Gary Farmer

Luke Kirby and Keith Carradine star in director Leonard Farlinger's adaptation of author Brad Smith's laid back neo-western novel. Ray Dokes (Kirby) has just been released from prison, and now as the laconic ex-con makes his way back home he is stunned to see just how much progress has transformed the countryside of his youth. Looking to lie low for a while, Ray heads to the farm of his good friend Pete Culpepper (Keith Carradine). A garrulous farmer who's drowning in debt, Pete is a true Texas cowboy whose corn seems too stubborn to grow this season. The first order of business for Ray is to visit his old flame Etta (Lisa Ray, but things have gotten complicated since Ray was put away and making his way to the woman he loves isn't going to be nearly as easy as he had hoped. Soon after hooking up with firebrand jockey Chrissis (Rachel Leigh Cook), Ray discovers that his old nemesis Sonny Staunton (Noam Jenkins) - the wealthy heir to a thoroughbred dynasty - is currently attempting to buy up as much farmland as possible in order to start breaking ground on a luxurious new golf course. It seems that Etta is the only member of the rural community bold enough to stand up against Sonny, but when a valuable thoroughbred goes missing from Staunton Stables the desperate entrepreneur forces the sale of the area's few remaining farms. Realizing the danger of contending with such a powerful and determined man (after all, it was Sonny who got Ray locked away in the first place), Ray does his best to sideline Sonny's nefarious plan and save the remaining farmlands without making the one false move that could land him back in jail. ~ Jason Buchanan, All Movie Guide

Longtime actor/songwriter Kris Kristofferson stars as a whiskey-smuggling schemer desperate to preserve his endangered cattle herd in director Jay Craven's adaptation of Howard Frank Mosher's best-selling novel. The year is 1932; Prohibition is still in place, and smuggling whiskey has long been a profitable tradition in the Bonhomme family. When the coming winter threatens to decimate Quebec Bill Bonhomme's (Kristofferson) cattle heard and render his family destitute, the desperate dreamer and reluctant whiskey runner finally decides to carry on the family tradition. With his 14-year-old son, Wild Bill (Charlie McDermott), in tow, Quebec Bill sets out on a wild ride through Vermont's sprawling Northeast Kingdom that will expose the age-old mysteries of the Bonhomme family to the cold light of winter, and serve as an unforgettable rite of passage for the young adolescent currently teetering on the cusp of manhood. ~ Jason Buchanan, All Movie Guide

Writer/director Enid Zentelis makes her feature-length debut with the coming-of-age drama Evergreen, shot on-location in Seattle, WA. Teenager Henri (Addie Land) and her single mother Kate (Cara Seymour) move in with Henri's grandmother (Lynn Cohen) in a crumbling old house. Kate works at a factory but the working-poor household just barely gets by. Henri goes to a new school and meets Chat Turly (Noah Fleiss), a wealthy boy from an upscale family. Welcomed with open arms, Henri falls in love with the Turly family (Mary Kay Place and Bruce Davidson) and all the material comfort that their lifestyle affords. Envy of this new family causes her to have shame for her own roots. John Stirratt from Wilco and Uncle Tupelo contributes to the musical score with his band the Autumn Defense. Evergreen premiered at the Sundance Film Festival in 2004 as part of the dramatic competition. ~ Andrea LeVasseur, All Movie Guide

When gunshots ring out in a tragic roadside shooting, police officer Delbert Nez winds up dead. His close friend Officer Jim Chee (Adam Beach) is the first on the scene, and upon spotting an elderly, drunken Navajo Shaman named Ashie Pinto (Jimmy Herman) with the murder weapon tucked in his belt, he takes the man into custody as the prime suspect. Though Pinto does not confess to the crime, the case against him is strong, and Detective Joe Leaphorn (Wes Studi) begins to look into the case at the behest of his wife, Emma (Sheila Tousey) -- who remains staunchly convinced that her relative was set up. As Chee and Leaphorn investigate the case, they are troubled to discover a number of inconsistencies in the murder. How did Pinto get to the scene of the crime when he has no means of transportation? And how could the elderly Pinto be the man that Officer Nez said he apprehended as a vandal in his final communication to police headquarters? When their investigation leads Chee and Leaphorn to a local trading post run by a shady man named John McGinnis (Keith Carradine), the case soon begins to come into focus as the body count rises and the spirit of the coyote lurks in the shadows awaiting its next victim. ~ Jason Buchanan, All Movie Guide

In Deepa Mehta's poignant and heartbreaking romance, Emilia Fox plays Fay, a generally content, thirtysomething Torontoite suffering in a relationship of quiet desperation with her boyfriend; Bruce Greenwood is Tom Avery, a loser in the ways of romance with three broken-hearted marriages behind him, who hosts a late-night call-in radio program. The two meet and grow deeply smitten with one another, but must ultimately learn to accept one another unconditionally. Life seems just about perfect, until an unforeseen calamity challenges everything Fay has come to rely on as stable and solid. Mehta adapted the novel of the same title by Canadian author Carol Shields. ~ Nathan Southern, All Movie Guide

Filmmaker Chris Eyre, who directed the independent success story Smoke Signals -- one of the first motion pictures directed by, written by, and starring Native American talent -- offers another look at contemporary Native American culture in this hard-hitting drama. Rudy (Eric Schweig) and Mogie (Graham Greene) are two brothers living on the Pine Ridge Indian Reservation in South Dakota. Located in the poorest county in the United States, joblessness and alcoholism are all-too-common facts of life in Pine Ridge, and Rudy and Mogie represent opposite ends of the scale of fortune. Mogie, a Vietnam veteran who came home emotionally scarred by the war, has a severe drinking problem and can't relate to his teenage son Herbie (Noah Watts), while Mogie's younger brother Rudy has struggled to better himself, and as a law enforcement officer is a respected member of the Pine Ridge community. But while Rudy is determined to do something positive for his town, he feels there's only so much he can do as a lawman, and in his off-hours he's become a vigilante, roughing up people whom he believes are helping to bring down Pine Ridge, and plotting to blow up a nearby liquor store that profits from the widespread alcoholism that has destroyed the lives of so many of his people, including his brother. Skins received its world premier at the 2002 Sundance Film Festival. ~ Mark Deming, All Movie Guide

