Jamie Farr Movies
American actor Jamie Farr was the only son of a Lebanese butcher living in Toledo, Ohio. An easy target for bullies due to his short stature and large nose, Farr became the neighborhood clown to save himself from physical abuse. Humor gave him confidence, and by the time Farr graduated from high school he was a top student, extremely popular and active in numerous extra-curricular activities. Always a big movie fan, Farr harbored dreams of being an actor, and to that end studied at the Pasadena Playhouse. In 1955, Farr was cast in his first film (still billed under his own name, Jameel Farrah), The Blackboard Jungle, playing a redeemable hoodlum named Santini; shortly thereafter, he was cast in the Broadway production of No Time for Sergeants, just before he was drafted. The two years in the Army upset the momentum of Farr's career, and he found himself from 1958 through 1971 rebuilding himself from the ground up in bits and supporting roles. (Farr was not in Santa Claus Conquers the Martians during this period, as has often been reported; the cast of that turkey included a Broadway actor named Al Nesor, who bore a startling resemblance to Farr and played many of the same type roles).One of Farr's one-day bits was for the sixth episode of the new TV series M*A*S*H in 1972; Farr had the almost wordless role of a GI who dressed in women's clothing in hopes of getting out of the Army. The character of "Corporal Klinger" was meant to be a onetime joke, but the producers of M*A*S*H sensed possibilities in the character. By Season Two of M*A*S*H, Farr became a full supporting character; by Season Three he was being given co-starring billing in the series' opening credits sequence. After misguidingly "camping" the character in the earliest rehearsals, Farr played Klinger "straight" in every sense of the word: Neither gay nor transvestite, Klinger was simply a guy who'd go to great extremes to get out of military service. Gradually the character began to become fashion conscious, and before the eighties were over Klinger was making several fashion lists as one of the best-dressed characters on TV! Farr's role was expanded when Gary Burghoff left M*A*S*H in 1979; promoted to company clerk, Klinger began to thrive in the military, and the outrageous costuming was allowed to lapse. By the time M*A*S*H left the air, Klinger had taken a Korean wife, and Jamie Farr had become a true-blue celebrity. Unfortunately neither Farr nor Klinger were able to extend their audience appeal into the sequel series After M*A*S*H, not even when the scripts contrived to have Klinger become a fugitive from justice in a move to repeat his "outsider" status on M*A*S*H. Nonetheless, Jamie Farr has kept busy in the years following the cancellation of After M*A*S*H in 1984 with TV guest spots and stage appearances in such roles as Ali Hakim in Oklahoma and Evil Eye Fleegle in Li'l Abner. ~ Hal Erickson, All Movie Guide
Now in its seventh season on the air, the irreverent military comedy series M*A*S*H continued to roll along like a well-oiled machine. The most significant change during season six, the introduction of the insufferable but brilliant surgeon Maj. Charles Emerson Winchester (David Ogden Stiers), had registered quite well with viewers and fellow cast members alike. Less successful had been the scripting decision of marrying off the 4077th's head nurse Margaret Houlihan (Loretta Swit) (who out of respect for changing attitudes toward gender stereotyping no longer bore the demeaning nickname "Hot Lips") to the handsome Lt. Col. Donald Penobscott, especially since viewers seldom saw Margaret's elusive husband. Thus, Penobscott was written out of the show via a quickie divorce at the end of the 1978-79 season. The season itself was distinguished by a number of memorable episodes, as well as a welcome revival of a "gimmick" that had registered well during season four: A "documentary"-style installment, filmed in black-and-white in the manner of a 1950s documentary, wherein TV correspondent Clete Roberts interviewed the men and women of the 4077th. This episode, "Our Finest Hour", was expanded to a full hour, the better to accommodate "flashback" excerpts featuring such long-departed M*A*S*H regulars as Wayne Rogers, Maclean Stevenson and Larry Linville. In another, even more ambitious "gimmick" episode, "Point of View," the action was seen entirely through the eyes of a seriously wounded GI. It was also during this season that reruns of M*A*S*H were telecast on CBS' daytime lineup. The following year, the series would enter local syndication, where it continued to run until well into the 21st century. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Alda, Mike Farrell, (more)
