Matthew Arkin Movies

An elderly community handyman and notorious curmudgeon effectively isolates himself from his friends and neighbors by suing his lifelong best friend over a minor transgression in director Neal Miller's character-driven comedy drama. Flagg Purdy (Alan Arkin) is a cantankerous old coot who prides himself on principle. Despite Flagg's gruff exterior, his longtime wife, Ada (Barbara Dana), still cherishes her husband, and knows that his heart has always been in the right place. The pair's six grown children know too that their father has always meant well, even in times when his questionable parenting skills may have fallen a little on the heavy-handed side. One day, while playing his weekly game of checkers with friend and neighbor Gus Falk (Austin Pendleton), Flagg angrily accuses his nonplussed opponent of cheating. Though Gus is initially able to laugh off the accusation, the conflict soon escalates when Flagg storms into Gus' general store complaining that his friend's sheep have been relieving themselves a little too close to the well that supplies the Purdys' drinking water. When Gus retorts by pointing out that it is his well, and that the sheep are also his, the enraged Flagg responds by suing his neighbor. Though a surprise witness nets Flagg an unexpected win in the courtroom, the resulting effect that his litigious actions have on the family's already tenuous community relations soon leave his family in the lurch. Subsequently retiring to his "deathbed" and requesting the presence of his children before he bids the cruel and uncaring world a final farewell, Flagg is forced to consider that he may be more like his stubborn father than he would care to admit as, one by one, his offspring fail to bring their father back from the "brink." ~ Jason Buchanan, All Movie Guide

Danny DeVito steps behind the camera for this darkly funny satire that combines elements of Barney and Friends with the real-life Pee-Wee Herman scandal while recalling the director's previously twisted black comedies Throw Momma From the Train (1987) and The War of the Roses (1989). Robin Williams stars as Randolph Smiley, a popular children's show host known professionally as "Rainbow Randolph." Dismissed from his beloved job when he's caught taking payola, Randolph becomes increasingly mentally unhinged and the target of his delusional revenge fantasies is Sheldon Mopes (Edward Norton), otherwise known as Smoochy, the fuchsia rhino character that has replaced him and soared to national popularity. Randolph soon learns that his ex-girlfriend and network executive Nora Wells (Catherine Keener) is sleeping with Sheldon, so he sets out to kill Smoochy, egged on by an unexpected ally: corporate president Marion Frank Stokes (Jon Stewart), who should be profiting from Smoochy's rise to fame, except for the fact that he and his cronies are unable to control the idealistic Sheldon's on-air agenda. Death to Smoochy (2002) co-stars Harvey Fierstein, Vincent Shiavelli, and Michael Rispoli. ~ Karl Williams, All Movie Guide

In this conclusion of a two-part story, the detectives and the lawyers vow to avenge the slaying of a woman whose son witnessed a Russian Mafia hit. Relentlessly digging up every possible lead, the forces of law and order endeavor to expose a widespread money-laundering scheme -- and to prevent any more killing of witnesses or destruction of evidence. As ADAs McCoy (Sam Waterston) and Carmichael (Angie Harmon) risk violating the civil liberties of witnesses by keeping them in protective custody, detective Curtis (Benjamin Bratt) is hit with a tragedy in his own household. Both parts one and two of "Refuge" were broadcast May 25, 1999, as the finale of Law & Order's ninth season -- and, incidentally, as the swan song of series regular Benjamin Bratt. ~ Hal Erickson, All Movie Guide

A boy divorces his parents in this comic fantasy for the family. North (Elijah Wood) is the sort of kid most parents dream of -- he's bright, well-behaved, a good student, and a great baseball player. But North's Mom and Dad (Julia Louis-Dreyfus and Jason Alexander) are so busy with their lives and careers that they barely have time for him. A man dressed as the Easter Bunny (Bruce Willis) who serves as North's conscience and advisor suggests to him that if he's not happy with his parents, maybe he could do better elsewhere. North hires a lawyer, Arthur Belt (Jon Lovitz), who presents his case to Judge Buckle (Alan Arkin); the judge declares North a free agent, and he gives North two months to find new parents, otherwise he'll be sent to the orphans' home. North finds himself travelling the globe auditioning prospective parents, while a boy named Winchell (Matthew McCurley) thinks that North's legal victory could be the first step in kids taking over the world. North's would-be parents include Kathy Bates, Dan Aykroyd, Reba McIntire, and Kelly McGillis. ~ Mark Deming, All Movie Guide

College sophomore Andrea Fermi (Noelle Parker) claims she was gang-raped after attending a Halloween party at a boys' fraternity house. Anxious to bring those responsible to justice, Assistant D.A. Robinette (Richard Brooks) utilizes questionable tactics to nail a confession. This may prove to be the Prosecution's undoing -- and the rapacious college boys may well escape scot-free. ~ Hal Erickson, All Movie Guide

A New York wife learns about the satisfactions of single life in this landmark 1970s "woman's film." Unlike her dysfunctional friends, vibrant Erica (Jill Clayburgh) seems to have it all: a nice Upper East Side home, a well-adjusted teenage daughter (Lisa Lucas), a job at a Soho art gallery, and a loving husband, Martin (Michael Murphy). Erica falls apart, however, when Martin leaves her for a younger woman. Finally, at her female therapist's urging, Erica ventures out into the world of singlehood, finding solace in female bonding and even casual sex. As she adjusts to her new life, Erica realizes that she likes her freedom and independence. But when she falls in love with sensitive bearded artist Saul (Alan Bates), Erica must decide whether to turn down a lucrative job to spend the summer with her man in Vermont or forge ahead with her new existence. One of a group of new "women's pictures" made in the wake of post-1960s feminism, including Alice Doesn't Live Here Anymore (1974) and The Turning Point (1977), An Unmarried Woman updated the genre's concern with relationships and love by turning the heroine's unwedded status into a positive growth experience. The great female stars of the past like Joan Crawford and Bette Davis may be gone, as Erica and her friends mourn, but so is the all-consuming suffering of classical weepies, as writer/director Paul Mazursky ends the film on a note of reserved affirmation. While some critics (including feminists) complained that Saul was too much of a romantic fantasy, An Unmarried Woman was praised for Clayburgh's performance, and earned Oscar nominations for Best Picture, Best Actress, and Best Screenplay. A hit with 1978 audiences, An Unmarried Woman provoked viewer debate over Erica's final choice and its meaning for women. Either way, An Unmarried Woman astutely pointed to how far the new 1970s woman had come -- and how far she still needed to go. ~ Lucia Bozzola, All Movie Guide

In the conclusion of Kojak's two-part Season Three opener (originally seen as a single two-hour "special" episode), Kojak (Telly Savalas) continues putting pressure on an unjustly jailed man to turn state's evidence against the loan shark who framed him. This is the first step in an overall plan to break the back of a mob-controlled racket which specializes in knocking off people who can't pay their debts. Complicating matters is an ambitious Federal agent who wants to beat Kojak to the punch. ~ Hal Erickson, All Movie Guide