Antonio Fargas Movies

After several years working along the margins of the underground film scene in New York, director Robert Downey broke through to wider recognition with the arthouse hit Putney Swope, a wildly irreverent satire of race and advertising in America. Putney Swope (Arnold Johnson) is the token African-American executive at an otherwise all-white advertising agency when the chairman of the board unexpectedly drops dead. Through a fluke in the chain of command, Swope becomes the new head of the firm, and decides its time to do things his way. He fires nearly all the staff (except for his one token white employee), renames the agency Truth and Soul, Inc., and announces they'll no longer accept accounts advertising tobacco, alcohol, or war toys. The ads they do produce -- for acne remedies and breakfast cereal, among other things -- are wildly successful, and the iconoclastic ad agency (which only accepts payment in cash) is targeted by government operatives as a threat to the national security. Antonio Fargas and Allen Garfield lead the supporting cast; Mel Brooks makes a cameo appearance. ~ Mark Deming, All Movie Guide

This allegorical film by Robert Downey finds humans all playing the role of animals in cages as they wait to be gassed. Flashbacks are used to tell the character's fantasies outside the cage. It is hard to tell if the characters are supposed to be animals, although a depressed prized fighter plays a boxer and a bald man is supposedly a Mexican hairless. Robert Downey Jr. makes an early film appearance as a puppy. ~ Dan Pavlides, All Movie Guide

Richard Roundtree cuts a startlingly new and powerful heroic figure as John Shaft, "the cat who won't cop out, when there's danger all about" in Gordon Parks' seminal action film, Shaft. John Shaft is a black private eye with a small office near Times Square. On his way there one day, he gets pumped for information by Lt. Victor Androzzi (Charles Cioffi), a friend of his on the police force, about something big going down in Harlem involving black crime kingpin Bumpy Jonas (Moses Gunn). Shaft can't help him and leaves, only to just miss being waylaid by two of Bumpy's strong-arm men at his office, one of whom ends up dead on the pavement eight floors or so below. Squeezed by the cops, who are holding a potential manslaughter arrest over his head, Shaft contacts Bumpy, who reveals that his teenage daughter, whom he's always kept away from his business, has been kidnapped. There's been no ransom demand and no clue as to who did it, and he wants Shaft to find the culprits, insisting that he start with a group of Harlem-based black militants led by Shaft's onetime friend Ben Buford (Christopher St. John). No sooner does he find Buford, holed up in a decaying part of Harlem, however, than his friend's comrades are mowed down by submachine gun fire, and Shaft and Buford barely escape. With Shaft angry and out for blood, everyone is forced to come clean -- Bumpy knows that it's the Mafia that kidnapped his daughter, as they want in on the Harlem drug trade that he controls; they're holding her somewhere else outside of Harlem, where his men are no good to him, which is why he wanted Shaft to hook up with Buford. Androzzi tells Shaft that a dozen Mob trigger men from out of town have been spotted in Greenwich Village. He doesn't know why they're there, but he does know that if fighting breaks out between Bumpy's men and the Mafia, it's going to look like a race war, and the whole city could erupt. Shaft doesn't like the way he's been manipulated, but he sees Androzzi's point -- he links the trigger men to the kidnapping and finds the girl, but loses her again, getting shot in the process. Even though he's wounded, Shaft heads for a final confrontation with the kidnappers, supported by Ben's friends in an armed assault on the building where they're holed up. ~ Bruce Eder, All Movie Guide

Across 110th Street is a violent urban thriller about a corrupt, older white cop (Anthony Quinn) and an honest, young African-American cop (Yaphet Kotto) chasing three robbers-cum-murderers who ran away with $300,000 that belonged to the Italian mob. The police must find them before the sadistic Mafia henchman Nick D'Salvio (Anthony Franciosa) reaches them first. The film has reached a cult status; the title song, performed by Bobby Womack, was later used in Jackie Brown, Quentin Tarantino's extended homage to the crime flicks of the 1970s. ~ Yuri German, All Movie Guide

Tamara Dobson stars as Cleopatra Jones in Jack Starrett's blaxploitation programmer that, in its own way, deals effectively with the ravages of drugs in inner-city black communities. Cleopatra Jones is a jive female James Bond, a special drug agent for the United States government who wears sleek and hip clothes, drives a fancy car with a submachine-gun compartment in the front door, and travels all over the world to stomp out drugs at their source. Cleopatra has a loving relationship with Ruben (Bernie Casey), the well-meaning head of a drug rehabilitation clinic in Los Angeles. When Cleopatra travels to Turkey to oversee the destruction of poppy fields owned by Mommy (Shelley Winters) -- a lesbian drug dealer -- Mommy becomes upset. She exacts her revenge on Cleopatra by having the police close down Ruben's drug clinic. Nevertheless, Cleopatra continues to wreak havoc upon Mommy's drug business, and Mommy continues to try to do Cleopatra in, until finally there is a major confrontation between Cleopatra and Mommy and her minions. ~ Paul Brenner, All Movie Guide