Season six of M*A*S*H was noteworthy for yet another defection from its regular-cast ranks. Long dissatisfied with the artistic limitations of the role of obnoxious Major Frank Burns, actor Larry Linville followed the lead of his former M*A*S*H colleagues Wayne Rogers and Maclean Stevenson by leaving the series to pursue new projects. It was explained in the sixth season opener that Frank Burns had gone AWOL in reaction to marriage of his longtime paramour Margaret "Hot Lips" Houlihan (Loretta Swit) to the dashing (but seldom-seen) Lt. Col. Donald Penobscott, and had been transferred to a stateside hospital. The series' producers were anxious to replace Frank Burns with a character who would remain an antagonist to the nominal "heroes," irreverent Army surgeons Hawkeye (Alan Alda) and B.J. (Mike Farrell). At the same time, it was acknowledged that the series' writers had painted themselves into a creative corner by depicting Burns as stupid and incompetent. His replacement would have to be an eminently qualified and undeniably brilliant surgeon, while at the same time boasting a prickly personality that would drive Hawk and BJ up a wall--and vice versa. Thus was born the character of Major Charles Emerson Winchester II (played by David Ogden Stiers), an aristocratic Boston Brahmin of vast knowledge and expertise, whose surgical skill approached genius, and whose arrogance and disdain for his colleagues would provide an amusing contrast to the casual, carefree slovenliness of the 4077th. Also avoiding the series' previous scripting boondoggle of making Frank Burns thoroughly unlovable, it was established early on that Charles Winchester had his compassionate, humane and even warm moments, despite his haughty, overbearing demeanor. Still in its winning Tuesday-night timeslot, M*A*S*H continued to rank highly in the ratings, though it would slip from fourth to eighth place during its sixth season. Also, this would be the first year since 1973 that M*A*S*H would not win at least one Emmy award, though it was honored with eight nominations. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Alda, Mike Farrell, (more)
Although M*A*S*H entered its fifth season with the cast from season four intact--including relative newcomers Mike Farrell as B.J. Hunnicut and Harry Morgan as Col. Sherman Potter--the production roster was short one significant name. Producer and co-creator Larry Gelbart had exited the series at the end of the 1974-75, declaring that he had contributed all he could to the project and was now prepared to move on. This left the lion's share of the creative decisions in the hands of series star Alan Alda, aka Hawkeye Pierce, who had already written and/or directed a number of episodes. Another M*A*S*H stalwart was indicating that he, too, was feeling creatively confined by the series. Larry Linville, who since the beginning of the program in 1972 had functioned as the 4077th's resident nemesis in the role of xenophobic, incompetent surgeon Maj. Frank Burns, had been issuing public complaints that his character had not been allowed to grow and mature as had the other M*A*S*H regulars. Also, since the decision had been made to marry off Burns' mistress Margaret "Hot Lips" Houlihan (Loretta Swit) to dashing officer Donald Penobscott, Frank was becoming gratuitous and redundant. By the end of season five, Larry Linville followed the lead of such former regulars as Maclean Stevenson and Wayne Rogers) by leaving the series to pursue more artistically satisfying projects. Linville's discomfiture did not, however, extend