Charles Farrell Movies

Charles Farrell, once a heartthrob of the silent screen, is the snow-on-the-roof protagonist in Monogram's The Deadly Game. Farrell rescues the lovely June Lang from a jam, only to get involved with a complex murder case. Evidently, no one can be trusted, so Farrell has his hands full during the film's suspenseful 65 minutes. Featured in the cast are ace stuntman Dave O'Brien, and Hugh Herbert 's look-alike brother Tom. The Deadly Game gives us an idea of the sort of things Charlie Farrell was occupying himself with before becoming Gale Storm's father on My Little Margie. ~ Hal Erickson, All Movie Guide

Once one of Hollywood's "top ten" screen attractions, Charles Farrell had slipped somewhat by the end of the 1930s, and obliging to accept roles in such B productions as Columbia's Flight to Fame. Farrell plays air force captain Lawrence, a Billy Mitchell type who finds himself constantly at odds with his old-fashioned superiors. When his revolutionary new pursuit plane is rejected by the powers-that-be, Lawrence befriends another "radical"named Fisk, who has developed a deadly new death ray "for the good of mankind". Inevitably, the ray falls into the wrong hands, causing a series of mysterious air disasters. At first suspecting Fisk of misusing his invention, Lawrence eventually discovers that the actual culprit is another disgruntled aviator. Columbia's all-purpose heroine Jacqueline Wells provides the obligatory love interest. ~ Hal Erickson, All Movie Guide

Just Around the Corner is the film in which little Shirley Temple ends the Depression all by herself! The story starts realistically enough, with 10-year-old Penny Hale (Temple) sharing a basement apartment with her widowed father Jeff (Charles Farrell, in his final Fox film). Once a prosperous architect, Jeff has been working as a hotel janitor-engineer ever since the Wall Street Crash. Ordered by pompous hotel concierge Waters (Franklin Pangborn) to keep her place, Penny nonetheless has fun wandering the lobbies of the posh establishment under the watchful and protective eyes of her friends, Kitty the maid (Joan Davis), Gus the chauffeur (Bert Lahr) and Corporal Jones the doorman (Bill Robinson). Having been told by her dad that the only person who can pull the country out of the Depression is Uncle Sam, Penny becomes convinced that goateed billionaire tycoon S. G. Henshaw (Claude Gillingwater Sr.) is Uncle Sam come to life. Charming her way into the heart of the irascible Henshaw, Penny convinces him to help the economy get started again. Not only does Uncle Sam accomplish this by creating thousands of new jobs, but he also manages to give Penny's father Jeff a new start in life, much to the delight of Jeff's sweetheart Lola (Amanda Duff). The film's highlights are Shirley Temple's always-delightul dance duets with Bill "Bojangles" Robinson; less easy to take when seen today is the closing "Buttons and Epaulets" production number, performed by a chorus of servile blacks. ~ Hal Erickson, All Movie Guide

Shortly before his desultory political career, famed Polish concert pianist Jan Paderewski starred as himself in the British romantic drama Moonlight Sonata. The bulk of the film is set in Sweden, where Eric Molander (Charles Farrell) professes his love for beautiful young baroness Lindenborg (Marie Tempest). Nearby, a plane carrying Paderewski and several other passengers is forced to land due to bad weather. The travelers take refuge on Lindenborg's estate; one of them, worldly Mario de la Costa (Eric Portman), sweeps Lindenborg off her feet. With Paderewski's implicit assistance, Molander proves that de la Costa is a fortune hunter, paving the way for a fade-out clinch for the hero and heroine. In addition to the title song, we are treated to such Paderewski "standards" as Chopin's Polonaise and the pianist's own composition Minuet in G Major. ~ Hal Erickson, All Movie Guide

Forbidden Heaven was accurately assessed by "B"-film historian Don Miller as "a weepie unabashed -- and a successful one." Silent-film heartthrob Charles Farrell stars as a British working stiff named Niba, who hopes one day to attain a Parliamentary seat. Niba's life is permanently altered when he rescues forlorn American girl Ann (Charlotte Henry). Though forced to give up his political dreams, Niba contentedly sets up house with Ann, eventually falling in love with her. Then tragedy strikes -- so suddenly that it seems to have been tacked onto the film as an afterthought because the writers couldn't think of anything else. Despite its abrupt mood changes, Forbidden Heaven was a real audience pleaser, allowing everyone to enjoy a good cry. ~ Hal Erickson, All Movie Guide

While the Hollywood output of director William "One-Take" Beaudine was largely uninspired, he turned out several first-rate efforts while employed in England in the mid-1930s. Beaudine's Boys Will be Boys stars the inimitable Will Hay, cast in his standard role as a pompous, ineffectual schoolmaster. Upon learning that the father (Gordon Harker) of one of his students is a thief, do-gooder Hay tries to redirect the reprobate towards the Straight and Narrow--and nearly gets pinched as a criminal himself. Hay's perennial comic foils Graham Moffatt and Moore Marriott are nowhere to be found in this escapade, but they're not really missed this time around. Star Will Hay co-wrote the screenplay with Robert Edmunds. ~ Hal Erickson, All Movie Guide

