Sharon Farrell

This Southern Gothic drama of a deeply troubled family was written by leading man David Steen, who adapted the screenplay from his own play. Ma Samuals (Sharon Farrell) lives in a poor section of rural North Carolina during the 1970s. Her slightly retarded son Charlie (Steen) was the product of an incestuous relationship with her uncle, a preacher who seduced her when she was only 12; despite this experience, Ma remains a devout Fundamentalist Christian. Ma also lives with her adopted daughter, Messy (Gigi Rice), though it's obvious that Charlie is the favored child, and Messy is often the target for Ma's abuse. When Cousin Anna (Sarah Trigger) is orphaned, she comes to stay with the Samuals family, which upsets the household's already shaky emotional balance. Ma disapproves of Messy's new friendship with Anna, believing she's a poor influence on her daughter, and when Anna begins spending time with Charlie, her obsessive love for her son (which has already spilled over into incest) threatens to push her over the brink. A Gift from Heaven marked the feature debut for both screenwriter Steen and director Jack Lucarelli. ~ Mark Deming, All Movie Guide

Robert Conrad, William McNamara, and Sharon Farrell star in this crime drama about a police detective assigned to investigate the brutal murders of three children. With few leads but an iron will to put the killer behind bars, the detective is willing to do almost anything, including listening to a woman who claims to have psychic powers and has been visited with visions of the crime. ~ Mark Deming, All Movie Guide

Lonely Hearts is a modern film noir in which a lonely woman meets and falls for a man whom she refuses to let go. Alma (Beverly D'Angelo) is a wallflower who lives with her mother and works at a Social Security office. In her desperation to make some sort of social life for herself, she answers a personal ad and meets Frank (Eric Roberts) with whom she falls in love. Frank turns out to be a con man and a swindler, but Alma is obsessed with him. She begins to help him by posing as his sister while he cons other women, until she and Frank are forced to flee when one of the victims hires a private detective. Beverly D'Angelo plays Alma with the perfect mixture of both predator and victim and director Andrew Lane understands and directs his actors well, making Lonely Hearts a very well-thought-out and executed thriller despite a somewhat languid pacing. ~ Linda Rasmussen, All Movie Guide

Borrowing a chapter from the John Hughes school of teen comedy, this likeable caper was a box office success. Patrick Dempsey stars as Ronald Miller, a high school nerd about to enter his senior year, who longs for acceptance as one of the "cool kids." His next-door neighbor Cindy Mancini (Amanda Peterson) is a cheerleader and one of the most popular girls in school, but she doesn't even know that Ronald exists. When she ruins an expensive outfit of her mother's, Ronald offers the $1,000 needed to replace it, if she will pretend to date him for one month. Although skeptical about Ronald's plan, Cindy agrees, and her "new boyfriend" turns out to be right about what he thinks dating Cindy will do for him -- he becomes accepted by the school's snobs because of his association with one of their own. At least, for a while. Originally titled "Boy Rents Girl," Can't Buy Me Love (1987) was the first production launched by former studio executive Thom Mount after leaving his high-profile post. His company went on to produce weightier material such as Bull Durham (1988), The Indian Runner (1991), and Natural Born Killers (1994). ~ Karl Williams, All Movie Guide

In this Spaghetti-western-like martial arts actioner, Texas Ranger J. J. McQuade (Chuck Norris) is up against the weapons-dealer Rawley Wilkes (David Carradine) after Wilkes kidnaps McQuade's partner and daughter and takes them to Mexico. McQuade's personal vendetta is encouraged by the government because Wilkes is hijacking U.S. arms shipments for his illicit weapons deals and the government wants him stopped. After the kidnapping incident, McQuade is assigned Kayo (Robert Beltran) a rookie patrolman, to accompany him in his fight, and he is also joined by FBI-agent Jackson (Leon Isaac Kennedy). Jackson and McQuade track down Wilkes' secret airstrip -- and that is when the fireworks begin. Every weapon known to human technology is brought into the picture as McQuade, also armed with his lethal hands and feet, goes ballistic. ~ Eleanor Mannikka, All Movie Guide

A compassionate social worker puts her own life in jeopardy when she begins investigating a powerful businessman suspected of selling babies on the black market. Kate Carlin (Lynda Carter) has dedicated her entire life to helping children. When Kate discovers that a local businessman has been taking advantage of troubled teens by purchasing their unwanted babies and selling them for a sizable profit, she makes it her personal mission to gather evidence against him and ensure that justice is served. But this is one businessman whose connections go all the way to the top, and when he discovers that Kate is about to bust the case wide open he makes it clear that he'll do everything in his power to silence her forever. Harold Gould and Dean Stockwell co-star. ~ Jason Buchanan, All Movie Guide