to the other M*A*S*H cast members. In particular, William Christopher had every reason to welcome the beginning of the fifth season with open arms. Having long been consigned to the "featured players" roster in the closing cast of each episode, Christopher had finally graduated to series-regular status--with commensurate billing at the beginning of the program--in his role as the 4077th's mild-mannered but strong-willed chaplain, Father John Mulcahy. Having been toppled from the "Top Ten" by CBS's reckless decision to schedule the series opposite NBC's Friday-night blockbuster Chico and the Man during season five, M*A*S*H had begun regaining lost ground in December of 1975, when the network shifted the program to Tuesday evenings. It remained a solid Tuesday hit throughout the 1976-77 season, climbing back to fourth place in the ratings. The series also picked up two more Emmy Awards, for Gary Burghoff (aka Cpl. Radar O'Reilly) as best supporting player in a continuing series and for Alan Alda as best director (for the episode "Dear Sigmund"). ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Alda, Mike Farrell, (more)
Everybody knew that Maclean Stevenson would not return to M*A*S*H when the series inaugurated its fourth season in the fall of 1975; after all, Stevenson's character, Col. Henry Blake, had been abruptly killed off at the end of season three, so any sort of return was out of the question. It did, however, come as something of a surprise to the series' loyal viewers that another of the leading characters, irreverent surgeon Trapper John, was also missing from the fourth season roster. The reason? Actor Wayne Rogers, who'd played Trapper since the series' debut in 1972, had ankled the project in the middle of a contract dispute; he was tired of playing second fiddle to costar Alan Alda (aka Hawkeye Pierce), and wanted to spread his wings with a series of his own. Thus, season four opened with the first of M*A*S*H's one-hour "special" episodes, the better to establish the character of Trapper John's assistant, Capt. B.J. Hunnicut (Mike Farrell. More clean-cut and level-headed that the Rabelaisian Trapper, B.J. nonetheless proved to be every bit as capricious and irreverent as his predecessor, especially when cooking up schemes to embarrass the gimlet-eyed, humorless Frank Burns (Larry Linville and the chronically thin-skinned Margaret "Hot Lips" Houlihan (Loretta Swit) As for Col. Blake's replacement, the series' producers decided not to emulate the youngish, laid-back Maclean Stevenson, and instead went with an older, more "Regular Army" character. Harry Morgan, who'd appeared as a guest star during M*A*S*H's third season, was added to the cast as crusty but lovable Colonel Henry Potter, an old Cavalry man who managed to maintain the dignity of the Service and the decorum of the O.R. without ever sacrificing his humanity or sense of humor. Potter also proved to be a "good fit" insofar as company clerk Radar O'Reilly was concerned. Without ever consciously or blatantly doing so, Potter and Radar fell into a warm father-son relationship, which would make Radar's inevitable exit from the series five seasons later all the more poignant. Another development within the M*A*S*H family was the ascention of actor Jamie Farr to full "series regular" status. Introduced as an intended one-shot during season one, Farr's character, cross-dressing Corporal Max Klinger (who of course donned women's clothing in hopes of being discharged from the Army on a Section 8) proved popular enough to warrant additional "guest" appearances, and by the time the 1974-75 season had rolled around, Farr was being billed at the beginning of each episode, rather than merely among the "featured" cast in the closing credits. The "look" of M*A*S*H continued to deepen and mellow during season four, with the "zany" and "serious" aspects achieving a more even balance, thereby lessening the need for that intrusive recorded laughtrack that CBS insisted upon (though the track would not disappear altogether for several seasons to come). This was also the year that the series briefly digressed from its standard format to