Glen Winter Movies

Prolific actor/director Charles Martin Smith takes the helm for this lighthearted adventure comedy recounting the theft of the Stone of Scone from Westminster Abbey. Based on the memoirs of Ian Hamilton, Stone of Destiny follows the determined student's reckless quest to make the ultimate symbolic gesture for Scottish independence. Charlie Cox stars in a film featuring Robert Carlyle, Billy Boyd, Stephen McCole, and Kate Mara. ~ Jason Buchanan, All Movie Guide

Home Improvement's Richard Karn lends his talents to this family-oriented animal-sports adventure from the producers of another animal-sports picture, Air Bud. MVP II: Most Vertical Primate picks up the story line of the first film in the series, MVP: Most Valuable Primate, but transfers its star monkey from the suburbs to the city, and switches his sport of choice from hockey to skateboarding. MVP II opens with the lovable Jack being ousted from his hockey team, the Seattle Simians, and having to hit the road after being falsely accused of league misconduct. Jack ends up in the city, where he's befriended by Ben (screen newcomer Scott Goodman), a homeless skateboarder, and Ollie (Karn), a skate shop owner. Jack proves to be as adept at mastering the half-pipe as he does at delivering a slap shot, and before long, he and Ben are crashing amateur skateboarder competitions all over the country. ~ Michael Hastings, All Movie Guide

"What was life like for Superman before he grew up to be Superman?" That was the questioned posed, and brilliantly, answered, on the weekly sci-fi/adventure series Smallville, the WB network's most successful new program of the 2001-2002 TV season. Without wreaking undue damage on the sacred Superman legend, as set down by 65 years' worth of comic books, radio series, TV shows, and movies, Smallville artfully wove its own mythos concerning the early years of Clark Kent -- not yet "the man of steel" Superman, but born Kal-El, "strange visitor from another planet" (namely, the doomed planet Krypton). The first episode, telecast October 16, 2001, rapidly established the fact that the child Kal-El's arrival on Earth in the year 1989 profoundly affected virtually the entire population of Smallville, a tiny Kansas farming community. The spacecraft bearing the alien toddler arrived at the same time as a cataclysmic meteor shower, which all but devastated Smallville. Among other things, the meteor bombardment brought about the deaths of the parents of little Lana Lang, and rendered completely hairless nine-year-old Lex Luthor, son of ruthless billionaire businessman Lionel Luthor. Though Lana was able to put the tragedy behind her thanks to the loving care of her aunt Nell (Sarah-Jane Redmond), Lex's sudden and spectacular hair loss left him cynical and suspicious of humankind in general, and his grasping father in particular. On a happier note, childless farming couple Jonathan and Martha Kent (John Schneider, Annette O'Toole) rescued Kal-El, renamed him Clark, and raised him as their own son.

As the years passed, it was painfully obvious that Clark (played in his teen years by Tom Welling), possessed Herculean strength and other powers "far beyond those of mortal men." To protect their adopted son from being exposed as an alien, and to prevent others from being accidentally injured by the boy's superstrength, Martha and Jonathan kept Clark from indulging in youthful horseplay, and refused to allow him to participate in contact sports. As a result, Clark earned a reputation as something of a namby-pamby nerd -- and his own growing realization that he was different from his peers kept him perpetually on the outside looking in, a natural-born loner. Which is not to say that Clark didn't have his own circle of friends at Smallville High School. Lana Lang (played as a teen by Kristin Kreuk), who had matured into the campus queen, regarded Clark as a loyal and faithful friend -- but, much to Clark's dismay, she reserved her romantic feelings for high school jock Whitney Fordman (Eric Johnson), who, thanks to a series of neat coincidences, tended to get the credit for the heroics performed by Clark (which of course, young Mr. Kent was bound not to claim as his own lest his secret be revealed). Conversely, fellow student Chloe Sullivan (Allison Mack), a budding paranormal investigator who wrote for the Smallville High newspaper, the Torch, harbored a hidden crush on Clark. Our hero's best bud was the shy and self-effacing Pete Ross (Sam Jones III), who like everyone else in Smallville could not help but notice that strange things happened whenever Clark was around, but who seldom questioned these happenings for fear of damaging their friendship. As for Lex Luthor (played as an adult by Michael Rosenbaum), several years Clark's senior, he lived the life of a swinging bachelor in his family mansion, while dad Lionel (John Glover) wheeled and dealed from his headquarters in the city of Metropolis. A firm friend of the young Kent since Clark saved his life, Lex had his share of good and noble impulses, but they were often mitigated by his inbred avariciousness and lust for power -- and his overpowering desire to wrest the family business from the grasp of his father.

