Gary Farmer Movies

In this futuristic adventure, a man gets too enmeshed in virtual reality and ends up with his personality melded to the on-screen persona of Humphrey Bogart. ~ Sandra Brennan, All Movie Guide

A police psychologist and his school-age son become embroiled in the machinations of a mysterious cult religion in this thriller from director John Schlesinger. After his wife is electrocuted in a freak accident, Dr. Cal Jamison (Martin Sheen) and his son, Chris (Harley Cross), move back to Manhattan, where Cal went to school. When not spending time with his son and surrogate extended family -- husband-and-wife anthropologists Kate (Elizabeth Wilson) and Dennis Maslow (Lee Richardson) -- Cal settles into his new job and romances his landlady, Jessica Halliday (Helen Shaver). Soon, though, a series of brutal murders of young children begins to take over Cal's life. Through the ravings of policeman Tom Lopez (Jimmy Smits), who believes the killers have supernatural power over him after stealing his badge, Cal learns of Santeria, a voodoo-like Latin American sect that mixes elements of Christianity and pagan mysticism. Although the religion turns out to have ties to some of the richest men in the city and even Cal's well-meaning maid seems to be a practitioner, he can't get any straight answers as to whether the cult is responsible for the murders. But after a sinister African shaman (Malick Bowens) places a curse on Jessica, Cal finally begins to understand the danger that faces him -- and his son. The Believers was very loosely adapted from Nicholas Conde's 1982 novel The Religion. ~ Brian J. Dillard, All Movie Guide

The road movie gets a smart update with this seriocomic tale of two Cheyenne men traveling from their reservation in Montana to New Mexico. For one of them, Buddy Red Bow (A Martinez), a quick-tempered activist, the journey is a practical one; his sister has been arrested and he is the only family member who can help her out. Buddy has no transportation, so he's forced to ride with Philbert Bono (Gary Farmer), a phlegmatic hulk of a man who is using his 1964 Buick as a vehicle for a spiritual journey of his own. Philbert's easygoing ways and insistence on frequent stops to meditate prove irritating at first to Buddy, but the men reach an accommodation as the trip wears on. Buddy comes to see that blaming the white man and what he sees as system rigged against Native Americans is distracting him from his true mission: to better understand himself and his place in the world. ~ Tom Wiener, All Movie Guide

Director Jack Sholder followed his surprise sleeper hit The Hidden (1987) with this action drama that re-teamed Young Guns (1988) co-stars Kiefer Sutherland and Lou Diamond Phillips. Sutherland stars as Buster McHenry, a Philadelphia cop working undercover as a thief in the gang of wealthy, sadistic Marino (Rob Knepper). When the gang's heist of some diamonds goes awry, a few innocents are shot, and a valuable Native American spear is stolen landing Buster in bureaucratic hot water. Along comes Hank Storm (Phillips), intent upon retrieving the relic of his Sioux tribesmen and avenge the death of his brother. Hank and Buster team up to take Marino down and expose police corruption in the process. ~ Karl Williams, All Movie Guide

An avant-garde painter uses his recently killed victims to reenact famous paintings and finds himself a hit with the art world. No one knows who he is as he only signs his "work" AK for artistic killer. Hot on his trail is a television reporter who lives with a pianist and a performance artist in a loft. Peter, the pianist, is practicing one day when he is mugged by two AK wannabes who place him alive in a giant frame. Later Peter finds himself framed for real when AK starts leaving clues that make it look like the piano player committed the crimes. Things get worse when the cops find an unconscious Peter beside the two corpses of his muggers. Suddenly Nellie, the TV reporter disappears. After that things begin happening very quickly until the killer meets final justice. ~ Sandra Brennan, All Movie Guide

Though it's been a year since her death, Ed (Steve Buscemi) is still pining over his deceased mother (Miriam Margolyes). Enter a firm called Happy People Ltd, which for a hefty fee will bring Ed's mom back to life. He ponies up the money, and miracle of miracles, mother returns. At first all is bliss. But eventually dead old mom begins acting very strangely. Her habit of eating bugs is only the tip of a bizarre iceberg. Can things get any weirder? They do, when Ed's "pal" Rob (John Gries), whom mother had sent to jail during her first life, comes calling. The supporting cast includes the likes of Ned Beatty, John Glover, and Rance Howard (Ron's dad). ~ Hal Erickson, All Movie Guide

The deep bond formed between a troubled nephew and his simple uncle, whose character is reminiscent of Lenny from Of Mice and Men, is the focus of this Canadian melodrama set during the Depression in rural Ontario. Nine-year old Verlin will not talk, or cannot talk. His concerned and overprotective mother takes him to a doctor. She is angry at her husband Ferris whom she believes is indifferent to her boy's plight. When Ferris's child-like brother Henry comes to visit, the boy's life begins to change. Henry spends time with boy and teaches him about life. The two befriend Mabel, a retired, town prostitute with physical disabilities. The three outcasts become very close as they encounter obstacles to their friendship. ~ Sandra Brennan, All Movie Guide