offer a half-hour "documentary" episode, in which the staff of the 4077th were interviewed by a TV war correspondent (Clete Roberts). Shot in black-and-white, this episode closed out the series' fourth season in the spring of 1976. By that time, M*A*S*H had won the fifth of its Emmy awards, the prize going to Stanford Tischler and Fred W. Berger, who had written the 60-minute opener "Welcome to Korea". Unfortunately, though the series was still popular, it has slipped from fifth to 14th place in the overall ratings, thanks to CBS' misguided decision to move the series from Tuesday to Friday evenings opposite the NBC ratings-grabber Chico and the Man. At least CBS acknowledged its error early on; in December of 1975, M*A*S*H was shifted back to Tuesdays, where it would remain a fixture for the next two years. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Alda, Mike Farrell, (more)
With an ever-increasing viewership and three Emmy awards to its credit, M*A*S*H had no trouble easing into a third successful season in the fall of 1974. Not wishing to tinker with the success, the series' producers retained all of the regular characters from previous years--Hawkeye (Alan Alda), Trapper John (Wayne Rogers), Frank Burns (Larry Linville), Margaret "Hot Lips" Houlihan (Loretta Swit), Henry Blake (Maclean Stevenson) and Radar O'Reilly (Gary Burghoff)--while steadily beefing up the roles of the series two most popular recurring characters, Father Mulcahy (William Christopher) and Cpl. Klinger (Jamie Farr). And in a piquant bit of guest-star casting, the third season opener "The General Flipped at Dawn", Harry Morgan was cast as a crackpot General named Bartford Hamilton Steele, whose adherence to regulations was matched only by the length and breadth of his certifiable insanity. Although General Steele would not be seen past this episode, Harry Morgan would of course return the following year in a radically different--and far more enduring--characterization. One person who would not be returning for a fourth season was Maclean Stevenson, who in a career move that has become legendary in its short-sightedness, opted to leave M*A*S*H to star in a new series of his own. The departure of Stevenson's character, the 4077th's beloved commanding officer Henry Blake, occurred during the third season's final episode, "Abyssinia, Henry", the conclusion of which was one of the best-kept--and most shocking--secrets in TV sitcom history. Having ended the 1973-74 season as the fourth most popular series on American television, M*A*S*H slipped ever so slightly to fifth place during 1974-75, a decline attributable to CBS' decision to move the program from its winning Saturday-night slot to a less desirable Tuesday-evening berth. Even so, M*A*S*H remained one of the jewels in CBS' crown, if for no other reason than the series copped its fourth Emmy during its fourth season: the winner was series co-creator Larry Gelbart, for his direction of the episode titled "O.R.", the first (but hardly the last) of the season's installments to completely dispense with a laugh track. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Alda, Wayne Rogers, (more)
- 1973
The Arnold of Arnold, like the Harry of The Trouble With Harry, is stone cold dead from the outset of this film. That doesn't stop Arnold's mistress Stella Stevens from marrying the corpse so as to come into his millions. The trick is to hide the fact that Arnold is indeed stiff as a mackerel. To accomplish this, a series of murders is a necessity. Special guest victims include Stevens' wastrel brother Roddy McDowall, her dotty sister Elsa Lanchester, handyman Jamie Farr, as well as lawyers Farley Granger and Patric Knowles. Also on hand are such dependables as Victor Buono, Shani Wallis, John McGiver and Bernard Fox. The script is by TV-sitcom stalwarts Jameson Brewer and John Fenton Murray. As one-joke films go, Arnold is as good as any. ~ Hal Erickson, All Movie Guide
- 1973
