Morgan Farley Movies

In this carefree children's adventure, a grandfather and his grandson fulfill the former's life-long dream and embark upon a cross-country ballon flight. Back on the distant ground, the flyers are pursued by the boy's mother, the cops, the Feds, and others. ~ Sandra Brennan, Rovi

Tim Matheson is Dreamer in this Rocky-like inspirational drama. Instead of boxing, the sport in question is bowling. "Dreamer" is a ten-pin whiz in his small town, but can he make it in the Big Time? In his favor, he has the help of irascible manager Jack Warden and faithful girlfriend Susan Blakeley. As if to boldly underline the resemblances between Dreamer and its cinematic role model, the musical score is by Rocky's Bill Conti. If you like bowling, Dreamer should be right up your...right up your.... ~ Hal Erickson, Rovi

Opting for light entertainment after the critical satire of Shampoo (1975), producer-director-writer-star Warren Beatty remade the 1941 comic fantasy Here Comes Mr. Jordan. Dimly amiable L.A. Rams quarterback Joe Pendleton (Beatty) is prematurely called to Heaven by an over-eager escort (Buck Henry, who co-directed) after a traffic accident. When archangel Mr. Jordan (James Mason) discovers the error, he offers to return Joe to his body, only to find that it has been cremated. On the verge of playing in the Super Bowl, Joe demands a fit body rather than the old about-to-be-murdered industrialist Farnsworth he has been offered, but he reconsiders when he sees environmentalist Betty Logan (Julie Christie) in Farnsworth's house. Assuming Farnsworth's body while keeping his sweet self, Joe hires his beloved coach Max Corkle (Jack Warden) to get him in shape (after convincing Max who he really is), sets Farnsworth's business on an eco-friendly path, and romances Betty. Farnsworth's homicidal wife (Dyan Cannon) and secretary (Charles Grodin), however, are still determined to succeed in their plan to kill him. When Mr. Jordan finally finds the Super Bowl body Joe wanted, Joe has to trade his old self for the new life -- but will he remember his love for Betty? Heaven Can Wait offered contemporary yet old-fashioned escapism and tapped into the late-1970s vogue for nostalgic fun, becoming one of 1978's most popular summer movies after Grease. Updating the original while following its blueprint, Beatty and co-writer Elaine May switched Joe's sport and turned Joe into a man of his '70s moment, adoring Betty for her convictions and favoring "green" policies over corporate greed. Gently breathing life into a classic form, Heaven Can Wait found romantic innocence in a jaded time, and it went on to receive nine Oscar nominations, including Best Picture. ~ Lucia Bozzola, Rovi

Ingredients essential to this made-for-TV movie are a famous former pro football player, an interracial romance, and a brutal murder. Yes, the football player is O.J. Simpson, but the film was made a full 17 years before the death of Nicole Brown Simpson. In A Killing Affair, Simpson is cast as police detective Woody York, who is partnered with white female cop Viki Eaton (Elizabeth Montgomery) to solve a mysterious killing. In the course of the assignment, Woody and Viki fall in love. Also known as Behind the Badge, A Killing Affair premiered September 21, 1977, on CBS. ~ Hal Erickson, Rovi

Peter Bogdanovich's early career as a film writer stood him in good stead for this comedy drama about the early days of the motion-picture industry, based in part on his interviews with pioneering directors Raoul Walsh and Allan Dwan. Leo Harrigan (Ryan O'Neal) is a lawyer and Buck Greenway (Burt Reynolds) is a cowboy and gunman. Both are sent to California to shut down a renegade group of silent-movie makers -- financed by blustery H.H. Cobb (Brian Keith) -- who are in violation of the Motion Picture Patents Co. Trust. Harrigan and Greenway somehow find themselves working with the movie crew instead of shutting them down; they join forces with cameraman Franklin Frank (John Ritter), leading lady Kathleen Cooke (Jane Hitchcock), and precocious prop girl Alice Forsyte (Tatum O'Neal). Greenway becomes a star and Harrigan a respected director, but both battle over the affections of Cooke. Incidentally, Cobb's big speech near the end is taken almost verbatim from a quote given to Bogdanovich in an interview with actor James Stewart. ~ Mark Deming, Rovi

Mob functionary Harry Scheller (Rene Santoni) has stolen the incriminating ledger of loan shark Johnny Sutton (Peter Mark Richman). Scheller's plan is to use the document to fatten his wallet, but he may not live long enough to do so. FBI inspector Erskine (Efrem Zimbalist Jr.) scrambles to catch up with Scheller before the Mob does. Among the supporting players is Arlene Golonka, fresh from a three-year stint as "Millie" on Mayberry RFD. ~ Hal Erickson, Rovi

This time it's personal for IMF agent Barney Collier: His brother Larry (Marc Hannibal), a crusading newspaper editor has been murdered at the behest of a crooked police chief. Larry had been on the verge of proving the chief's connection with a ghetto gang that is in the employ of the Syndicate. To help Barney avenge Larry's death, the IMF masterminds a trap for the corrupt cop and his Syndicate higher-up. Hari Rhodes and Abbey Lincoln are among the guest stars in "Cat's Paw", which was written by Howard Browne and was first broadcast on January 9, 1971. ~ Hal Erickson, Rovi

