Olivier Delbosc Movies

Death takes one man on a journey that is by turns beautiful and terrifying in this feature from writer and director Gaspar Noe, who describes it as "a psychedelic melodrama." Oscar (Nathaniel Brown) is a small time drug dealer who sells his wares at a club in Tokyo called "The Void." In the midst of a deal that goes sour, Oscar is shot dead, and finds himself crossing from one plane of existence to the next. When he was younger, Oscar made a pledge to his younger sister Linda (Paz de la Huerta) to always look after her, and as his soul leaves his body, the spirit is led on a journey through Tokyo, past traditional consciousness and into the moment of human creation as he struggles to be reunited with Linda, who now works as an exotic dancer. Soudain Le Vide (aka Enter The Void) received its world premiere at the 2009 Cannes Film Festival. ~ Mark Deming, All Movie Guide

A small war between science and religion is waged over the fate of a mentally ill teen in this thriller from writer and director Agnes Merlet. Jane Morton (Carice van Houten) is a psychotherapist who has been summoned to a small island community off the coast of Ireland to investigate a case of a profoundly disturbed young woman. Dorothy Mills (Jenn Murray) is a teenager who strangled a young girl outside a church for no apparent reason; she's being kept in the village hospital, where she displays a broad variety of bizarre and violent behavior. Jane soon diagnoses Dorothy as suffering from multiple personality disorder and attempts to sort out the various anti-social identities that battle for control of her mind. But Pastor Ross (Gary Lewis), head of the local church, has a different view of Dorothy's problem -- he's convinced Dorothy has been possessed by the devil, and he believes an exorcism is the cure, not therapy. A number of Ross's parishioners share his views and don't want Jane imposing her big-city ways on them, even as the doctor is getting to the roots of Dorothy's problems. ~ Mark Deming, All Movie Guide

As helmed by Gilles Bourdos, this supernatural thriller - a Franco-German-Canadian co-production - continues John Malkovich's career-long tradition of playing offbeat, enigmatic figures with a menacing air. Romain Duris stars as Nathan Del Amico, an attorney doubly haunted by his past, as the survivor of a near-death experience as a child and a witness of his own baby's death. As a product of these crises, Nathan has buried himself in his work and now suffers from a bad case of familial estrangement from his separated wife Evangeline Lilly and little girl. Then the mysterious Dr. Kay (Malkovich) turns up, claiming that he has clairvoyant visions informing him when someone is about to die - a gift as a "messenger" that enables him to make each person's transition out of life a smooth and easy one. Suddenly, upon hearing Kay's claims, Nathan feels his death-laden memories double in intensity - and grows increasingly convinced that either he now stands on the verge of death, or that he has the same messenger abilities as Kay. ~ Nathan Southern, All Movie Guide

Actress-cum-director Valeria Bruni-Tedeschi's sophomore feature, the comedy-drama Les Actrices (Le reve de la nuit d'avant), follows the trials and travails of Marcelline (Tedeschi), a tense and jittery stage thesp whose personal and professional life threaten to fall into pieces simultaneously. On a personal level, Marcelline hits the midpoint of her life, hears her biological clock ticking, and longs desperately for a child. At work, Marcelline's inability to find the core of her character, Natalia Petrovna, in a production of Turgenev's A Month in the Country only causes her emotional tension to double. In time, she regresses into such a basket case that she can barely respond to the stage director's query about whether she is right or left-handed. Marcelline's natty and overanxious mother (Marisa Borini, Tedeschi's mother in real life) weighs heavily on her as well, pressuring her constantly about the need to find an appropriate suitor before time runs out; instead, Marcelline finds herself drawn helplessly to Eric (Louis Garrel) a sexy young actor in the production - who, without her knowledge, nurtures reciprocal affections. This parallels the events that befall Petrovna in Turgenev's play, and indeed, at one point the spirit of Petrovna (Valeria Golino) appears to Marcelline for much-needed counsel. Meanwhile, as Marcelline weathers her own personal crises, one of her friends, Nathalie (Noemie Lvovsky) - the assistant to the play's director - struggles with her offstage lack of fulfillment as a wife and mother. ~ Nathan Southern, All Movie Guide