Joseph Wambaugh, the ex-cop turned novelist whose Police Story began its TV run in 1973, was responsible for the like-vintage TV miniseries The Blue Knight. William Holden stars as Bumper Morgan, a 50 year old cop on the verge of mandatory retirement. Morgan's last four days with the LAPD are packed with incident, notably the trackdown of the brutal murderer of a prostitute. Lee Remick plays Morgan's faithful lady friend, who is anxious for her man to retire but who will tolerate no criticism from anyone of the job the police are doing. Emmies went to William Holden, director Robert Butler and editors Marjorie and Gene Fowler Jr., while Lee Remick received an Emmy nomination. The film itself is derivative at times (one chunk of dialogue is lifted bodily from the Jane Fonda vehicle Klute), but otherwise is as realistic a portrayal of police work as TV censors would allow in 1973. Originally telecast in four one-hour installments, Blue Knight was cut to 103 minutes for syndication; a second Blue Knight TV movie, filmed in 1975 and starring George Kennedy as Bumper Morgan, served as the pilot for a short-lived TV series. ~ Hal Erickson, All Movie Guide
- 1973
John Saxon and Joseph Cotten head the guest cast in this episode, wherein homicide detectives Stone (Karl Malden) and Keller (Michael Douglas) investigate an elaborate scam that has gone fatally awry. Unscrupulous coin dealer Vince Hagopian Jr. (Saxon) has arranged to purchase several valuable "gold eagles" from millionaire collector John R. James (Cotten). Though he is supposed to sell the coins on behalf of Mr. James, Hagopian has hatched scheming to double his earnings by substituting counterfeit coins--a scheme which obliges him to commit murder to cover his tracks. ~ Hal Erickson, All Movie Guide
Heavy Traffic represents a follow-up to animator Ralph Bakshi's first feature film, Fritz the Cat (1972). The central character is Michael, the ingenuous son of an Italian father and Jewish mother. An aspiring cartoonist, Michael leaves home in a huff and outrages his family by conducting an affair with an African-American woman. Heavy Traffic was originally intended to be a cartoon adaptation of Hubert Selby's notorious novel Last Exit to Brooklyn, but negotiations fell through, and Bakshi was obliged to cook up a similar but not identical "mean streets" plotline. (Last Exit to Brooklyn was made as a live-action film in 1989.) ~ Hal Erickson, All Movie Guide
- 1972
The Rampart staff is at loss to explain the dangerously erratic behavior of brilliant physician Dr. Varner (Alicia Bond). At the Squad 51 station house, John (Randolph Mantooth) comes to grief when he tries to play peacemaker between Roy (Kevin Tighe) and his wife Joanne. The emergency staff's case load ranges from rescuing some youngsters from a rapidly flooding storm drain to saving a dog from a roof. And as a "bonus", an errant driver winds up dangling from a freeway off-ramp. A pre-M*A*S*H Jamie Farr shows up in a minor role. ~ Hal Erickson, All Movie Guide
- 1969
Every sitcom of the late 1960s had at least one "hippie" episode, and Family Affair was no exception. Encountering several flower children in Greenwich Village, Cissy wants to be a part of their alternative lifestyle--at least on weekends. Naturally, Uncle Bill is nervous, but he needn't worry: Cissy ultimately realizes that she'd rather tune out and drop in rather than turn on. And, oh wow, look at that supporting cast--including M*A*S*H's "Klinger" as a far-out freak! ~ Hal Erickson, All Movie Guide
- 1969
Once again cooking up a fund-raising scheme for San Tanco, Sr. Bertrille wants to use the convent's kitchen facilities-plus a huge new oven-to make and distribute bread. As always, Carlos Ramirez gets mixed up in the scheme, and as expected, slapstick havoc ensues. Future MASH costar Jamie Farr appears as a policeman. First telecast on March 20, 1969, "Cast Your Bread Upon the Waters" was written by William Raynor and Myles Wilder. ~ Hal Erickson, All Movie Guide
- 1968
Michael Constantine guest-stars as Juan, a compulsive-and monumentally unlucky-gambler. A sudden upsurge in his fortunes convinces Juan that Sr. Bertrille is his good luck charm. As usual, one thing leads to another, and both the gambler and the nun (what, no radio?) nearly end up facing a stiff prison term. Originally telecast on February 1, 1968, "Sister Lucky" was written by Gene Thompson. ~ Hal Erickson, All Movie Guide