During season one, Lex had a fling with sexy Victoria Hardwick (Kelly Brook), but their romance fell victim to his self-absorption. And though Clark generally got along with Lex, the same could not be said for Jonathan Kent, who (not without reason) felt that the Luthor family's business ambitions posed a threat to Kent and his fellow farmers. Also muddying up the Luthor legacy was the cache of kryptonite -- the green, glowing element indigenous to Clark Kent's home planet -- which was kept on the premises of Smallville's LutherCorp plant. As everybody familiar with the Superman canon knows, kryptonite has an adverse and possibly deadly effect on Clark; in this series, the mineral also brought out the worst in everyone else who came in contact with it. The first season of Smallville studiously avoided any mention of Clark's future alter ego, Superman, though the viewers would see the young misfit painfully adjusting to his awesome powers, some of which (such as his x-ray vision) were brand-new to him. Also, several episodes placed those closest to him in dire jeopardy, forcing him to utilize his powers without giving himself away -- and in at least a couple of cases, Clark's friends would themselves develop temporary superpowers that they too had to learn to properly deploy. Along the way, Clark's campus rival, Whitney Fordham, would leave Smallville after a series of daunting personal setbacks, joining the Marines to see the rest of the world. Like many another network series of its ilk, Smallville closed out its initial season by setting up a cliffhanger, to be resolved at the beginning of season two. In this case, the "to be continued" elements involved the first kiss between Clark and Chloe, a potential unholy alliance between Lex and Lionel Luthor, a startling discovery made by an unscrupulous big-city news reporter named Roger Nixon (Tom O'Brien), and a devastating tornado that threatened to bump off the helpless Lana Lang. ~ Hal Erickson, All Movie Guide

Filmed on location in Cannes and Vancouver, this made-for-cable comedy/mystery spotlights Third Rock From the Sun's French Stewart as Nathan Booth, former star of a TV cop series. Arriving at the titular film festival for the premiere of his latest picture, Nathan instead finds himself the principal suspect in a perplexing murder case. Much to the dismay of the local constabulary, Nathan takes it upon himself to investigate the case, using the "vast expertise" of his old scriptwriters as his guide. Taking innumerable satiric potshots at vain actors, mercenary producers, sharkish publicists, and self-enamored European movie critics, the film manages to get most of the laughs that it aims for, though the mystery angle is sometimes lost in the excitement. Produced by Merv Griffin (who also appears more or less as "himself"), Murder at the Cannes Film Festival debuted December 17, 2000 over the E! Entertainment cable service. ~ Hal Erickson, All Movie Guide

A brush with death causes a woman to see into the world in a different way in this psychological thriller from Canada. A young woman writing for a tabloid (Cynthia Preston) is working with a veteran reporter (Christopher Lloyd) on a story about a patient at a mental hospital who claims to be able to predict people's deaths. The woman finds herself flashing back to a plane crash in which she was nearly killed and recalling a series of unusual events that occurred in its wake. Soon she begins to wonder if these things may be linked in some way. ~ Mark Deming, All Movie Guide

Writer-director Kirsten Clarkson's exploration of the art world and music scene was made with a rock-bottom budget but much high energy. After artist Delilah Miller (Holly Ferguson) makes the mistake of latching onto irresponsible rock musician Ryland Yale (Todd Kerns), spoiled offspring of a wealthy family, their affair goes progressively downhill. Delilah is hooked on Ryland, and Ryland is hooked on heroin. There must be some way outta here, and soon Delilah finds Jesus as a solution. She also looks up her former female lover, Lily Hiroshima (Victoria Deschanel). Hope is always on the horizon, but Delilah is directionless and discovers the gritty detours that scrape emotions raw. This Canadian film was shown at the 1997 Hollywood Film Festival. ~ Bhob Stewart, All Movie Guide