his family the target of harassment and intimidation. The Visitors, who assume common human first names as their monikers, include supreme leader John (Richard Herd); sultry science and security officer Diana (Jane Badler); hunky Brian (Peter Nelson); and gentle Willie (Robert Englund). V was written and directed by Kenneth Johnson, who initially envisioned the project as a less fanciful story of fascist aggression; when his pitch to NBC seemed to be faltering, Johnson allegedly added the alien angle extemporaneously, securing himself a green light and NBC a sweeps-week hit. The success of V spawned a second miniseries, V: The Final Battle, and a weekly TV series that lasted 19 episodes from 1984 to 1985. Johnson ended his association with the world of V halfway through production on the second miniseries, but his work on the Alien Nation TV spin-off years later would resurrect many of the themes of V. Actor Singer was already known to sci-fi fans as star of The Beastmaster, while Englund would go on to portray Freddy Krueger in countless Nightmare on Elm Street films. ~ Brian J. Dillard, All Movie Guide

Stewart Raffill directs the high-action comedy caper igh Risk about a four-man band of theives trying to pull off the perfect crime. Stone (James Brolin), Tony (Chick Venera), Dan (Bruce Davidson), and Rockney (Cleavon Little) hire two inept airplane pilots and plot a major heist. The plan is to rob a mansion in South America belonging to the wealthy drug lord Serrano (James Coburn). After they break open his safe and steal five million dollars, they try to escape the jungle while being followed by the Columbian army and a group of bandits led by Mariano (Anthony Quinn). Ernest Borgnine appears in a brief cameo. ~ Andrea LeVasseur, All Movie Guide

After football player Joe Ramsey (Lee Paul) dies of a brain aneuryism, Quincy (Jack Klugman) performs an autopsy and finds that the man was suffering from a drug-resistent strain of gonnorhea. In his efforts to trace the source of the disease, Quincy orders a round-up of the city's prostitutes--and when one of the hookers turns up murdered, it seems that the feisty medical examiner has stumbled onto a widespread conspiracy and coverup. This episode can be regarded as a seminal example of the "AIDS dramas" which proliferated on television during the next two decades (though of course AIDS had not yet been identified as an international epidemic). ~ Hal Erickson, All Movie Guide

This stylish and very entertaining blend of the horror and "Blaxploitation" genres takes some creative risks on a seriously limited budget but manages to deliver the gory goods. The story begins in New Orleans in the mid-1940s, with black crime kingpin J.D. Walker (David McKnight) shot dead on Bourbon Street. Flash forward to the present, when clean-cut college student Ike (Cooley High's Glynn E. Turman) falls under the malevolent influence of the ghostly gangster. As he begins to exhibit J.D.'s boisterous, violent traits, Ike seeks out a local minister (Louis Gossett, Jr., in a standout performance) -- who had once played a role in the gangster's execution -- to exact his revenge. This cult favorite has seen a revival of sorts on home video and primarily remains in the public eye due to the novelty value of its soundtrack: all songs are performed by the artist soon to be known as The Artist Formerly Known As Prince -- who also supplies the vocal for " Will Never Let You Go". ~ Cavett Binion, All Movie Guide

Mike Simms plays a young black soldier serving in Vietnam, who is abruptly summoned back to his old Watts neighborhood. Simms' family is mourning the death of Simms' brother, who was killed by two racist cops. Encouraged by a white friend to investigate his brother's death, Simms finds himself in the unenviable position of being the voice of moderation between the black militants preparing to ravage the neighborhood and the white extremists who are poised to take retaliatory action. Filmed by an African-American crew, The Bus Is Coming endeavors to be evenhanded in showing the evils of racism from both ends of the spectrum. The amateurishness of the actors merely serves to enhance the realism of the project. ~ Hal Erickson, All Movie Guide