A young widow with three children and a sheepdog marries a widowed man with a young daughter and a French poodle in this amusing comedy. Abby (Doris Day) is the owner of a lumberyard who falls for Jake (Brian Keith) when her sister Maxine (Pat Carroll) introduce the two at a party. The couple is initially reluctant and somewhat embarrassed over the blatant matchmaking attempt but meet later at an all-night store. The two marry and deal with constant canine and sassy sibling rivalries. Jake falls out of the family trailer on vacation, leading Abby to recruit a group of hippies to find her lost husband. Jamie Farr is the far out hippie, Barbara Hershey is Jake's daughter Stacey, comedian George Carlin plays Herbie Fleck, owner of a local hamburger stand, and Alice Ghostley is the harried housekeeper in this engaging romp. The Grass Roots provide some of the music in this feature. ~ Dan Pavlides, All Movie Guide
- Starring:
- Doris Day, Brian Keith, (more)
- 1967
Harry Lucas (Jim Hutton) is a U.S. Mint employee who scrambles to recover $50,000 he accidentally destroyed in this underrated comedy of errors. After he mistakenly throws the money down the garbage disposal, a frantic Harry recruits retired mint employee Pop Gillis (Walter Brennan) to cook up a hot new batch of cold cash. The two have to hire a bunch of colorful crooks to pull off the caper. Soon the money paid out far exceeds the total of the original loss. ~ Dan Pavlides, All Movie Guide
- Starring:
- Jim Hutton, Dorothy Provine, (more)
- 1966
Vito Scotti, Jamie Farr, Francesca Bellini, and Argentina Brunetti guest-star as a band of gypsies who bring their caravan into Mayberry. Correctly assuming that the visitors are less than honest, Andy tells them to leave, whereupon the gypsies place a curse on Mayberry, threatening to create a drought. Armed with "inside" weather information courtesy of a well-hidden shortwave radio, the gypsies are able to coerce the gullible townsfolk into allowing them to stay-but Andy is not quite so easily hoodwinked. Written by Roland MacLane, this episode originally aired on February 21, 1966. ~ Hal Erickson, All Movie Guide
- 1966
This time out, Mr. Mooney (Gale Gordon) is vacationing at a dude ranch. On a mission from the bank, Lucy (Lucille Ball) shows up at the ranch searching for Mooney. She gets lost and wanders into a drought-ridden Indian reservation, where she is mistaken for a long-awaited rain goddess. And she'd better produce rain in a hurry: if it turns out that she's a phony, the tribe's surly chief (Douglas Fowley) has a pair of hot stakes reserved for both her and Mr. Mooney. Watch for a pre-M*A*S*H Jamie Farr as one of the Indian braves. ~ Hal Erickson, All Movie Guide
- Starring:
- Willard Waterman, Douglas Fowley, (more)
- 1966
Contacting the dreaded Martian "Virus M", Tim (Bill Bixby) develops red stripes on his face. Will Detective Brennan (Alan Hewitt) tumble to the fact that Martin (Ray Walston) is the source of this affliction? Nope: Brennan assumes that the red stripes are the result of a virus that Tim brought back from an assignment in Mexico, so he rushes both Tim and Martin to the hospital isolation ward. The trick now is to escape the ward before the staff finds out that Martin is "not of this world". ~ Hal Erickson, All Movie Guide
Told via flashback by a saloon keeper to a census taker in a tiny Texas town, this brutal, adult-oriented western offers the tale of a drifter who settles down to marry a woman he doesn't love so he can get at her inheritance. When that is exposed, the drifter flees and does not return for eleven years. He rides back into town with a fortune that he earned while hunting buffalo. The town's crooked banker and two thugs ride out to greet him. Thinking that the only way the reprobate could have gotten so much money is from rustling cows, they engineer a brutal reception that results in his being branded with a big "T." Naturally, the drifter passes out during his painful ordeal and when he finally comes to and learns the truth about the situation immediately gallops off to get his bloody revenge. ~ Sandra Brennan, All Movie Guide