Out of the Blue captures the turbulence of youth culture of the early '80s by presenting a three-person nuclear family that is about to implode. In a prologue, Don Barnes (Dennis Hopper), a school bus driver, is drunkenly distracted one day behind the wheel, resulting in a horrible accident. He comes home from a stint in prison to find his wife, Kathy (Sharon Farrell), hooked on drugs and his now-teenaged daughter, Cindy (Linda Manz), sullen and remote. Don's old buddies are a fun-loving bunch who work only to afford to get high and party, and he seems to be falling back into his old ways instead of getting straight and pulling his family out of their funk. The story focuses on Cindy's alienation from both her parents and most of her classmates. She's influenced by the energy and anger of punk music and considers her parents pathetic relics of the '60s counterculture. Hopper reportedly took over direction of the film after co-producer/co-writer Leonard Yakir departed the production. It was Hopper's first job behind the camera since The Last Movie, his legendary flop follow-up to Easy Rider. ~ Tom Wiener, All Movie Guide

In this drama, fifteen year old girl from a dysfunctional home gets herself in all kinds of trouble when she begins acting rebelliously. ~ Sandra Brennan, All Movie Guide

With a cast sure to please cult and horror fans alike, this pseudo-women's-prison film from director Hikmet Avedis is a good bet for genre followers. Pretty Dianne Hull plays Kelly McIntire, a disco bartender who is poisoned as part of a botched murder scheme and sent to a mental hospital. Once there, she is raped by evil orderly Carl (Bo Hopkins), witnesses murders and suicides, and eventually escapes only to be dragged screaming back to the horrors of the fifth floor. Cathey Paine, who played Leslie Van Houten in Helter Skelter, is among the many familiar faces, which also include such horror icons as Robert Englund and Michael Berryman. But the film belongs to Bo Hopkins, who is all smiling menace and who turns in a scary performance and gives the film what force it has, as screenwriter Meyer Dolinsky puts Hull through some rather unconvincing maneuvers in the lead. Still, although there are a number of lapses in logic, they don't detract from the frightening premise that almost any statement or action could be construed as a sign of dementia in the proper circumstances. ~ Robert Firsching, All Movie Guide

This provocative, highly atmospheric horror movie tells the tale of a young girl who is terrified that her insane mother will take her away from her beloved foster mother. One day, the crazed real mother attempts to contact the girl at school, but her foster mother has a premonition and gets there in time to protect the girl. Eventually though, the real mother and her terrifying boy friend, a carnival clown, succeed and whisk her away, leaving the bereaved foster parents to enlist the assistance of a parapsychologist to help them interpret the foster mother's terrifying dreams and psychic connection to the girl and find her before it is too late. ~ Sandra Brennan, All Movie Guide

Horror journeyman Larry Cohen, writer and director of numerous quirky horror projects, made his first foray into the genre with this low-budget cult favorite about a murderous mutant baby on a suburban rampage. The story opens with a delivery-room massacre as the newborn child of Frank and Lenore Davies (John P. Ryan and Sharon Farrell) answers the doctor's slap by tearing him to pieces -- along with a few other medical personnel -- before fleeing the hospital for whereabouts unknown. The subsequent hunt for the killer baby creates a rift between Frank, who wants the child destroyed, and Lenore, whose maternal instincts convince her that her child is not deliberately homicidal but merely frightened and defending itself. The baby's bloody rampage continues with several murders (including the creepy scene in which the terrible tyke savages the neighborhood milkman), until it is cornered by Frank and a police task-force. At the crucial moment, Frank has a sudden change of heart and tries to defend the infant from the police. Despite painfully low production values that render the monster scenes a bit silly (Rick Baker's creepy-looking but inarticulate baby model was simply pulled along on a string), Cohen's concept shines through, presenting a skewed but sincere interpretation of family values that could only be pulled off in the horror genre (see also Wes Craven's The Hills Have Eyes for another example). The script makes passing suggestions that the mutation was a result of an inadequately tested fertility drug, a concept explored more fully in the sequel It Lives Again and quite extensively in the third installment, Island of the Alive. ~ Cavett Binion, All Movie Guide

Eyes of Charles Sand is a TV-movie variation of Roger Corman's X -- the Man with the X-Ray Eyes. Peter Haskell plays an ordinary mortal who inherits "The Sight," a heightened sense of ocular awareness. With this gift, Haskell is able to see hazily into the future and to probe the minds of others--which comes in handy during a murder mystery. Too bad he can't peer into the past to see who's responsible for the killing. A pilot for an unsold series, The Eyes of Charles Sand utilizes Henry Mancini's music score from the feature film Wait Until Dark (67) because of a 1971 composer's strike. ~ Hal Erickson, All Movie Guide