John Farrell Movies

Louis de Rochemont, former March of Time producer whose "docudrama" films proved so popular in the 1940s, offers more of the same in Walk East on Beacon. Based on an article written (or ghostwritten) by J. Edgar Hoover, the film concerns the efforts by the FBI to plug up a dangerous security leak. Federal agent Belden (George Murphy) is assigned to locate the communist mastermind behind the leak, and to trace all avenues of informational access utilized by the Bad Guys. Finlay Currie co-stars as an Einstein-like scientist who is being blackmailed by the Reds into cooperating with them, while Karel Stepanek is slime personified as the top Eastern-Bloc spy. Largely filmed on location in New York, Walk East on Beacon makes good use of several Manhattan-based actors, few of whom were seen in films either before or since. ~ Hal Erickson, All Movie Guide

In Portrait of Jennie, Joseph Cotten plays an artist, Eben Adams, who is unable to bring any true feeling to his work. While painting in Central Park one morning, Eben makes the acquaintance of a schoolgirl named Jennie (Jennifer Jones), who prattles on about things that happened years ago. Intrigued at her thorough knowledge of the past, Eben is about to converse with her further, but Jennie has vanished. Over the next few months, Eben meets Jennie again and again -- and each time she seems to have aged by several years. He paints her portrait, which turns out to be more full of expression and emotion than anything he's previously done. His curiosity peaked by Jennie's enigmatic nature, Eben uncovers evidence that he has been conversing -- and falling in love -- with the ghost of a girl who died years earlier in a hurricane. On the eve of the hurricane's anniversary, Eben rushes to meet Jennie at the site where she was supposedly killed. As a new storm rages, Jennie vanishes for good, but not before declaring that the love she and Eben have shared will live forever. Rescued from the storm, Eben convinces himself that Jennie was a mere figment of his imagination. Then he notices that he stills clutches her scarf in his hand. He looks at his portrait of Jennie (the only Technicolor shot in this otherwise black-and-white film) and understands what she meant when she said that their love would endure throughout eternity; it will do so through Cotten's art, both the portrait at hand and all future portraits. Based on the novel by Robert Nathan, Portrait of Jennie is one of the most beautifully assembled fantasies ever presented onscreen. Producer David O. Selznick's unerring eye for "rightness" enabled him to select the perfect stars, supporting cast (Lillian Gish, Ethel Barrymore, David Wayne, Cecil Kellaway, et al.), director, cinematographer (Joseph August), and composer (Dimitri Tiomkin, who based his themes on the works of Debussy), and blend everything into one ideally balanced package. ~ Hal Erickson, All Movie Guide

Desert Fury is a rarety for the 1940s, a Technicolor "film noir." Set in a Nevada gambling town, the story concerns the various misadventures, romantic and otherwise, of Paula Haller (Lizabeth Scott), the rebellious daughter of gambling-house proprietress Fritzie Haller (Mary Astor, who steals the picture). Though no better than she ought to be, Fritzie is determined that Paula will not grow up as a "shady lady", but she'd fighting an uphill battle. John Hodiak plays crooked gambler Eddie Bendix (John Hodiak), who tries to exploit Paula's fascination with him for his own gain. Thank heaven that upright lawman Tom Hanson (Burt Lancaster) is on hand to rescue the heroine from the machinations of Bendix and his partner-in-perfidy Johnny Ryan (Wendell Corey). Desert Fury was adapted from the far racier and more explicit novel by Ramona Stewart. ~ Hal Erickson, All Movie Guide

The studio concocted the film as a showcase for its 9-year-old discovery Joan Carroll, here cast as precocious Bridget Potter. Little Bridget has been willingly "kidnapped" by secretary Linda Norton (Ruth Warrick), who hopes that the girl's disappearance will precipitate a reunion between Bridget's divorcing parents (John Miljan, Marjorie Gateson). Instead, Linda's well-intentioned crime results in a film-length slapstick chase, largely involving two rival newspaper reporters (Eve Arden and Edmond O'Brien). Obliging Young Lady was directed by Richard Wallace, who as a former employee of Hal Roach Studios was well-grounded in this sort of frenetic farce. ~ Hal Erickson, All Movie Guide