Three generations of method acting giants unite for this crime thriller written by Kario Salem and directed by Frank Oz. Robert De Niro stars as Nick Wells, an aging thief whose specialty is safecracking and who is on the verge of retiring to a life of ease, running his jazz club and romancing his girlfriend Diane (Angela Bassett). But before he can ride off into the sunset, Nick is pressured to do one last job by his mentor and business partner, a flamboyant and extravagant upscale fence named Max (Marlon Brando). Max is plotting the heist of the Montreal Customs House, and he's got a man on the inside, Jackie Teller (Edward Norton), a talented but volatile crook who has managed to ingratiate himself with the facility's staff as a fellow employee suffering from cerebral palsy. Jackie bristles at Nick's interference in "his" score, however, and threatens violence when it seems he's going to be cut out of the action. In the meantime, Nick grows increasingly ill at ease about the operation, as it violates his two most important dictums in thievery: always work alone and never pull a job in your own city. The part of Max in The Score was written specifically for Brando by screenwriter Salem, although the improvisational star and his director Oz reportedly clashed during filming. ~ Karl Williams, All Movie Guide

Veteran Canadian filmmaker Mort Ransen follows the critical and commercial success of Margaret's Museum (1995) with this unusual romance between a young man and a much older woman in the backwaters of British Columbia. Carrie (Lynn Redgrave) is an aging, hard-drinking widow. Her estranged daughter Sylvie (Lolita Davidovich) is trying to sell Carrie's café, the locals are trying to kick Carrie out of her house, and Carrie's dead husband's friend Burt is making romantic advances on her. All seems bleak until a dashing young stranger named Shawn (Tygh Runyan) suddenly ingratiates himself into Carrie's house, life, and eventually her bed. Soon she awakens from her drunken tailspin and reaches out to her daughter. Though Shawn seems utterly unfazed by the 40-some year gulf between he and Carrie, he also proves to be deeply unbalanced. This film was screened at the 1999 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

A surreal crime drama told as only Jim Jarmusch could, Ghost Dog: The Way of the Samurai stars Forest Whitaker as Ghost Dog, a hit man living in an unidentified but run-down city in what license plates call "The Industrialized State." Known for his gift of being able to come and go without people noticing him, Ghost Dog is a self-taught samurai who is obsessed with order and his strict personal moral code, drawn from the philosophies of the Japanese warriors. As every samurai needs a leader to whom he swears loyalty, Ghost Dog has devoted himself the service of Louie (John Tormey), a low-level crime boss who once saved his life. When Louie's superiors decide he must be executed, Ghost Dog leaps into action, methodically wiping out his many enemies. Along with a dizzying series of stylized shoot-outs, Ghost Dog also features carrier pigeons, characters who read Rashomon, a French-speaking ice cream man, and a score by RZA from the top-selling hip-hop group Wu-Tang Clan, who have their own well-documented obsession with Asian culture. Ghost Dog was screened in competition at the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Terry O'Brien scripted and made his directorial debut with this low-budget ($100,000) Canadian comedy-thriller set in upstate New York and Ontario, Canada. Attractive Joey (Lisa Ryder) leads a group of small-time criminals into a plot to kidnap the daughter of self-help guru Robert Buchanon (Randy Hughson), but in the Fargo tradition, the kidnapping goes askew and begins to unravel. Shown at the 1998 Hollywood Film Festival. ~ Bhob Stewart, All Movie Guide

Love, jealousy, revenge and forbidden homosexual passion color this alternately campy and dramatic adaptation of a play by Michel Marc Bouchard. Operating at different levels, the story begins in 1952 inside a Quebec prison chapel where hard-core convict Simon Doucet offers confession to Bishop Bilodeau who has come especially to see him. But no sooner does the Bishop enter the confessional than he is locked in by other inmates and forced to watch them enact gay love scenes from the play The Death of San Sebastian. The story moves backwards to 1912 when Bilodeau and Simon were lusty young boys. Their affair falls apart when Simon takes up with Vallier. This angers Bilodeau who does something terrible in retaliation. Meanwhile, back in the present, Simon attempts to force Bilodeau into owning up to his actions. In keeping with the film's gay themes, all roles, male and female, are portrayed by men. ~ Sandra Brennan, All Movie Guide

A young Lakota Sioux, adopted by a wealthy Jewish couple in Beverly Hills, gets in touch with his cultural roots and solves a mystery in this thriller. Because of his upbringing, Jesse Rainfeather Goldman knows almost nothing of Native American traditions. He is doing his internship when he suddenly receives an amulet from the Lakota reservation in Sioux City. It is from his real mother. Jesse's curiosity is piqued and he immediately travels to his birthplace to learn why she sent it. Unfortunately, by the time he arrives, his mother's body is discovered in the smoldering wreckage of her home. She was shot before she was burned. Jesse's investigation into her death is not welcomed by the local captain of police and his assistant. He is almost beaten to death, but is saved by his grandfather, a shaman, and a Lakota woman. The newly healed Jesse begins to explore his tribe's customs. He then contacts his mother's spirit and she leads him to the film's conclusion. ~ Sandra Brennan, All Movie Guide