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Charles A. Fang Movies

1923  
 
This average South Seas romance -- based on a novel by Harold McGrath -- was the second film featuring stage star Alfred Lunt. Playing opposite him is fashion model Mimi Palmeri in her acting debut (and, possibly, swan song -- after this film, she was apparently never heard from again). Lunt plays Howard Spurlock, who takes money from his uncle which he believes to rightfully be his. Fearing that the police are on his trail, he travels to the South Seas, where he takes to drink out of guilt. In Canton he becomes so ill that he requires attention, which is provided by Ruth Enschede (Palmeri), the naive daughter of a missionary (Charles Kent). Spurlock, believing that circumstances have compromised Ruth, marries her and only later does he learn to love her. He finds work through a doctor (Wallace Erskine), and straightens himself out. Spurlock's aunt (Marie Day) tracks him to the South Seas and informs him that his uncle never pressed charges and that he was never in trouble in the first place. ~ Janiss Garza, Rovi

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Starring:
Alfred LuntMimi Palmeri, (more)
 
1923  
 
Famed escape artist Harry Houdini functions as producer, director and star of Haldane of the Secret Service. After his detective father is murdered by the villains, Heath Haldane (Houdini) dedicates himself to tracking down their scoundrels. Time and again, the bad guys trap Haldane in ropes, chains and strongboxes. And time and time, our hero wriggles out of his predicaments with the skill of? well, of Harry Houdini. The one surprise in Haldane of the Secret Service is the identity of the head criminal, a surprise which will not be revealed in these notes. ~ Hal Erickson, Rovi

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Starring:
Harry Houdini
 
1923  
 
Respected stage star Alfred Lunt occasionally appeared in motion pictures; this curious and not terribly inspired mystery from Goldwyn was his inauspicious film debut. When Yvonne de Chausson (Edith Roberts) comes home from a trip to France, she is told that her grandfather, lumber magnate Andre de Mersay (Emile La Croix), has been stricken with an undisclosed illness. He is sequestered in a room and his secretary refuses to allow Yvonne to see him. Her attempts to get to him are constantly thwarted and the plot thickens with the appearance of John Thorne (Lunt), who purchases part of the family's land holdings without Yvonne's consent. A flashback to the France of the days of Louis XV early on in the film gives a few clues to the finish. Yvonne eventually discovers that her grandfather is dead, and a fight between Thorne and the old man's doctor (Frank Evans) proves that Thorne is really on Yvonne's side. Romance and resolution follow. ~ Janiss Garza, Rovi

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Starring:
Edith RobertsAlfred Lunt, (more)
 
1919  
 
This burlesque on old-fashioned melodramas starred 1910s screen lovers Francis X. Bushman and Beverly Bayne (they were also real-life lovers who had just gotten married a year before making this film). Sheriff Andrew Craig (Bushman) loves Ruth Heatherly (Bayne), but he has a rival in the village blacksmith, Rufus Sanborn (Samuel Framer). Ruth can't decide between the two men and her mother (Helen Dunbar) wants her to marry Percy Smallwood (Valentine Mott), who is heir to a fortune. But Smallwood is wanted by the law for taking advantage of a girl in a nearby town. Smallwood goes to Ruth for protection and she hides him from the authorities. Craig, however, discovers that she is hiding him and confronts her. Ruth promises to marry Craig if only he will leave Smallwood alone. Torn between love and duty, Craig chooses love and agrees to Ruth's suggestion. Smallwood is allowed to flee and it turns out that he wasn't the guilty party anyhow. Since he doesn't love Ruth, he is more than happy to hand her over to Craig, who has vanquished Sanborn in a fist fight. ~ Janiss Garza, Rovi