Joseph L. Mankiewicz directed this exquisite version of William Shakespeare's play. Louis Calhern is Julius Caesar, whose conquests have enabled him to rise to the status of Roman dictator. But his ascent to almost God-like status has given pause to influential members of the Roman Senate. Chief among them is Cassius (John Gielgud), who is troubled by Caesar's popularity and dictatorial status. Convinced that Caesar's assassination would be the best thing for Rome, he conspires with Casca (Edmond O'Brien) and the influential Brutus (James Mason) to plot Caesar's murder. Despite dark omens, Caesar walks confidently into the Roman Senate, where he is stabbed to death by the conspirators. His companion Marc Antony (Marlon Brando) is shocked and runs to the corpse of his beloved friend. He agrees to support Brutus while an unruly mob gathers in front of the Senate doors, having heard rumors of Caesar's assassination. Brutus convinces the mob that Caesar's death was for the good of Rome, preventing him from forming a monarchy. Then Antony appears, determined to destroy the conspirators; he delivers a speech that subtly damns the assassins. With the mob against them, the conspirators are forced to flee Rome and Antony organizes an army against them. ~ Paul Brenner, Rovi

Jean Simmons' fascinating interpretation of an uncharacteristic role is the main drawing card of Otto Preminger's Angel Face. The daughter of Charles Treymayne (Herbert Marshall), who remarried a wealthy woman (Barbara O'Neil), Diane Treymayne's (Simmons) angelic countenance masks an unbridled psychotic who'll let nothing stand in the way of her happiness. Diane arranges for Catherine's death, making it look like an auto accident. Coveting family chauffeur Frank Jessup (Robert Mitchum), Diane steals Frank away from his sweetheart Mary (Mona Freeman) and forces him to become her spiritual accomplice in her stepmother's murder. And when Diane finally realizes that she'll never, ever, be able to hold Frank, she... well, enough said. If Angel Face doesn't look like a typical early-1950s RKO Radio film, it may be because its director was borrowed from 20th Century-Fox, and its cinematographer (Harry Stradling) was a loan-out from Sam Goldwyn. ~ Hal Erickson, Rovi

This 20th Century-Fox programmer stars Anne Baxter and Macdonald Carey as husband and wife, both passengers on an airliner. When the plane develops serious engine trouble, it looks like the end for everyone on board. Certain that he's facing an imminent demise, Carey confesses to Baxter that he's had an affair with her best friend (Catherine McLeod). Baxter mulls over several potential revenges in her mind, casting herself as various famous women of history. The plane lands safely, at which time Baxter learns that the "affair" was nothing more than a discreet flirtation. So much for the 87-minute shaggy dog story which calls itself My Wife's Best Friend. ~ Hal Erickson, Rovi

Based on a play by Fay Kanin, this comedy drama follows a successful congresswoman's emotional journey back to her alma mater. When Agatha Reed (Joan Crawford) is offered an honorary degree at her former college, she is forced to remember the reason she was expelled to begin with. Nearly twenty years prior, Agatha (Crawford) had an affair with Dr. James Merrill (Robert Young), one of her professors. After her departure, Dr. Merrill (Young) slowly rose through the ranks, eventually becoming the president of the school. Despite having left under less than desirable circumstances, Agatha is excited to see him and hopes to rekindle their relationship. Meanwhile, newspaper reporter Matt Cole (Frank Lovejoy), not only follow's Agatha to her former university, but unsucessfully proposes marriage. Unfortunately for him, the alumna's eyes are set firmly towards her old flame. However, once Matt (Lovejoy) and Agatha team up in a passionate attempt to update the school's outdated curriculum, she realizes who she truly loves. ~ Tracie Cooper, Rovi

Mona Freeman plays Bonnie Lee, who is--surprise!--not the Lady from Texas in this well-constructed Universal western. A lowly kitchen helper at a large ranch, Bonnie seeks the aid of self-styled do-gooder Dan Mason (Howard Duff). It seems that Bonnie's elderly friend Miss Birdie (Josephine Hull) is in danger of being victimized by villains Cyril and Mabel Guthrie (Craig Stevens, Barbara Knudson). Mason is reluctant to help out until he gets to know Miss Birdie, a feisty Civil War widow who refuses to believe that her husband has been dead these 20 years. Guthrie tries to have Miss Birdie declared incompetent so that he can claim her land, but Mason isn't about to let that happen. Thus it is that Josephine Hull, fresh from her Oscar win for Harvey, is the titular Lady From Texas, even though she's contractually consigned to third billing. ~ Hal Erickson, Rovi

Gold-mine operator "Boss" Kruger (Raymond Massey) has certainly earned his nickname. A frontier dictator, Kruger runs his mine like a prison colony; indeed, most of the workers are fugitives from justice, given dubious "protection" by Kruger. Two of the laborers are Judith Burns (Ruth Roman) and Bob Peters (Dane Clark), both on the lam from the law. Judith and Bob befriend lawyer Milburn (Robert Douglas), who seeks to prove that Kruger is a murderer. A bit too talky for the tastes of most western fans, Barricade redeems itself with a spectacularly violent conclusion. ~ Hal Erickson, Rovi