In this now-campy drama, a patriotic state college football team takes on a subversive radical group determined to undermine American Values with Communist Propaganda. The prime target of the radicals is Larry Davis, the conservative star quarterback. To get him, they utilize a sly and sensual co-ed who seduces Larry from his true-blue gal and leads him into the fast lane. Soon, his playing ability is diminished. Fortunately, he recognizes the error of his ways and abandons his perverted, hedonistic lifestyle just in time to make it back to the playing field where during the final three minutes of the very last game, he carries the ball to victory. As he wins the game, an undercover Government agent drops his disguise as a college student and captures the radicals. ~ Sandra Brennan, All Movie Guide

Four courageous college graduates become heroes when they successfully complete a 15-hour coast-to-coast plane flight. Alas, things don't go so well for the foursome when they return to earth to seek out employment. Chris Thring (Charles Farrell) has a particularly rough time of it, but his sweetheart Catherine Furness (Janet Gaynor) remains faithful through thick and thin. Trouble brews in the form of Chris and Catherine's mutual friends Mack McGowan (James Dunn) and Madge Rountree (Ginger Rogers): Catherine thinks Chris is in love with Madge, while Mack falls in love with Chris? and on and on it goes. Shirley Temple shows up in the early scenes as a plane passenger, while that grand old trouper Gustav von Seyfertitz sheds his usual villainous image as the film's avuncular last-minute problem-solver. Change of Heart is based on a novel by Kathleen Norris. ~ Hal Erickson, All Movie Guide

An idealistic but naive pharmacist believes the mobsters who claim they want him to manufacture illegal medicine to help out the poor. That the deal will pad his own pockets with much-needed cash only sweetens the arrangement. This melodrama chronicles the tragic results of his actions. He wants the extra money so he can get married. The scheme works and things are fine until his bride announces her pregnancy and insists that he get out of the racket. Unfortunately, the brutal mobsters refuse to let him out. Not long after, his bride miscarries the baby and nearly dies when a well-meaning doctor injects her with some of the druggist's own bad medicine. This causes the pharmacist to go berserk with rage and have a violent confrontation with the villainous mob boss. ~ Sandra Brennan, All Movie Guide

When her tough boyfriend Red Branahan (William Gargan) is sent to jail, Aggie Appleby (Wynne Gibson) meets mild-mannered Adoniram Schlump (Charles Farrell), and decides to turn him into a real man. She teaches him how to talk tough, changes his name to Red Branahan, and gets him a construction job -- unaware that the real Red has been released from prison. ~ Bill Warren, All Movie Guide

Bret Harte's story Salomy Jane's Kiss provided the basis for a play (by Paul Armstrong and a number of films, including 1932's Wild Girl. Set in the High Sierras at the end of the Civil War, the "wild girl" of the title is Salome Jane Clay (Joan Bennett). Rather tomboyish and determined, she isn't the vixen that the title suggests; as a matter of fact, she is upset and angry over a man who has tried to take liberties with her. A stranger Charles Farrell shows up, looking for the same man who has incurred Jane's enmity. Farrell has a score to settle, for this man ruined the life and reputation of Farrell's sister. He shoots him, then flees the town with Jane's help. They are pursued by numerous individuals; as they overcome various obstacles, they find themselves falling in love. ~ Craig Butler, All Movie Guide

Grace Livingston (Janet Gaynor) is leading a happy life in her small town, with her mother (Maude Eburne) and father (Robert McWade), being courted by two men, the steady but predictable Tommy Tucker (Charles Farrell) and the more ambitious, flashy, and worldly Dick Loring (George Meeker), who seems closer to Grace in his desire for travel and adventure. It's Tommy whom she marries, however, while insisting that they live someplace other than the town where they grew up. So Tommy abandons his successful insurance business and the couple moves to Joplin, MO, where he takes over a real-estate business, and for 11 months the couple struggles quietly while Tommy goes about trying to establish himself, and Grace becomes increasingly bored and impatient, not liking Joplin or the tiny three-room apartment where they live. Tommy has been steadily working on a plan that will bring them all the money they need, acquiring land that he is certain that the railroad needs, but closing the deal with the purchasing agent (Henry Kolker) requires him to throw a small dinner party, on the very day that Tommy is down literally to his last ten dollars, and when Grace's patience is at an end and her kitchen help falls ill. With the maid's inexperienced daughter (Leila Bennett) doing her barely adequate best, they muddle through dinner to a successful conclusion to the deal; however, when the unexpected reappearance of Dick Loring throws a wrench in the works, not only of the deal but their marriage, his presence suddenly brings to a head all of Grace's frustrations. The couple splits up, Grace leaving Tommy to return to her parents' home, and even though each soon has some wonderful news to tell the other, it takes a lot of help -- and a knock-down, drag-out fight between two of the contending parties -- to help get them back to a place where each will give the other the hearing they should.

It sometimes seems as though, during the 1930s, the studios could mix comedy and drama more freely and easily without having to go into too many explanations for their audience -- whereas in the 21st century, audiences need a guide and a warning for pictures such as The First Year, which might be very funny in many spots (especially in the scenes with Grace's parents) and steeped in drama and serious moments elsewhere. Although not remotely as substantial as some of Charles Farrell and Janet Gaynor's other work together, The First Year is a good representation of the high level of quality of their work together when they weren't acting in masterpieces such as Street Angel or near-masterpieces like After Tomorrow. ~ Bruce Eder, All Movie Guide