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1918  
 
The romantic duo (both onscreen and in real life) of Francis X. Bushman and Beverly Bayne play for comedy here -- a far cry from their Romeo and Juliet two years before. Cyrus Higgins (Bushman) is a traveling minister who arrives in Yellville with his servant, Jonathan Moses Chi Wu Lung (Charles Fang). No preacher has made his mark in this wanton town, and the villagers aren't about to let this one stick around -- that is, until Higgins thrashes Jasper Stone (John Prescott), a dishonest deputy sheriff. He beat Stone up to save Sally Phillips (Bayne), who now seeks refuge in his home. Sally's presence in the minister's house causes a scandal, so he sends her off to his sister, Mary (Helen Dunbar), to get an education. Stone is bent on revenge, but his attempts to harm Higgins are all unsuccessful. A little waif (Ivy Ward) is left on Higgins' doorstep, so when Sally returns, he is compelled to tell her that she will have to share his love with another woman. Sally doesn't mind when she sees the tot, and the couple are united. ~ Janiss Garza, Rovi

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1918  
 
In cinema's first few decades it was common for Caucasians to play Asian roles, and here Norma Talmadge is San San, the daughter of a Chinese mandarin (in fact, no Asians hold any major roles in this film). San San is in love with John Worden (Thomas Meighan), the secretary of the U.S. consulate, and they secretly marry. But while Worden is away, her status-seeking father gives her to the emperor (L. Rogers Lytton). But when the emperor finds out she has a child, he has her killed. The little girl, Toy (played as an adult by Talmadge), grows up and escapes from China to be a Red Cross nurse in Manila. There she meets Lieutenant Philip Halbert (Reed Hamilton) and they fall in love. However, Halbert's boss is Worden and he forbids them to marry. After sending Halbert away on a mission, Worden falls ill and is nursed back to health by Toy. He discovers that Toy is his own daughter and, remembering his own tragic young romance, changes his mind and gives his blessing to the couple. ~ Janiss Garza, Rovi

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1917  
 
Filmed on location at Saranac Lake and the St. Lawrence River in New York State, The Jury of Fate starred Mabel Taliaferro in the dual role of the Labordie twins, Jeanne (a girl) and Jacques (a boy). Jeanne grows up resigned to the fact that Jacques is her father's favorite child. Thus, when Jacques accidentally drowns, Jeanne cuts her hair short and assumes her brother's identity. While this rash act prevents Jeanne's father from suffering a fatal heart attack, it throws the girl's boyfriend Donald (William Sherwood) into despair; after all, if "Jacques" is still alive, then Jeanne would have to be the drowned twin. The hero and heroine are not reunited until the very end of the picture, by which time Jeanne has become the unwitting cause of the deaths of two men -- who, fortunately for the purposes of the plot, are the villains of the piece. The Jury of Fate contained many of the bizarre, surrealistic elements that would soon become de rigueur in the films of director Tod Browning. ~ Hal Erickson, Rovi

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Starring:
Mabel TaliaferroWilliam Sherwood, (more)
 
1917  
 
The leading romantic team of the 1910s, on as well as off the screen, Francis X. Bushman and Beverly Bayne experienced a major failure with this serial released in 18 chapters by Louis B. Mayer. The screenplay, by Fred de Gresac, was the already then hoary old story of a beautiful heiress who must fend off a series of usurpers before she can collect the reward and marry Prince Charming. Serial audiences, alas, didn't take to the Bushman/Bayne team, who was better equipped for stolid society dramas than rough-and-tumble chapterplay shenanigans. The Great Secret, in fact, marked the beginning of a rapid decline for the couple, whose careers were soon in the doldrums. ~ Hans J. Wollstein, Rovi

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1916  
 
Foreign powers keep getting their hands on U.S. military secrets, so the head of the American diplomatic corps calls in his nephew Dick Stansbury (Francis X. Bushman) to help. Stansbury knows that Doctor Montell (Henry Bergman) is at the bottom of this, so he poses as an inventor of an innovative aerial gun. This sparks the doctor's interest, and when they both attend a weekend party at the Ryerson estate, Montell tries to get Stansbury to sell the gun to his country. Stansbury gets his man by rigging the gun up to an electrical wire, which shocks Montell when he and his cohorts try to steal it. This was Bushman's first try at directing, and he clearly abused his new authority -- his unfortunate habit of posing comes to the fore, and his character drives a fancy car that's obviously a Bushman possession -- it even has the star's initials on the radiator! So intent was the matinee idol on his own glory that his co-star, and the film's love interest, Beverly Bayne was pretty much relegated to the background. ~ Janiss Garza, Rovi

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