- Starring:
- Chuck Connors, Michael Rennie, (more)
- 1966
To prevent his sweetheart in Pasaic, New Jersey from marrying a horse-car conductor, Agarn (Larry Storch) sends the girl a letter claiming that he has killed the infamous Apache warrior Geronimo (Mike Mazurki). Alas, Agarn sets him self up for a scalping when Geronimo learns of the deception and goes on the warpath again. Jackie Joseph, then the wife of series regular Ken Berry, appears as Agarn's girlfriend Betty Lou MacDonald. ~ Hal Erickson, All Movie Guide
- 1966
Tony (Larry Hagman) is startled when Jeannie (Barbara Eden) starts fading away before his eyes. It seems that it is the annual Day of the Ramda, and unless Jeannie returns post-haste to ancient Mecca to utter certain sacred words,she will disappear forever. Watch for future MASH regular Jamie Farr and "lovable lush" Foster Brooks in supporting roles. This episode was cowritten by frequent Alfred Hitchcock collaborator James Allardice. ~ Hal Erickson, All Movie Guide
- 1966
In this musical farce, a dim-witted fellow finally gets his chance to become a secret agent like his brother when the former receives an important phone call meant for the latter. He then begins looking into a conspiracy to sabotage an upcoming beach party. He learns of this plot from a concerned teen who over head a fellow who has been "driven mad by rock'n'roll" scheming with another. The film is filled with music from the day's popular stars including: "Malibu Run" (Jim Karstein, Leon Russell, Gary Lewis, T. Leslie, sung by Gary Lewis and the Playboys), "Out on the Floor" (Fred Darian, Al De Lory, sung by Dobie Gray), "She'll Come Back" (Nita Garfield, Howard Kaylan, sung by the Turtles), "Baby Please Don't Go" (Joe Williams, sung by the Astronauts), "It's Not Unusual" (Gordon Mills, Les Reed, sung by the Knickerbockers), "Funny over You" (Freddie Garrity, sung by Freddie and the Dreamers), "A Love Like You" (Quinn & Jones, sung by Freddie and the Dreamers), "What's Her Name," and "Hip City" (Darian, De Lory). ~ Sandra Brennan, All Movie Guide
- Starring:
- Jonathan Daly, Maren Jensen, (more)
- 1966
With the departure of the company cook, O'Rourke (Forrest Tucker) orders Agarn (Larry Storch) to don chef's hat and dish up food for the troopers. The fact that Agarn can't even boil water is inconsequential: O'Rourke intends to turn a huge profit by having Agarn pad his list of supplies. Future M*A*S*H costar Jamie Farr makes a hilarious cameo appearance as Indian comedian Standup Bull {"Take my squaw--please.") ~ Hal Erickson, All Movie Guide
- 1965
To study the aging process of humans, Martin (Ray Walston) pushes his own age forward fron 450 to 850 years--thereby making himself seventy in Earth Years. In this guise, Martin takes a job as a night watchman, and subsequently comes to the rescue of two elderly sisters (Lurene Tuttle, Nydia Westman) who are in danger of losing all their possessions. Unfortunately, "Old Man Martin" also ends up with a stolen sapphire which proves impossible to dispose of no matter how hard he tries! ~ Hal Erickson, All Movie Guide
Filmmaker George Stevens chose Monument Valley, Utah for his exterior sequences in The Greatest Story Ever Told, this ($20 million) adaptation of Fulton Oursler's best-selling book. The "Greatest Story" is, of course, the life of Jesus Christ, played herein by Max Von Sydow. The large supporting cast includes Dorothy McGuire as Mary, Claude Rains as Herod the Great, Jose Ferrer as Herod Antipas, Charlton Heston as John the Baptist, Donald Pleasence as Satan (identified only as "The Dark Hermit"), David McCallum as Judas Iscariot, Sidney Poitier as Simon of Cyrene, Telly Savalas as Pontius Pilate and Martin Landau as Caiaphas. Even Robert Blake as Simon the Zealot, Jamie Farr as Thaddaeus, and motorcyle-flick veteran Richard Bakalyan as Dismas, the repentant thief, are well-suited to their roles. Originally roadshown at 260 minutes, Greatest Story Ever Told was later available in a 195-minute version. ~ Hal Erickson, All Movie Guide
- Starring:
- Max von Sydow, Dorothy McGuire, (more)