Writer/director Samuel Benchetrit takes the helm for this laid-back crime comedy that weaves together four stories which all eventually convene at a roadside diner. Franck (Edouard Baer) is a petty criminal who is currently pondering the prospect of holding up a remote diner. When observant waitress Suzie (Anna Mouglalis) eventually realizes that Franck has more than a meal on his mind, she reveals that she too had considered robbing the place until getting disheartening peak at the anemic cash register. In the second story, desperate criminals Leon (Bouli Lanners) and Paul (Serge Lariviere) kidnap the daughter of a wealthy businessman in hopes of earning a tidy ransom, but soon find themselves forced to act as surrogate parents when the young girl is revealed to be suicidal. Later, after two aging rock stars (Alain Bashung and Arno) discuss their careers over a meal at the diner, four former gangsters smuggle an old friend out of the hospital for a nostalgic trip to their former hideout, only to discover that the familiar log cabin has long since been razed and replaced with a modest diner that provides no means for lying low. ~ Jason Buchanan, All Movie Guide

A bourgeois office drone whose raison d'état is the music of French rocker Johnny Hallyday awakens one day in an alternate universe where the famed musician never recorded a single song. When he's not at the office dutifully plugging-away, Fabrice (Fabrice Luchini) lives a deadly dull life in the suburbs of Paris with his bored wife (Guilaine Londez) and rebellious teenage daughter (Elodie Bollee). The only thing that ignites passion in Fabrice's lifeless existence is the music of Johnny Hallyday, and every chance the smitten Fabrice gets he ventures up into the attic to worship at the shrine he has built to the larger-than-life pop icon. One night while drunkenly shuffling home, Fabrice goads on a quick-tempered neighbor and earns a stiff punch in the nose for his efforts. Upon awakening to discover that his elaborate rock star shrine is now a simple collection of beer cans, Fabrice calls to report a burglary to police. Strangely enough, no one - not even the police or his wife - has ever heard the name Johnny Hallyday. Subsequently, Fabrice makes it his mission in life to locate Hallyday and get him behind a microphone by any means necessary. Though the world's biggest Johnny Halliday fan does indeed eventually stumble across a bowling alley proprietor (Hallyday) who was once an aspiring teenage rock star, he soon finds his efforts to revive the failed singer's career thwarted in the most unexpected of ways. ~ Jason Buchanan, All Movie Guide

Diagnosed with terminal cancer and given only a short while to live, a successful fashion photographer embarks on one final journey in the second of three films in a trilogy about death and mourning from French director François Ozon (the first entry in the the trilogy was Under the Sand) . After passing out during a particularly grueling photo shoot, high profile shutterbug Romain (Melvil Poupaud) is shocked to discover that his body has been ravaged by a fully metastasized cancer that will soon kill him. Without revealing the cause for his erratic behavior, the shell shocked Romain commences to alienate his entire family and ditch his handsome young boyfriend before connecting with affable waitress Jany (Valeria Bruni-Tedeschi) at a roadside café while en route to his grandmother's house. Upon arriving at the home of the one family member he knows will be joining him shortly in death, Romain's naked vulnerability is met with a gentle ear and sound advice. Once again meeting with the kindly Jany on his way to his ultimate fate, Romain and the waitress strike up an unusual bargain. ~ Jason Buchanan, All Movie Guide

Four prisoners sharing the same cramped cell make a discovery that could help them escape from even the most high security prison if it doesn't split their world wide open first. Carrere is an ambitious company director serving time for fraud, Marcus is a thirty-five year old transsexual on course to becoming a real woman, Daisy is a mentally deficient servant, and Lassalle is a sixty year old intellectual who murdered his wife of many years. Together, these lawless misfits do their best to serve their time without losing their minds. One day, after discovering a loose stone slab in their cell, the four incarcerated convicts unearth the diary of a former prisoner named Danvers who occupied the exact same cell at the turn of the century. According to the diary, there exist magic formulas so powerful than any prisoner could use them to escape. Later, when the men attempt to decipher the formulas, the entire prison becomes a terrifying cauldron of bizarre phenomena. ~ Jason Buchanan, All Movie Guide

Directed by Julien Magnat, Bloody Mary is a piece of French kitsch chronicling the journey of Bloody Mallory (Olivia Bonamy), the paranormal commando hired to rescue the pope from the band of ghouls who kidnapped him during a visit to Notre Dame. The issue is complicated when the Vatican's publicist is revealed as a frontman for the forces of evil. Mallory is no one to be trifled with, however--she hacked her own husband into pieces on their wedding night when he turned out to be a demon. Along with her crew, which includes a shape-shifting mute little girl with telepathic powers, and a 7-foot French-American drag queen (Jeffrey Ribier), Mallory has no qualms about fighitng evil. ~ Tracie Cooper, All Movie Guide