Peter Hyams made his feature-film directing debut with this clumsily paced crime film concerning two Los Angeles vice-squad detectives. Michael Keneely (Eliott Gould) is the swaggering non-conformist and Patrick Farrel (Robert Blake) is the cocky follower. The two cops live for their work and spend most of their time busting call girls, massage parlor employees, and homosexuals. Keneely and Farrel eventually come to the conclusion that every criminal act in Los Angeles is due to the efforts of crime lord Carl Rizzo (Allen Garfield). The boys begin to harass Rizzo to the point of distraction, but their singular attempts to arrest Rizzo cause them to become the targets of, not only the criminal population, but the police force as well. ~ Paul Brenner, All Movie Guide

Blaxploitation icon Pam Grier stars as Foxy Brown, a sexy but streetwise woman whose ne'er-do-well brother Link (Antonio Fargas) is a drug dealer who owes mobsters 20,000 dollars. To get the hoods off his back, Link names Foxy's boyfriend as a government agent trying to wipe out organized crime, and the mob soon has him rubbed out. But Hell hath no fury like Foxy Brown scorned; posing as a hooker to get the inside scoop on the mob, she goes on a crusade to find out who murdered her man, and she exacts revenge with the help of a local activist group. The supporting cast includes cult figure Sid Haig as a bad guy (as usual) and Peter Brown and Kathryn Loder as a seriously kinky couple who rule the local mob. ~ Mark Deming, All Movie Guide

Leslie Nielsen guest stars as Michael Hagar, the mastermind of a million-dollar diamond heist. What Hagar doesn't realize is that he is being manipulated into adding murder to his list of crimes. Pulling the strings is Hagar's sexy partner Paula (Ja'net DuBois, a duplicitous loan shark who has planned all along to use the jewel robbery to cover up the killing of her husband. Kojak (Telly Savalas) has a high old time bringing the villains to justice in this episode, which also features an early appearance by Antonio Fargas, aka "Huggy Bear" on Starsky and Hutch. ~ Hal Erickson, All Movie Guide

It's still the same old story...but what a story. This umpteenth filmization of the classic Mark Twain novel stars Ron Howard as Huck and Donny Most as Tom Sawyer. After faking his own murder to escape his brutish Pap (played by Howard's real-life father Rance), Huck and fugitive slave Jim (Antonio Fargas) fashion a raft and head off down the Mississippi. The darker elements and sociological commentary of the Twain original are carefully excised from this version, the better to allow more time for the antics of those "royal" rapscallions, the King (Jack Elam) and the Duke (Merle Haggard). Mark Twain himself makes a guest appearance, in the person of Royal Dano. Filmed along the Sacramento River in California (a frequent movie "stand-in" for the Mississippi), Huckleberry Finn was first broadcast March 25, 1975. ~ Hal Erickson, All Movie Guide

Michael Schultz directed this kinetic, hyperventilating comedy (scripted by Joel Schumacher) concerning the crazed events that go on within a single 10-hour period at a Los Angeles car wash. The cast of colorful car-wash employees includes Lonnie (Ivan Dixon), an ex-con; Duane (Bill Duke), a militant black activist; and Lindy (Antonio Fargas), an obnoxious homosexual. Sully Boyar plays Mr. B, the frazzled car-wash owner who has to deal with his screwball employees along with his over-educated slip of a son, Irwin (Richard Brestoff), who quotes Mao and wants to radicalize the workers. Also along for the wash and wax are Miss Beverly Hills (Lauren Jones), with a wild assortment of wigs; Marsha (Melanie Mayron), the distracted car wash secretary; a mad bomber (Prof. Irwin Corey), who is terrorizing the neighborhood; and Daddy Rich (Richard Pryor), the founder of the Church of Divine Economic Spirituality, who sports a gold limousine. Danny de Vito, Brooke Adams and others were originally in the cast but their scenes were ultimately deleted. ~ Paul Brenner, All Movie Guide

The made-for-TV Escape was inspired by the true story of Dwight Worker, an American imprisoned in Mexico for smuggling hashish. Given the country's stringent anti-drug laws, Worker's chances of release are slim to none (a situation similar to the protagonist's plight in Midnight Express). Against all odds, Worker plans a daring getaway from the notoriously impenetrable Lecumberri Prison (for obvious reasons, the film was not shot on location). Timothy Bottoms stars as Worker, with Kay Lenz as Barbara Chilcoate, the woman who became his wife; Colleen Dewhurst co-stars as the sympathetic "Mother Jones" type who helped engineer the escape. Adapted from Dwight and Barbara Worker's autobiography, Escape debuted February 20, 1980. ~ Hal Erickson, All Movie Guide