Hosted by Kevin Costner and narrated by Gregory Harrison, the historical documentary 500 Nations, Volume 4: Invasion of the Coast - The First English Settlements portrays America's original inhabitants before and after the Europeans arrived. The film begins in the Arctic where the Inuit culture -- during the search for the Northwest Passage -- is examined. Also featured in the film are the stories of Pocahontas, the Pilgrims, Samoset, Captain John Smith, and the Powhatans. Other episodes in the 500 Nations series include 500 Nations: Removal, 500 Nations: Clash of Cultures, 500 Nations: Attack on Culture, 500 Nations: Cauldron of War, 500 Nations: Roads Across the Plains, and 500 Nations: Mexico. ~ Kathleen Wildasin, All Movie Guide

A dark, bitter commentary on modern American life cloaked in the form of a surrealist western, Jim Jarmusch's Dead Man stars Johnny Depp as William Blake, a newly-orphaned accountant who leaves his home in Cleveland to accept a job in the frontier town of Machine. Upon his arrival, Blake is told by the factory owner Dickinson (Robert Mitchum) that the job has already been filled. Dejectedly, he enters a nearby tavern, ultimately spending the night with a former prostitute. A violent altercation with the woman's lover (Gabriel Byrne), also Dickinson's son, leaves Blake a murderer as well as mortally wounded, a bullet lodged dangerously close to his heart. He flees into the wilderness, where a Native American named Nobody (Gary Farmer) mistakes Blake for the English poet William Blake and determines that he will be Blake's guide in his protracted passage into the spirit world. ~ Jason Ankeny, All Movie Guide

Love, jealousy, revenge and forbidden homosexual passion color this alternately campy and dramatic adaptation of a play by Michel Marc Bouchard. Operating at different levels, the story begins in 1952 inside a Quebec prison chapel where hard-core convict Simon Doucet offers confession to Bishop Bilodeau who has come especially to see him. But no sooner does the Bishop enter the confessional than he is locked in by other inmates and forced to watch them enact gay love scenes from the play The Death of San Sebastian. The story moves backwards to 1912 when Bilodeau and Simon were lusty young boys. Their affair falls apart when Simon takes up with Vallier. This angers Bilodeau who does something terrible in retaliation. Meanwhile, back in the present, Simon attempts to force Bilodeau into owning up to his actions. In keeping with the film's gay themes, all roles, male and female, are portrayed by men. ~ Sandra Brennan, All Movie Guide

This dramatic feature was written, directed, and co-produced by Native Americans. Native American writer Sherman Alexie scripted this adaptation of his 1993 short story collection The Lone Ranger and Tonto Fistfight in Heaven. Director Chris Eyre's previous short Someone Kept Saying Powwow is incorporated into the 88-minute feature. Developed at the Sundance Lab in 1995, the film was a winner of both the Audience Award and the Filmmakers' Trophy at the 1998 Sundance Film Festival. In 1976, an infant survives a fire that kills his parents. In a flash forward to the present day, the infant has grown up to become the skinny, nerdy adult Thomas (Evan Adams). At Idaho's desolate Coeur d'Alene Indian reservation, the overeager youth is mostly ignored by others, including stoic athletic Victor Joseph (Adam Beach), even though it was Victor's father, alcoholic Arnold Joseph (Gary Farmer), who saved the infant Thomas' life in the fire. A drunken Arnold later abandoned his family, and Victor hasn't seen his father in a decade. When Victor learns of Arnold's death in Phoenix, Thomas offers to pay for the trip to Phoenix if he can accompany Victor. They make an odd couple since Victor is embarrassed by Thomas' geekiness. In Phoenix, they find that Arnold lived in a small trailer in the desert, and they meet Arnold's friend Suzy Song (Irene Bedard), who provides disturbing truths about Arnold that impact on Victor. ~ Bhob Stewart, All Movie Guide

A surreal crime drama told as only Jim Jarmusch could, Ghost Dog: The Way of the Samurai stars Forest Whitaker as Ghost Dog, a hit man living in an unidentified but run-down city in what license plates call "The Industrialized State." Known for his gift of being able to come and go without people noticing him, Ghost Dog is a self-taught samurai who is obsessed with order and his strict personal moral code, drawn from the philosophies of the Japanese warriors. As every samurai needs a leader to whom he swears loyalty, Ghost Dog has devoted himself the service of Louie (John Tormey), a low-level crime boss who once saved his life. When Louie's superiors decide he must be executed, Ghost Dog leaps into action, methodically wiping out his many enemies. Along with a dizzying series of stylized shoot-outs, Ghost Dog also features carrier pigeons, characters who read Rashomon, a French-speaking ice cream man, and a score by RZA from the top-selling hip-hop group Wu-Tang Clan, who have their own well-documented obsession with Asian culture. Ghost Dog was screened in competition at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Veteran Canadian filmmaker Mort Ransen follows the critical and commercial success of Margaret's Museum (1995) with this unusual romance between a young man and a much older woman in the backwaters of British Columbia. Carrie (Lynn Redgrave) is an aging, hard-drinking widow. Her estranged daughter Sylvie (Lolita Davidovich) is trying to sell Carrie's café, the locals are trying to kick Carrie out of her house, and Carrie's dead husband's friend Burt is making romantic advances on her. All seems bleak until a dashing young stranger named Shawn (Tygh Runyan) suddenly ingratiates himself into Carrie's house, life, and eventually her bed. Soon she awakens from her drunken tailspin and reaches out to her daughter. Though Shawn seems utterly unfazed by the 40-some year gulf between he and Carrie, he also proves to be deeply unbalanced. This film was screened at the 1999 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide